Just in Case Disclaimer: This is a post about stars from RuPaul’s Drag Race appearing on an independent channel where comedians play RPGs. In case you did not realize this already, the language and references can get salty.
Have you watched all of Critical Role and don’t know how to get your RPG fix? Got behind on RPDR and want some new references to keep in your back pocket for trivia? Do you enjoy drag and/or RPGs? Check out D20, Dungeons and Drag Queens.
So, lets get started and say, “Hello Questing Queens!”
Welcome Adventurers to “Dungeons and Drag Queens,” where the worlds of drag and Dungeons & Dragons (D&D) collide in a fabulous campaign hosted by the ever-charismatic Brennan Lee Mulligan. Like Monet’s foundation, Brennan lays the character on thick.
In this Dimension 20 adventure, four iconic queens from “RuPaul’s Drag Race” embark on a quest to the Underworld, each bringing their unique flair and talents to the table.
The Queens of the Campaign
Bob the Drag Queen as Gertrude: The Wise Witch of the Woods
Bob the Drag Queen, winner of “RuPaul’s Drag Race” Season 8, brings her comedic genius and charismatic personality to the role of Gertrude, a sardonic and powerful witch. Known for her sharp wit and ability to command attention, Bob infuses Gertrude with a sense of humor and depth that adds layers to the character’s solitary existence and magical prowess.
Alaska Thunderfuck as Princess: The Towering Orc Warrior
Alaska Thunderfuck, an icon from Season 5 and winner of “All Stars” Season 2, steps into the armored shoes of Princess, an orc with a penchant for pink and a heart as big as her stature. Alaska’s flair for the dramatic and her larger-than-life persona translate seamlessly into Princess’s bold and fearless approach to both fashion and combat.
Monét X Change as Troyánn: The Merfolk-Assassin with a Mission
Monét X Change, co-winner of “All Stars” Season 4, embodies the role of Troyánn, a determined assassin with a complex heritage. Monét’s regal presence and versatility shine through in Troyánn’s dedication to her task and the emotional depth she brings to her quest for redemption and truth.
Jujubee as Twyla: The Fierce Fairy with a Fiery Spirit
Jujubee, a beloved figure from Seasons 2 and 5, and “All Stars” Seasons 1 and 5, well known for one of the most epic reads in RPDR herstory (IYKYK) takes flight as Twyla, a fairy with a passion for dance and a fierce determination to restore her realm. Jujubee’s charm, wit, and resilience are reflected in Twyla’s spirited fight to protect her people and her unwavering belief in hope.
The Quest to the Underworld
Each queen has a personal wish to be granted by the Queen of the Underworld, leading them to form an unlikely alliance. Gertrude seeks a new beginning away from the dangers of witch hunters, Princess yearns to resurrect her slain family, Troyánn aims to uncover the truth about her mother’s pact, and Twyla hopes to restore the Fey realm. Together, they travel the Gallows Road, facing challenges and uncovering secrets that will test their strength, resolve, and friendship.
The Journey Ahead
“Dungeons and Drag Queens” is more than just a campaign; it’s a celebration of diversity, creativity, and the power of storytelling. As these queens embark on their journey to the Underworld, they remind us that the worlds of drag and D&D are not just compatible, but complementary, offering a space where identity is celebrated, and every roll of the dice tells a story of courage, camaraderie, and fabulousness.
So, grab your dice, adjust your wig, and your nails (because if you don’t have nails are you really doing drag?) , beat your face to the gods, then roll for Charisma (there are no specific rolls for Uniqueness, Nerve, and Talent) and prepare for a journey that’s as fabulous as it is fantastical. This show made me laugh (including the always embarrassing snort laugh) it made me cry, it gave me all of the feels.
There’s character development, action, amazing miniatures and set work, outstanding improv, and a whole lot of shade. With Brennan Lee Mulligan at the helm and a cast of queens ready to slay, “Dungeons and Drag Queens” promises to be an adventure like no other.
Title Image and blog post include promotional images from Dimension 20, used under the principles of fair use for the purposes of commentary, criticism, and discussion. Dimension 20, Dropout:, and its related marks are trademarks of their respective owners, and their use in this post does not imply any affiliation with or endorsement by them.
This week was what many of us have been waiting for, the release of the first two episodes of X-Men ’97 on Disney Plus. Don’t know what I’m talking about?
This was very much like a nice warm soup for my soul on a rainy New England day.
So I’ll say this if you watched the original animated series, you’re definitely gonna like this and if you didn’t, you will also like this, I think. Here’s an in-depth review on Rotten Tomatoes. TLDR? It’s rated at 100%.
The story begins where the previous series left off, Charles Xavier, having been assassinated, and with human/mutant traffickers wearing FOH armbands (Friends of Humanity) and armed with portable sentinel blasters that make them look like a weird GI Joe/ Mega Man crossover, a charming rich kid with yet to be discovered solar powers, who hits the message on the head when he says “I was born this way”.
Anyway, the FOH folks have a lot of new tricks, gadgets, and are playing very, very dirty. You can tell by their motto ‘Tolerance is Extinction’ that they’re basically espousing the Great Replacement Theory.
So we kick off with Jean very pregnant, the X-men in somewhat of a rough spot following Xavier’s death, but everyone doing their best. Meanwhile a bunch of bigots have been amassing sentinel tech (in this case literally stockpiling arms?) in the desert.
There are several twists and turns in the first two episodes. Outstanding action sequences including some freaking amazing combination use of powers and definitely more violence than the original. Most of the original (might I add epic and the voices of my childhood) have returned. The writing is solid, and there isn’t a moment to breath during the episode.
There are some laughs, some groans, and a few moments that absolutely gave me the feels. If I try to give you hints I’ll just end up giving you a play by play of all my favorite moments so instead, please just go watch it and let me know what you think.
I will absolutely be eagerly awaiting the next episode (weekly on Wednesdays). Join me!
Cover Image is Official X-men ’97 Promotional Art provided by Disney+
Ever since Page Wooller announced they would be releasing the next book in the Emily Corn series at Providence QTZ Fest I have been excited to discuss with them how this journey started.
In a world oversaturated with superhero sagas and dystopian dramas, Page Wooller and Ali Vermeeren’s graphic novel, “Emily Corn“, emerges as a refreshing comet in the vast universe of graphic literature.
The Uncharted Journey of Emily Corn
At the heart of this tale is Emily, a character shrouded in mystery and isolation. Raised in seclusion, Emily’s journey is not just about discovering the world but also about self-discovery and breaking free from the confines of a shielded life. The revelation of a secret propels the story into a high-stakes adventure where Emily’s acceptance of her identity becomes crucial for the survival of Earth itself.
A Rich Tapestry of Art and Storytelling
Vermeeren’s artwork is a visual feast, a blend of shadow and light that perfectly encapsulates the dual themes of darkness and enlightenment prevalent in the story. The black and white palette underscores the eternal struggle between good and evil, making each panel a piece of art worth pondering over.
Accessibility: A Small Hurdle in the Digital Age
For those opting for the e-book format, be prepared for a bit of zooming in and out. The small text can be a strain on the eyes when read on a smartphone. However, this minor inconvenience does not detract from the overall experience, especially given the engaging narrative and striking visuals.
Conclusion: A Must-Read for Graphic Novel Enthusiasts and Beyond
“Emily Corn” is not just a graphic novel; it’s a journey of magic, identity, and the complexities of growing up. It’s a testament to the power of storytelling and how it shapes our understanding of ourselves and others. While there are areas where the narrative could have been more nuanced in its representation, the novel remains a significant contribution to the genre.
To those who have yet to delve into the world of graphic novels, let “Emily Corn” be your gateway. To the seasoned aficionados, add this to your collection and revel in the magic that Wooller and Vermeeren have so vividly brought to life.
For those who haven’t met Page, they are somewhat of a modern Renaissance person. A writer, dancer, painter, farmer and activist, musician, and previously wrote text books. Page is … an experience.
And Now on to the interview!!!!!
Damon: Have you had a big presence at Conventions (ie. Flame Con.)? Either way, how has it been interacting with your fans, whether in person or online?
Page: Due to our release date being in early 2020 during COVID, being a big presence at conventions was not a possibility for us. We instead contacted stores, a radio station in Australia and a few reviewers who wrote about the comic. Most contact with fans happened through Facebook, one person messaged about the excitement they had in getting a non binary comic book for their child who identified as being non binary, they said it would be a welcome distraction from all that was going on with COVID. Just reaching even one child and giving them hope that there are non binary characters in comics made me feel like I had a purpose.
Damon:How does your personal identity and experiences as an LGBT individual influence your creative process and the stories you choose to tell?
Page: My stories I draw heavily from my own experiences and identity as a non binary/ gender fluid human. There are times when I have felt totally alone with my feelings. This is another reason I felt like a story like this needed to be written, in order to reach those who have felt as alone as I have during my process of finding my identity. On one hand I don’t feel welcomed into the gay world and on the other hand I don’t feel welcomed into the straight world, so I’ve learnt to start creating my world, through stories.
Damon: Can you walk us through your typical creative process? How do you develop ideas, create characters, and bring your stories to life on the page?
Page: Mmm, my process is pretty complex, I start with a general frame work and then begin to gather scattered pieces of ideas from my head, small detailed experiences and creative ideas that I feel would fit into the plot of the story. At this time I’m never quite sure as to when these glimpses into my mind will occur, so I carry a note book and pen everywhere I go, scribbling down the ideas as fully as I can. Next I randomly transfer these scribblings onto the computer, in no particular order. The process then continues into ordering the sequences of the story into a streamline tail that runs smoothly from beginning to the end. This is then read and re read, edited and re edited until its clean and then I transfer it chunk by chunk into a graphic novel script for the illustrator to then work from, which gives a detail description of what occurs on each page, how many panels per page, characters in each panel and what’s being said by whom and so on.
Damon:Are there any specific comic book artists or writers who have influenced your style or storytelling approach? How have they inspired you?
Page: So many influences, Neil Gaiman, Terry Pratchett, Marion Zimmer Bradly, Ann Rice, and Edgar Allen Poe to name a few. The main way these artists have inspired me is by the way they touch my visual thinking. I have dyslexia and one gift it gives me is the ability to see in images rather than words. Dimensions and form grow from words. All these artists have fueled this skill.
Damon: How do you envision your work impacting readers, particularly those who identify as LGBTQ+? What messages or emotions do you hope to convey through your stories?
Page: I hope to paint a clear depiction of how aspects of my own psyche have formed over the years as a child with an extreme imagination and a flare for the extravagant. I have never stopped learning and growing as we live in a world of adult absolutes. I love changing and finding out new things and this child like enthusiasm to uncover new things, like the ability to write while also having dyslexia which I only discovered in my fourties’ should never leave us. I hope the readers gain a reconnection to that inner child before the worlds rules of rational thinking took over and sensible choices were made over fun and adventurous ones.
Damon: Who is your favorite Federation Captain, and why?
Page: Ooo, I love this question, what a great one to finish on. I would have to say Janeway. I like powerful intelligent women who are in charge as role models that challenge male dominated characters. When I grew up there were very few gay role models in fictional stories and on the tv, so, I turned to women as my main arena of selected models. Women that stood against the overpowering male dominant stigma. Women who weren’t afraid to feel emotions and express them in the face of being opposed by with anger, violence and manipulation. It gives me goose pimples just thinking about it.
Don’t support any of the listed authors below. Yes, people (read: parents) took them seriously. I know it sounds ridiculous but the panic was real, even if the actual threat was not.
Do be queer and do geek stuff. (D&D, TMNT, and Pokemon are super cool!)
For those of us born in the 1900’s, in that magical time when we had very little parental supervision, but also could play Oregon Trail in school and call it educational
Fording the river, although dangerous and unnecessary, was always the best part – ************************************(no, I will not hear arguments) **********************************
The internet was an excellent opportunity to explore all those things our parents didn’t understand, get dubiously backed up answers to questions we were afraid to ask, or ask random strangers ASL? Which, of course, was not American Sign Language.
…. or use the 14.4k modems at the Public Library to look up the Space Jam Website,
(of note, that JNCO Baseball on NEX, and playing NBA Jam on SNES were mostly the extent of my sports involvement until college)
Anyway, the 1980s and 1990s were decades marked by a phenomenon known as “moral panic.”
During this time, a slew of books emerged that ignited widespread fear and controversy, often targeting LGBTQ+ themes and characters. So today, right in time for spooky season,, we’ll embark on a journey through the pages of these moral panic books, examining their impact on the LGBTQ+ community and how they continue to shape discussions today.
Disclaimer: I read these hilariously awful books so you don’t have to, and don’t worry – I read them at the public library (yes I said at the library) so no money went to these jokers and their demand won’t inch up at all. I do not believe in banning books, but I’m also not going to help these folks out, which is also why I won’t be linking for you to buy any of these in the post like I normally do. If you really want a copy, you can go searching.
To understand the moral panic books of the ’80s and ’90s, it’s essential to grasp the socio-political context of these decades. The AIDS epidemic, Reaganomics, neo-Mccarthyism, conservative politics, and a general discomfort with changing societal norms all played a role in the creation and promotion of these controversial texts.
Moral Panic #1: The Truth About Dungeons and Dragons – by Joan Robie
This book actually went out of print so fast it appears it’s now become somewhat of a collector’s item. Fun!
That didn’t stop it from making some geeks’ lives miserable. This was my first foray into Robie’s writing, and it came up when a teacher was concerned because my friends and I were playing Magic the Gathering during lunch. She was concerned we worshipped Satan or something (whatever happened to religious freedom, right). Anyway, I became a vegan due to my poor spelling at a young age.
Anyway, “The Truth about Dungeons and Dragons” by Joan Hake Robie is a book published in 1991 during the height of the Satanic Panic era. The book attempts to link the popular role-playing game Dungeons & Dragons (D&D) to various moral and psychological concerns, including claims of promoting occult practices, violence, and psychological harm to players, especially teenagers. And if you’re too young to remember this, it went way beyond a few poorly written books. There was even a nebulously created (later entirely debunked) theory that a college student at Michigan State University played so much D&D that he got lost in maintenance tunnels under the campus and died. The fact that this was entirely false did not stop the media, and then countless parent groups from repeating it over and over.
By the specific examples the author uses, and the direct quotes from gamers, it’s clear that the only interviews she conducted were with some adolescent boys who thought it would be funny to mess with her. Reading these sections feels a lot like getting smack talked when I tried to play Fortnite with my nephew.
The book is primarily a product of its time when fears and misconceptions about the influence of D&D were prevalent, often fueled by religious and moral concerns. Robie’s writing reflects a profoundly conservative Christian perspective, which colors her analysis throughout the book. She asserts that allowing children to play D&D is akin to opening their minds to occult practices and harmful psychological effects.
Robie presents anecdotal evidence and case studies, often emphasizing the adverse outcomes of some individuals who played D&D. She also makes questionable connections between the game and themes such as prostitution, sex perversion, cannibalism, and even psychotherapy, which she frames negatively.
Throughout the book, Robie suggests that D&D can lead to a range of societal ills, and she often employs religious references and quotes to support her arguments. She portrays the game as a potential gateway to the occult and other perceived moral dangers.
“The Truth about Dungeons and Dragons” is a book deeply rooted in the moral and religious fears of the time it was written—the Satanic Panic of the 1980s. Robie’s work reflects a strong religious bias and a lack of understanding of the nature of tabletop role-playing games like D&D.
While the book claims to analyze the potential dangers associated with D&D, it relies heavily on anecdotal evidence and case studies that may not represent the broader gaming community. Robie’s interpretation of the game’s content often stretches credibility, such as linking it to prostitution and cannibalism.
Robie also suggests that D&D can harm players, particularly teenagers, by alienating them from their peers and leading them into dangerous territory. However, her arguments often lack nuance and do not consider the diverse experiences and motivations of individuals who engage in tabletop role-playing.
One notable aspect of the book is its extensive bibliography, which includes references to articles and materials related to the history and impact of D&D. Some of these references offer valuable insights into the historical context of the game’s rise in popularity.
In retrospect, “The Truth about Dungeons and Dragons” is seen as a product of its time, reflecting the irrational fears and moral concerns surrounding role-playing games during the Satanic Panic. While it may serve as a historical artifact that sheds light on the circumstances of that era, its arguments and interpretations are discredited by both the gaming community and scholars who have examined the impact of D&D.
The book provides a glimpse into the unfounded fears and misconceptions surrounding D&D during a particular historical period. However, its analysis is heavily biased and needs more depth and nuance to fully understand the nature of tabletop role-playing games and their effects on individuals.
Moral Panic #2: Teenage Mutant Ninja Turtles Exposed – by Joan Hake Robie
Hey, kids, she’s back! “Teenage Mutant Ninja Turtles Exposed” by Joan Hake Robie, published in 1991, is a controversial examination of the popular TMNT franchise. In this book, Robie sets out to provide a “critical analysis” of the Teenage Mutant Ninja Turtles. Still, the analysis leans heavily toward criticism, especially regarding themes of violence, commercialization, and the perceived negative influence on children.
The book is only 75 pages long (which reads like a Flat Earther trying to write an open letter disputing an acclaimed orbitologist) and offers a basic overview of the TMNT phenomenon, including their origin story and popularity in the 1990s. Robie delves into various aspects of the Turtles’ universe, from the movies and action figures to their music tour, “Coming Out of Their Shells.” One section of the book, titled “The Philosophy of the Turtles,” delves into the moral and philosophical aspects of the TMNT concept.
Robie expresses concerns about depicting violence, stereotypes, and the representation of women in the TMNT series. She argues that the show’s emphasis on violence and its commercialization are problematic, potentially desensitizing children to real-world violence. Robie also criticizes the lack of nuance in portraying good versus evil in the series.
“Teenage Mutant Ninja Turtles Exposed” is a highly critical examination of the TMNT franchise, focusing primarily on concerns related to violence, commercialization, and gender representation. Robie presents a biased and firmly rooted perspective in her personal beliefs, which may not align with the views of all readers.
One recurring theme in the book is Robie’s worry about the influence of violence in children’s entertainment, particularly in TMNT. While the concern about violence in media aimed at children is legitimate, Robie’s arguments often lack nuance and rely on exaggerations and misinterpretations of the series.
This is apparently dark magic of some sort? The ability to make pizza disappear?
Robie also raises concerns about gender representation, highlighting the character April O’Neil as an example of the sexualization of women in the series.
While on the surface, it’s tricky to argue that point, considering her iconic skin-tight yellow jumpsuit in the 1985 cartoon, and the fact that more than one person likely realized they weren’t entirely straight because of Ms. O’Neil, the specific arguments in the book rely heavily on cherry picked biblical passages, seem to ignore other areas in popular media where women are sexualized, and lack a thorough understanding of the source material, leading to questionable assertions.
The book is poorly written, with numerous spelling and grammatical errors throughout. Robie’s writing style is disjointed, and her arguments often lack coherence. This lack of clarity may make it difficult for readers to fully grasp her points.
“Teenage Mutant Ninja Turtles Exposed” is a book that attempts to critically analyze the TMNT franchise but falls short due to its biased perspective, lack of depth in its arguments, and poor writing. While it raises some valid concerns about violence in children’s entertainment, it fails to present a well-reasoned and balanced critique of the series. Readers interested in thoroughly examining the TMNT franchise will be immensely disappointed.
Moral Panic #3: POKEMON is of the Devil!
Wait, not that devil …..
Ok, so I didn’t find any specific books about this one (yet – I’ll keep looking because these things amuse me to no end) but the panic was very real.
In the late 1990s, a phenomenon swept the globe, captivating the hearts and minds of children and adults alike. Pokémon, short for “Pocket Monsters,” emerged as a cultural juggernaut with its video games, trading cards, animated TV series, and merchandise. But a moral panic was brewing beneath the vibrant colors and endearing creatures.
Critics argued that the show promoted materialism and consumerism, relentlessly focusing on collecting creatures. Moreover, some religious groups voiced concerns that Pokémon promoted occultism and encouraged children to summon “demons” by capturing and battling creatures.
The Pokémon moral panic manifested in various ways. Some schools banned Pokémon cards due to concerns about theft, distraction, and student disputes over trades and battles. Pokémon was accused of promoting occultism and even satanic themes, often centered on the concept of “evolution” in the game, where Pokémon would transform into more powerful forms.
Oh no, not Evolution … in schools!!!!!
Parents worried about how much time their children spent playing Pokémon games or watching the TV show, fearing it could lead to a sedentary lifestyle or addiction.
Pusheen won’t judge you for watching 13 hours of Crunchy Roll
Over time, the Pokémon moral panic gradually subsided for several reasons. As more information about Pokémon became available, parents and educators better understood the game’s mechanics and objectives. This demystification reduced some of the fear and misinformation. Moreover, Pokémon encouraged strategic thinking, problem-solving, and social interaction among players, overshadowing the negative perceptions.
Pokémon continued to evolve and adapt to changing societal norms. The franchise expanded its offerings to include games that promote physical activity, such as Pokémon GO. Many parents started to engage with their children by learning about Pokémon and playing the games together, fostering a sense of bonding. Then of course, came the panic over people walking into traffic, but that’s a whole other story …
The Pokémon moral panic of the late 1990s was a complex interplay of concerns over addiction, occultism, and consumerism. However, education, positive experiences, and a better understanding of the franchise helped dispel these fears over time. Pokémon continued to thrive as a beloved and enduring part of popular culture, proving that beneath the initial moral panic lay a world of imaginative storytelling, strategic gameplay, and cherished memories for generations of fans.
Lessons for Today:
I could do an entire series on real panics set off by fake threats, and maybe I will at some point. Whether it’s Comic Books convincing kids they can jump off buildings, Teletubbies turning kids gay, Fraggle Rock turning kids into communists, Celeste making kids think that they are trans (and making trans kids believe they can double jump?) – people claiming to ‘defend family values’ will always find a way to stir up fear and hatred.
This type of panic, of course, disproportionately impacts BIPOC, Queer, and other marginalized communities. This post is not meant to downplay the genuine harm that can be done when people, especially those with the power to create violence with weapons, words, or legislation, stir up panic. It is here to let you know we’ve been here before, and it will happen again. Arguing each instance on the merits may be a waste of time, I don’t know. But I know that when we gather to celebrate our Geeky fandoms, find Queer joy, and have Pride in who we are and love, we will win out.
Have other topics you want me to babble about artlessly? Let me know!
Hello friends, enemies, fans, critics and everyone in between.
This blog is a slightly different format from my others and will be more vulnerable and probably missing some of my usual snark. (I am working to finish several other blog posts, but perfectionism can sometimes be rough. Some of you may be wondering what my blog posts look like before all the editing, but trust me).
So I know that Michele has already interviewed the amazing Blue Delliquanti here and again here – but rather than focusing on the author, I just wanted to discuss briefly how this comic impacted me on a personal level.
So there I was, a fairly new member of the Queer community, realizing only the year before that I was Bisexual, and only having dated anyone other than women for a few months, when I found myself deployed, out at sea, for significantly longer than the entirety of the run of Firefly – with little to do after standing watch and working. I couldn’t work out, because nobody knew how Covid spread at that point and the gym in the ship were shut down, and it was easily 115 degrees Fahrenheit outside.
During deployment I challenged myself to only consume media created by non cishet white men, for the entire year I was gone. While I initially thought it would be challenging in the sci-fi and fantasy realm, I soon had my eyes opened. I discovered so much more in the genres than what I had previously seen featured on the shelves of the big box book stores.
So, I had read a lot of great reviews of ‘O Human Star’ and decided to give it a try. Several weeks later (being out to sea reminding me a great deal of the very first Compact Disc (ask your parents kids) where I had to ride my bicycle to get a money order and mail it in then wait 6 weeks – the struggle was real) I got my copy.
Initially reading along, it resonated with me, but I wasn’t sure why. Much like the protagonist, Alastair Sterling, I had an amazing mustache which always got lots of commentary and was clearly the envy of everyone … or so I told myself each day in the mirror.
See, look how well I did masculinity! And I’m on a boat!
Anyway, things began to resonate as I read through the story, which I highly recommend. You can read it here for free, but also support the artist please.
And by the time we got to the final image, I thought (and very very spoilers ahead so stop reading this and go read literally the entire comic right now if that bothers you)
… Oh, of course. Anyone would become a beautiful woman if they could just swap out their robot body for one they designed. That makes total sense.
So, two years of reading, self work, and therapy later I came out as Trans Femme/ Non-Binary, and very recently began my transition. Look how happy I am now!
FlameCon 2023, and the costume was my wonderful partner’s idea, and she did all the work, I just showed up and looked pretty
Looking back, this is all less surprising that I initially thought. The book that originally made me question my sexuality to begin with was actually Sissy by Jacob Tobiah .
So young people, be gay and do comics. Parents, comics and fandoms won’t turn your kids gay or trans etc, but seeing positive representation will definitely make their lives better.
Until next time, gay space cowboys (redundant?) ….
Greetings, esteemed readers! As a 100% real human person and not a droid, I am thrilled to embark on this literary journey with you, delving into captivating books that traverse distant galaxies while shedding light on LGBTQIA+ and Queer-Coded experiences, all in the spirit of beloved geek culture. Strap on your seatbelts, and let us get a”byte” of adventure in the wonders of the following literary gems.
Busy Geek Breakdown (TL;DR): Check out these titles!
And, for those of you still with me, on to why I recommended you put these stories into your brain!
5. “Cinder” by Marissa Meyer:
Prepare to be enchanted by this imaginative retelling of the classic Cinderella tale with a sci-fi twist. In a futuristic world, cyborg mechanic Cinder, an LGBT+ character, is entangled in political intrigue while exploring her identity and desires. A narrative that challenges gender norms, “Cinder” blends futuristic tech and romance.
Within the pages of “Cinder,” Marissa Meyer gracefully introduces readers to the complexities of identity, love, and self-acceptance. Cinder’s journey of self-discovery unfolds seamlessly against a backdrop of futuristic technologies and social stratification. Through this futuristic retelling of the beloved fairy tale, Meyer empowers LGBT+ readers by presenting a cyborg protagonist who embraces her uniqueness and navigates her burgeoning feelings without restraint. By defying traditional norms and expectations, “Cinder” ignites a spark within us, urging us to embrace our authentic selves and champion those who dare to be different.
Meyer creates a cybernetic wonderland brimming with steampunk aesthetics and diverse characters, celebrating individuality and love in all its forms. “Cinder” stands as a beacon of hope, promoting acceptance and showcasing that our uniqueness is what makes us extraordinary.
4. “The Disasters” by M.K. England:
In this fast-paced sci-fi adventure, a motley crew of cadets must band together to thwart a sinister plot. Geek culture takes center stage, entwining fandoms and pop-culture references with identity exploration and burgeoning romance.
“The Disasters” propels readers on an exhilarating rollercoaster of action, friendship, and geek culture, all while celebrating diverse identities. England creates a thrilling narrative filled with witty dialogue and pop-culture references that resonate with readers.
As they navigate a treacherous mission and their own identities, their experiences serve as a testament to the beauty of authenticity and the strength of unity. “The Disasters” is a vibrant testament to the power of found family, geek pride, and the courage to be true to oneself.
England captures the essence of geekdom, enveloping readers in an exhilarating escapade. Through witty banter, queer empowerment, and found family dynamics, “The Disasters” strikes a chord with those who revel in embracing their true selves.
3. “The Darkness Outside Us” by Eliot Schrefer:
Amidst the interstellar void, two young astronauts find themselves in a gripping tale of mystery, betrayal, and unexpected alliances. Our main characters grapple with their identities as they embark on a high-stakes mission. The exploration of love and trust is central to the narrative, showing the intricacies of queer relationships.
In this gripping and psychologically charged narrative, Schrefer delves into the complexities of human relationships as our protagonists, set adrift in the vastness of space, must confront external threats and the internal struggles.
Schrefer’s deft storytelling prompts readers to question the barriers imposed by society and to embrace the fluidity of human connections. “The Darkness Outside Us” reminds us that love and acceptance can be beacons of light guiding us home in the darkest times.
Schrefer weaves a mesmerizing narrative, blending sci-fi and psychological drama elements. This absorbing read challenges the boundaries of human connection and explores the complexities of self-discovery.
2. “The Prey of Gods” by Nicky Drayden:
Enter a fantastical South African world where mythology and technology converge. This genre-defying novel takes readers on a thrilling ride with a rich cast each on their own journey of empowerment. Fluid identities, extraordinary powers, and battles for acceptance create a vibrant tapestry in this unforgettable tale.
In a stunning tapestry of mythology, technology, and queer empowerment, Nicky Drayden weaves a tale that leaves an indelible mark on readers’ hearts. The vibrant characters challenge conventions and embody the power of self-discovery. In a world where the boundaries of identity are fluid, and the definition of heroism is reshaped, “The Prey of Gods” celebrates individuality and reminds us that our diverse identities are a wellspring of strength. Drayden’s exquisite portrayal of queerness and the embrace of nonconformity make this novel a dazzling gem in the constellation of inclusive sci-fi literature.
Drayden crafts a breathtaking universe that combines the best of speculative fiction with cultural depth. “The Prey of Gods” is a kaleidoscope of wonder, challenging norms and embracing the extraordinary.
1. “The Long Way to a Small Angry Planet” by Becky Chambers:
A voyage awaits you in this enchanting space opera that unfolds on board the Wayfarer, a diverse crew of interstellar misfits. This heartwarming tale of camaraderie explores love, friendship, and gender identity among alien species. LGBT+ themes find a tender portrayal through the endearing romance between two characters as they navigate their emotions amidst the vastness of the cosmos.
In the heart of the Wayfarer’s crew, readers encounter an eclectic mix of personalities, each grappling with their pasts and embracing their true selves. Through this diverse ensemble, Chambers deftly explores the nuances of gender identity and sexual orientation, fostering an environment where acceptance and respect flourish. The interplay between cultures and species serves as a poignant mirror of our society, prompting us to cherish our differences and celebrate the beauty of inclusivity. A touching portrayal of LGBT+ love and camaraderie amidst the stars, “The Long Way to a Small Angry Planet” becomes a hopeful reminder that unity and empathy can conquer even the most daunting challenges.
Chambers skillfully crafts a universe where acceptance, inclusivity, and personal growth converge in a masterful symphony. This book transcends the boundaries of science fiction, resonating with readers on a deeply human level.
Another great thing about this entire series is something I’ll gladly go on a separate rant about later … pronouns and honorifics. In this series, in the Galactic Common Language, Kliptorigan frequently referred to as Klip, if a being’s gender is not known or stated, then ze/zir is understood to be appropriate, and the honorific M. is used for elders and formal settings, pronounced “Ehm”. Used like, “Good morning M. Johnson” or “I’d be happy to help you with that M.” It’s wonderful, it’s understated but it feels so right.
As we close this cosmic chapter, we celebrate these five exceptional works for their portrayal of LGBT+ and Queer Coded experiences alongside the captivating tapestry of geek culture. These books transport us to far-off realms and remind us that love, acceptance, and the exploration of identity are timeless quests that resonate across the galaxies. Until next time, may the force of understanding and inclusion be with you, dear readers!
Welcome to a world of magic, wonder, and representation where Sapphic adventurers take center stage. If I’ve learned anything from Drag Race …
As an avid reader and fantasy enthusiast, I can’t help but don my geeky glasses and immerse myself in fantastical realms where diversity and inclusivity reign supreme. Of course I still love dimension hopping, but Fantasy is what got me started in my reading journey as a young person in Indiana. Join me as we embark on a journey through six remarkable fantasy and supernatural novels that explore compelling LGBTQIA+ issues and storylines. From necromancers to superheroes, these tales showcase the power of diverse narratives .
6. Gideon the Ninth (by Tamsyn Muir):
Content Warnings: Gideon the Ninth is about Necromancers. There’s a lot of bones and gore and violence and such. Its a darkly funny story in a dark universe. Please proceed with caution.
The Best way to Sum it all up …. https://creativecommons.org/licenses/by-sa/2.0/
Gideon Nav, a snarky and sword-wielding orphan, is bound to her lifelong frenemy, Harrowhark Nonagesimus (her very few friends call her Harrow), to serve the Ninth House in a deadly cosmic competition. This epic tale combines dark fantasy and science fiction elements, enthralling readers with its unique blend of magic and technology. As we traverse the dangerous halls of the Emperor’s crumbling palace, we encounter a tantalizing romance between Gideon and another powerful necromancer that is not what it seems. Tamsyn Muir’s masterful storytelling highlights the struggles of queer characters while delivering a thrilling mystery and adventure that will keep you on the edge of your seat.
Gideon’s unyielding spirit and witty banter make her an instantly likable and relatable character for LGBTQ+ readers who have often sought more assertive representation in the genre. Her struggles with self-acceptance and the journey towards embracing her identity resonate deeply, mirroring the experiences of many individuals within the queer community.
The novel’s strength lies not only in its LGBTQ+ themes but also in its nuanced exploration of power dynamics, loyalty, and the complexities of human relationships. As Gideon and Harrow navigate a treacherous game of politics and dark magic, their compelling dynamic unveils layers of emotion and vulnerability beneath their seemingly adversarial exteriors.
Tamsyn Muir’s world-building is nothing short of mesmerizing. She crafts a vivid, macabre setting that immerses readers in a chillingly gothic universe filled with ancient mysteries and ominous secrets. This eerie ambiance serves as an ideal backdrop for a story that delves deep into the hearts and minds of its characters, showcasing their triumphs and traumas.
I picked this up on the recommendation of my local Providence Bookstore, and I couldn’t be happier. Tamsyn Muir’s skillful storytelling, multi-dimensional characters, and darkly enchanting world-building combine to create a singular reading experience.
5. Hench (by Natalie Zina Walschots):
Content Warnings: Some violence, blood, gore, imprisonment, and torture.
Fair Use – this image is copyrighted, but used here under Fair Use guidelines.Owner/Creator: Harper Collins Publishing Group, LLC.
Ever wondered about the lives of henches working for supervillains? (And no, I’m not talking about Jeff Bezos, Elon Musk, Dara Khosrowshahi.) Hench takes us on a journey with Anna, a data analyst working for various nefarious villains. Amidst the chaos of superhuman battles, we witness a budding romance between Anna and a fellow hench. Natalie Zina Walschots’ engaging narrative sheds light on the vulnerability and strength of LGBT characters in a world where villains and heroes blur the lines of morality.
At the heart of “Hench” is Anna Tromedlov, a talented data analyst who finds herself entangled in the machinations of superheroes and villains. As she navigates the dangerous world of powered individuals, Anna’s compelling character arcs offer a profound exploration of identity, ambition, and the pursuit of personal agency. Her journey to embrace her queer identity resonates with authenticity. It highlights the struggles and triumphs faced by members of the LGBTQ+ community.
As Anna becomes entangled with the enigmatic and charismatic villain, Leviathan, the novel explores a complex queer relationship that defies the binary notions of good and evil. The exploration of queer romance in “Hench” transcends token representation and delves into the depths of emotional connection, showing the profound impact of authentic love regardless of societal norms.
In a genre often dominated by cisgender and heterosexual protagonists, “Hench” boldly carves out a space for queer representation and narrative complexity. The novel’s unflinching exploration of identity and agency mirrors the struggles of many in the LGBTQ+ community, highlighting the need for greater inclusivity and visibility in all forms of storytelling.
4. Empress of Salt and Fortune (by Nghi Vo):
Fair Use – this image is copyrighted, but used here under Fair Use guidelines. Owner/Creator: MacMillan Publishing Group, LLC.
In this evocative novella, Nghi Vo explores the life of a non-binary cleric, Chih, who unravels the secrets of an exiled empress through the eyes of an elderly servant, Rabbit. Set against a rich tapestry of East Asian-inspired mythology, the story delves into power, betrayal, and resilience themes. As Chih and Rabbit’s paths intertwine, the novella offers a tender depiction of queer love, acceptance, and the endurance of the human spirit.
At the story’s core is a timeless tale of resilience and defiance, centered around the exiled empress, In-yo, and her loyal handmaiden, Rabbit. As their untold story unfolds through the narration of the nonbinary cleric Chih, readers are drawn into a mesmerizing journey that challenges traditional gender roles and explores the profound bond between women.
Nghi Vo’s exquisite prose creates a vivid tapestry that paints a nuanced picture of power dynamics, patriarchy, and the hidden strength of women who have often been relegated to the sidelines of history. “Empress of Salt and Fortune” celebrates the agency and wisdom of female characters while shedding light on the overlooked aspects of their contributions to shaping kingdoms and empires.
The novel explores the consequences of silenced voices and histories and profoundly resonates with contemporary social justice issues. By portraying the multifaceted impact of colonization and erasure, “Empress of Salt and Fortune” becomes an allegory for reclaiming marginalized narratives and identities.
As Chih unearths the hidden truths of the past, the novel reveals a narrative that celebrates the resilience of women, the beauty of queer connections, and the power of reclaiming history.
3. Valiant Ladies (by Melissa Grey):
Fair Use – this image is copyrighted, but used here under Fair Use guidelines.Owner/Creator: MacMillan Publishing Group, LLC.
Set in the spirited landscape of 17th-century Peru, “Valiant Ladies” is a historical fantasy novel that centers on the gripping tale of Kiki and Ana, two women from starkly different backgrounds. Kiki hails from nobility, while Ana has been raised in a brothel. Despite societal differences, they form an unyielding bond and begin a thrilling secret life of night-time adventures, gambling, and rescuing the oppressed. When tragedy strikes close to home, they find themselves in the heart of a murder mystery, their growing love for each other intertwining with their pursuit of justice. Based loosely on real historical figures, the story is a riveting blend of reality and fiction, serving as a fresh take on the fantasy genre.
“Valiant Ladies” is an engaging blend of historical fantasy and sapphic romance, offering a refreshing narrative in Young Adult and New Adult literature. It beautifully captures the budding romance between the two main characters, presenting a realistic, intimate exploration of a lesbian relationship that is still sadly underrepresented in fantasy. The novel successfully fuses fantasy tropes with a distinct LGBTQ+ narrative. Kiki and Ana’s story challenges the familiar heteronormative narratives found in many fantasy novels, bringing to the forefront a tender sapphic romance that resonates deeply with the LGBTQ+ community. It is not simply a token romance but an integral part of the plot as they navigate their growing feelings amidst societal expectations and high-stakes adventures.
The book’s historical context provides a unique backdrop for exploring issues of acceptance and identity. Ana’s acceptance by Kiki’s noble family and their non-judgmental approach towards her past provide a poignant commentary on acceptance and breaking societal norms, a theme many in the LGBTQ+ community can relate to.
Moreover, “Valiant Ladies” doesn’t shy away from weaving feminist themes into its narrative. The heroines challenge the gender norms of their time – they are vigilantes, gamblers, and fighters, subverting expectations in a predominantly patriarchal society. This aligns with the broader themes of resistance and agency explored in LGBTQ+ narratives.
“Valiant Ladies” is a fun, engaging historical fantasy that offers a heartwarming sapphic romance, an exciting adventure, and a thoughtful exploration of LGBTQ+ themes. While it doesn’t revolutionize the genre, it adds a much-needed voice to the diversity of narratives within fantasy literature. It’s a must-read for any Queer geek seeking representation and relatability in their fantasy adventures.
2. Warrior of the Wild (by Tricia Levenseller):
Fair Use – this image is copyrighted, but used here under Fair Use guidelines. Owner/Creator: MacMillan Publishing Group, LLC.
In “Warrior of the Wild” by Tricia Levenseller, embark on a captivating journey into a Viking-inspired world where honor, love, and identity intertwine. As the story unfolds, Rasmira, a fiercely skilled warrior, faces the heartbreak of betrayal and is cast out to the perilous wilderness. To redeem herself, she must accomplish the impossible – slay an oppressive god. In this action-packed tale of self-discovery and resilience, Rasmira’s unwavering spirit challenges societal norms. An unexpected romance blooms, transcending boundaries and making an empowering statement for LGBT representation in fantasy.
Rasmira’s journey as a robust and skilled warrior mirrors the struggles of many in the Queer community who face discrimination and prejudice based on societal expectations. Her resilience and determination in the face of adversity are an empowering parallel to the real-world challenges of self-acceptance and embracing one’s true identity. The novel artfully incorporates LGBTQIA+ themes, offering readers a heartwarming and authentic portrayal of same-sex love through the character of Iric. As Rasmira’s banished companions, Iric and his partner defy society’s expectations, and their relationship becomes a beacon of hope for those seeking representation in fantasy literature.
Beyond its focus on LGBT representation, “Warrior of the Wild” delves into broader social justice issues. Through Rasmira’s journey to defeat an oppressive god, the story symbolizes the fight against systemic injustice and the struggle to dismantle oppressive power structures. The battles she faces in the wilderness are potent metaphors for overcoming societal prejudices and finding one’s place in a world that often seeks to marginalize and silence diverse voices.
Tricia Levenseller’s masterful storytelling unfolds with a perfect blend of action, romance, and rich world-building. While the novel adheres to classic fantasy tropes, it gracefully subverts them to celebrate diversity and inclusivity. The characters are beautifully developed, and the solid sisterly bond between Rasmira and her sister adds depth to the narrative, emphasizing the importance of family support in the journey toward self-acceptance.
1. Dread Nation (by Justina Ireland):
Content Warnings: Racism, racial violence, gore.
Fair Use – this image is copyrighted, but used here under Fair Use guidelines.Owner/Creator: Titan Books
I know what some of you are thinking. I just did a review of Survival Horror Books. How did I end up with a Zombie Book on the Fantasy List? That is a valid question, but holy cow look behind you!
What if the Civil War was interrupted by a zombie apocalypse? Dread Nation presents a gripping alternate history where African American and Native American children are forced to train as zombie-fighting warriors. Among them, the bold and capable Jane McKeene stands out, fearlessly challenging the norms of her society. She forms a complex bond with another girl along her path, showcasing a powerful portrayal of queer love amidst the undead chaos.
“Dread Nation” by Justina Ireland is a riveting and groundbreaking novel that deftly weaves together alternate history, zombie horror, and social commentary while championing intersectional representation with a fierce and complex protagonist. This genre-blending tale transports readers to an America where the Civil War takes an unexpected turn when the dead rise, forcing a new narrative of survival and resistance.
At the story’s heart is Jane McKeene, a fierce and intelligent Black protagonist who navigates a world where racial oppression intersects with the threat of the undead. As a student in Miss Preston’s School of Combat, Jane is trained as an Attendant, meant to protect the wealthy white citizens from the relentless zombie hordes. Her narrative embodies the struggle of Black people throughout history, navigating a society that seeks to control and limit their potential.
Justina Ireland’s writing is engaging and thought-provoking, immersing readers in a vividly depicted world that mirrors the complexities of our own history. Through Jane’s journey, the novel delves into themes of identity, survival, and rebellion against oppressive systems, resonating deeply with readers who face similar challenges in the real world.
As we conclude our journey through these enchanting worlds, we celebrate the wonders of fantasy and supernatural fiction and the importance of queer representation. So, whether you’re a seasoned fantasy enthusiast or a newcomer to the genre, these books promise to leave you enchanted and inspired, opening your heart and mind to the power of Sapphic adventurers and their quest for love, acceptance, and triumph. As always, if you think I missed any great reads, let me know. Happy reading!
Busy Geek Break Down (TL;DR): Updated to include this weeks episode … So far this new season of Strange New Worlds has everything my Queer Trekkie Heart could ask for, and you need to get on the transporter and join the Away Mission to check it out! Haven’t seen season One? Get on it!!!
*** Note, and out of context spoiler *** Leaving a loaded Glock on the bedside table of your adolescent historically reprehensible ancestor is not a great move … will this come back to haunt us, or is it like a Starbucks cup in Westeros, or Jeans on Mandalore ? Who knows!!!
Anyway, for total Star Trek Redshirts ProvisionalEnsignsRed Squad Cadets Back to Redshirts, Yay!!!:
https://gfycat.com/grotesqueheavyafricanwilddog
One might not immediately correlate Star Trek’s courtroom episodes with LGBTQ issues. In the expansive universe of Star Trek, has provided poignant narratives that delve into complex societal, political, and ethical themes. In particular, these legal dramas have shed light on issues surrounding sexual orientation and gender identity, boldly going where few mainstream television series have ventured before.
Many grumpy old cishet white dues on the internet keep asking when Star Trek got ‘woke’… uh, 1963, dude!
Yet, in retrospect, they’ve provided the franchise with an ideal narrative platform to tackle the complex discourse surrounding sexual orientation, gender identity, and society’s views. This subtlety, this social commentary woven into captivating narratives, is a part of Star Trek’s enduring appeal.
Perhaps the most memorable of these courtroom episodes is “The Measure Of A Man” from Star Trek: The Next Generation. Here, android officer Data is on trial to determine if he is Starfleet property or an autonomous being with rights and freedoms. Although not directly addressing LGBTQ issues, the episode subtly echoes the struggle for recognition and rights by marginalized communities, including LGBTQ individuals. In the face of misunderstanding and prejudice, Data’s quest for self-determination mirrors the journey many LGBTQ people face in asserting their own identities and rights.
“The Outcast,” another Next Generation episode, also comes to mind. In this episode, Commander Riker falls in love with Soren, a member of an androgynous species known as the J’naii, who secretly identifies as a woman. When her society discovers her preference for gender identity, she goes on trial. While the episode has received criticism (including from me) for its lack of explicitly queer characters, it raises relevant questions about societal pressure, conformity, and the right to determine one’s identity.
Turning to Star Trek: Deep Space Nine, the episode “Rejoined” presents an engaging tale of a taboo love story between two symbionts in women hosts. In the Trill society, re-association with past lovers is forbidden, turning this once-married couple’s attraction into a controversial matter. Despite not using the usual courtroom setting, it employs a similarly structured debate about societal norms, reinforcing the show’s commitment to discussing gender and sexuality issues.
In Star Trek: Discovery, the franchise made more explicit strides in representing LGBT characters with the relationship between Paul Stamets and Hugh Culber, breaking barriers as one of the first openly gay couples in Star Trek history. (although in the Kelvin timeline, there is a very brief exchange that shows that Sulu has a husband), and of course we have Queer and Non-Binary characters, including some awesome Trill – which we’ll get to in an upcoming Blog.
Star Trek’s courtroom episodes have, thus, offering a canvas for discussing the rights and struggles of LGBT individuals in a metaphorical yet impactful manner. We anticipate further engagement with such themes as we look forward to the unfolding narrative in the new Star Trek series, Strange New Worlds. We are especially eager to see how the show might incorporate and reflect on contemporary discussions around LGBTQ issues.
Another week, another thrilling journey into the Star Trek universe! Season 2 of Star Trek: Strange New Worlds continues to push the envelope with its second episode, “Ad Astra per Aspera.” The series addresses social issues head-on in a standout courtroom drama, channeling echoes of the classic episodes “Measure of a Man” and “Court Martial.” Yet, what sets this apart is its reflection of contemporary societal struggles, most notably the experiences of the LGBT community within the military.
Now, enter stage left, the fabulous Yetide Badaki as Una’s lawyer, Neera. A galactic civil rights powerhouse, she was hellbent on showing everyone that laws aren’t always serving those they’re supposed to protect. Let me tell you, watching her face off against Melanie Scrofano’s Captain Batel was like watching two drag queens in a lip-sync battle: all claws out and no mercy.
Then there was this flash to little Una’s past. Picture it: a little girl with a glowing immune system – part of her genetic modification – a secret that could get her family ostracized faster than a lousy wig at a drag show. Fast forward to grown-up Una facing down a plea deal that would have kept her out of jail but would also put a stain on her shiny Starfleet record. A real conundrum, right? Especially since they wanted to sweep her and the issue of her genetic modification under the rug like last night’s sequins.
Meanwhile, Captain Pike, played by the rugged Anson Mount, was trying to find someone to help Una. After being repeatedly shot down by Neera on an inhospitable planet, he finally convinced her to take on Una’s case. It wasn’t about saving Una but shining a spotlight on Starfleet’s sketchy laws.
Back on the Enterprise, the tension was thick! Batel was all up in arms because Una had the nerve to reject her plea deal. Conversely, Pike stood by his officer, believing that Starfleet’s law was as wrong like Straight Pride Month.
The courtroom drama that followed was as tense as a corset at a drag show. Batel was determined to have Una serve 20 years in prison for daring to challenge Starfleet’s decision. But Neera, the fierce queen that she was, fought back. She knew that to win this case, she’d need more than just a heartfelt monologue. So, she started gathering evidence faster than a queen collects her tips on a Saturday night.
The trial brought up some uncomfortable truths about Starfleet and its laws. Neera compared them to past discriminatory laws, pointing out that in their fear of a repeat of the Eugenics Wars, the Federation had become the persecutor. Can you say, ‘hypocrisy’?
Una’s friends came forward to defend her character, each painting a different but touching picture of her. Meanwhile, Neera discovered that the person who had leaked information about Una stood to gain from doing so. The plot was thicker than my foundation, darlings.
Finally, Una herself took the stand. Her testimony was heartfelt and moving, much like a drag ballad. She revealed her past, fears, regrets, and hopes. She confessed that she had turned herself in to make a point: to show Starfleet that being different didn’t make her any less of a person, any less worthy of acceptance.
Despite a last-ditch effort from the prosecution to drag her down, Neera stepped in with a surprise move. She’d found a loophole, honey!
The writers have woven these contemporary struggles into the very fabric of the episode. Just as service members of the LGBTQ community have often been forced to conceal their true identities, Una’s past reveals a secret genetic enhancement that jeopardizes her career and personal life. Through these parallels, the episode serves as a potent metaphor for the military’s erstwhile policies regarding transgender service members, reinforcing the value of diversity and acceptance within Starfleet and beyond.
In a broader context, the Ilyrian struggle within the episode symbolizes the ongoing fight for acceptance in the face of adversity. As the Ilyrians grapple with their own battles for identity and self-determination, LGBTQ military personnel have also had to contend with societal prejudices and institutional barriers. The parallels to the real-life experiences of the LGBTQ community are impossible to ignore, mainly reflecting the historical burdens placed on Queer military service members and the infamous policies such as “don’t ask, don’t tell” and the trans ban.
Star Trek: Strange New Worlds continues to use its platform to promote acceptance and understanding of diversity, offering a powerful social commentary through its narrative. Season 2, Episode 2, is a riveting watch and an insightful exploration which continues the Star Trek tradition of holding up a mirror to our society, reminding us of our collective struggle for acceptance, justice, and equality. Through its artful storytelling, Star Trek reminds us that it is not just our laws but the individuals who uphold them that genuinely define the measure of justice.
The courtroom episodes of Star Trek have, time and again, provided a vessel to tackle thought-provoking issues around LGBTQ rights and identity. They are a testament to Star Trek’s tradition of projecting humanity’s potential futures, imagining societies that embrace diversity and engage in critical ethical debates. As we continue to traverse the Star Trek universe, we can hope it will keep challenging us, prompting us to question and evolve our understandings of identity and equality.
To quote Bizarro Timeline Kirk, who is definitely not a Vampire, “Let me guess, you live in a Utopia”? Well, not 100%, but a far stride closer than where we find ourselves in the early 21st century.
Busy Geek Breakdown (TL;DR): If you haven’t checked out this webcomic, you’ll get hooked quickly. It has adventure, magic, teen angst, and plenty of geeky references. We need more stories like this, with complex representation of Queer characters. Checkout their newest Kickstarter. If you want to checkout the comic, you can do that here.
Get ready for an exhilarating adventure as “Magical Boy Basil” returns with its highly anticipated fifth chapter, “Magic Fight,” and you have the opportunity to make it a reality!
In this thrilling installment, Basil finds himself immersed in a world of enchantment as he investigates tangles, mischievous creatures born from fractured magic items. But what starts as a mere investigation takes a dramatic turn when Basil and his friend, Eli, become entangled in an epic magic fight between Noah and Aaron. Brace yourself for action-packed sequences, vibrant magical transformations, and plenty of laughter as Basil navigates through the concluding chapter of the first arc of “Magical Boy Basil.”
If you’re new to the comic, Magical Boy Basil is a free-to-read webcomic that updates every other Friday. It is an LGBTQIA+ story featuring a group of undercover teenage magicians that battle monsters in order to maintain the balance of the universe.
Magical Boy Basil is produced by Jordan Wild (writer) and Beck Murray (artist). They’ve been working on Magical Boy Basil together for 7 years now. (1 year of pre-production, and 6 years of publication)
Since the webcomic’s launch in 2016, the audience has grown to over 30,000 readers. In October 2022, Magical Boy Basil became part of the Tapas Early Access program, was number 1 in ‘New Releases’ the first week of release and has since exceeded 6 million views on the platform.
The first print edition of issues #1-4 (awarded “Project We Love by Kickstarter staff) were all successfully funded through Kickstarter.
Creative Team: Jordan Wild, R.E. Murray, and Sid McNulty
And here’s from my interview with one of the creators, R.E. Murray:
DGH: How has it been interacting with your fans, whether in person or online?
REM:I feel like we’re a small little comic but we’re almost always approached by folks at cons (notably Flame Con) who not only recognize us but are so excited by and love Magical Boy Basil. Having conversations with fans about the story, the genre, and life in general is my favorite part. Everyone is just so friendly!
DGH:How does your personal identity and experiences as an LGBTQIA+individual influence your creative process and the stories you choose to tell?
REM:I think I almost exclusively write, draw, and am inspired by LGBTQIA+content. I spent the first fifteen years of my life not knowing why I was different and only consuming heteronormative stories until I learned that queerness was real and that stories could be queer too- My stories could be queer even!
DGH:Can you walk us through your typical creative process? How do you develop ideas, create characters, and bring your stories to life on the page?
REM:Usually there’s some back and forth with Jordan (our writer) as to what the character’s core traits should be or what a storyline should roughly look like. Sometimes it takes some teasing the threads out to come to a solid conclusion but sometimes designs or story beats will come on like a lightning strike. It’s very in the moment!
DGH:Are there any specific comic book artists or writers who have influenced your style or storytelling approach? How have they inspired you?
REM:Personally, I consume a lot of manga (and graphic novels) so it’s less anyone or anything specific and more a hodge podge of the things that catch my eye- how someone draws clothing folds or expressions or their shorthand for environment details- that kind of thing. I will say that Yuhki Kamatani has amazing visuals and that it’d be cool to try to incorporate more visual metaphors like they do.
DGH:How do you envision your work impacting readers, particularly those who identify as LGBTQIA+? What messages or emotions do you hope to convey through your stories?
REM:I think just telling a queer magical kid story is impactful in and of itself. After all, queer folk can have magical adventures and save the town/world too! Magical Boy is something I wish I’d had when I was younger and we’ve had younger readers come up today saying how excited they were to see Basil’s story so that tells me our message is coming out loud and clear.
DGH:Who is your favorite Federation Captain, and why?
REM:Oh gosh, no judgements please but I’ve never watched much Trek… That being said I DID watch Next Generation and I think Picard is a fantastically complex character.
(That was a close one, Beck. I was worried for a second. Everyone here knows I have strong opinions. Anyway, even now, we all know Jean Luc can get it. Then again, so can the new Captain Pike. Anyway, what was I saying? Let’s geek out more when we see each other at Flame Con!)
While webcomics provide an excellent and accessible medium (and I love being able to load them up on my Kindle or phone when I travel), there’s something extraordinary about holding a comic book in your hands. It brings the story to life in a unique way, immersing readers in vibrant artwork and captivating narratives. The creators of “Magic Boy Basil” understand this, and their desire to provide a complete and immersive experience led them to bring the series to print.
By supporting this Kickstarter campaign, you’ll help make “Issue #5 – Magic Fight” a reality and ensure that “Magic Boy Basil” continues its positive impact on readers. Let’s bring this extraordinary story full circle and place the power of “Magic Boy Basil” into your hands. Experience the magic, excitement, and heartwarming moments that await within the pages of this remarkable comic book. Back the campaign now and join us on this enchanting journey!
Title Image and all other images used with permission: The copyright of Magical Boy Basil belongs to Fireside Stories, LLC.
“I want to show you the New World Corraalllll!” -Rick Grimes, probably talking about books or something.
Busy Geek Breakdown (TL;DR):
Since things opened back up I have made a concerted effort to check out the many small local bookshops and ask for recommendations. I tend to get into a pattern of reading one genre for a month or so until I can’t stand it anymore, then switch, but I’ll eventually reevaluate. So here are the five books I took home for survival horror. I have mixed feelings on most of these, but I recommend you check them out for yourself anyway (unless you can’t stand survival horror, then probably don’t.)
***So many Spoiler below……. but read it anyway!!!****
***Also, Content Warnings …. Seriously. So, so many content warnings. Most of these books are intense. I read them basically back to back to back, and now I am taking a long break. (CW: Guns, Knives, Pandemics, Graphic violence, Fascism, gore, disturbing imagery, psychological horror, strong language, dark themes, intense atmosphere, depictions of disturbing behavior, racism, transphobia, homophobia, Sexual Assault, drug use, cannibalism, and instances of animals dying)***
5. Manhunt
Book cover image courtesy of Macmillan Nightfire
The best way I can describe the experience of this book is a fast paced and gritty journey through Post-Apocalyptic Chaos, Queer Themes, and Unrelenting violence and a gore that you just can’t put down.
So here we go:
Listen up, folks! “Manhunt” by Gretchen Felker-Martin ain’t your typical post-apocalyptic tale. This book takes a swing at our messed-up world and shows how the toxic crap we sling in our everyday lives sticks around even when the whole damn system goes to hell. It’s a raw exploration of the human mind when the world’s gone to shit.
Now, Felker-Martin ain’t interested in giving you a breakdown of every little detail in this chaotic world. Sure, most of the communities got their own strict rules, but there’s still time for characters to kick back, smoke some blunts, and get all horny talking about their messed-up situation. While this gives room for some deep symbolic and thematic moments, the world itself could be built up a bit more. I know I’m a nerd, but I was left with a lot of questions … although not for too long because the book hardly let me catch my breath to ask further. Honestly, a lot of these questions started popping up once I finished.
The real threat in this book comes from the author’s gritty, sexually violent portrayal of zombified men. They’re like a damn nightmare unleashed on the pages, embodying what Felker-Martin calls “filth core” – a style that hits you right in the gut. Martin’s writing hits its peak in describing the messed-up bodies and violence of those poor suckers infected with the T-virus (and no, not like in Resident Evil, T as in targets testosterone). It’s like the darkness and brutality seep into your bones.
This story ain’t just about survival, though. It’s a backdrop for a deep dive into terfism as a form of fascism. Teach, the leader of the terf militia, is a tough nut to crack, but when she lets loose, Martin’s writing cuts sharp, revealing the complex emotions and traumas that push people towards such messed-up ideologies.
Now, the book could’ve used a tighter crew. Characters like Fran, Indi, and Robbie ain’t as fleshed out as Beth and Ramona. I loved the bond between Fran and Beth at the start, but as they get pulled apart, their connection starts feeling a bit arbitrary. It gets hard to find that emotional center, you know?
The gendered conflicts these characters face are real and in-your-face. They gotta hunt down zombies and chow down on balls to get estrogen and survive. And the virus messes with their transitions, leaving ’em stuck in a body that’s dehumanized by their own damn community. It’s a messed-up world, no doubt. Martin’s filthy, grimy prose style captures it all. It ain’t the most messed-up book I’ve ever seen, but there are moments that’ll stop you in your tracks.
This book ain’t holding back when it comes to trans women, cis women, terfs, men, sexism, fatness, or the unfairness of life. But all that brutality serves a purpose – it develops some deeply wounded characters. Ain’t nobody in this world without deep shame and anger. The trans protagonists look at their bodies and identities with unfiltered cruelty that hits hard. Now, this might be cathartic for some trans readers, but for others, it could be damn triggering. And let’s not forget the splatter gore – it’s a whole ‘nother level of nastiness.
“Manhunt” ain’t gonna be everyone’s cup of tea. It swings wildly from brutal violence to dark humor, from heart-wrenching reflection to awkward moments, and right back to violence again. But if you’re up for the challenge and can stomach the intensity, it’s a damn interesting read. It’s a gritty exploration of post-apocalyptic chaos, queer themes, and a filthy aesthetic that sets it apart from your typical survival horror books.
Side note, the only thing that ever really gave me pause was the description of the reconstructed Destroyer that the terfs get ahold of near the end. The description might be based off some WWII ships, or perhaps info files on what weapons can possibly be carried on a modern ship? But those are possibilities, that much fire power won’t fit on such a small ship, the buoyancy and metastatic center would be all off risking it capsizing, assuming the hull could take the stress, and there are other issues, but honestly, I loved the movie Battleship so in the end I had to tell my brain to shut up and just enjoy the ride.
And there was of course, some controversy, not just because the author dared to be trans and write very human trans characters, but because in her post-apocalyptic world J.K. Rowling dies terribly. I feel like she has enough money that she can buy the world’s smallest violin and hire someone to follow her around, but that’s just me.
All in all, “Manhunt” claws at your soul and leaves a mark. It’s a wild ride that takes no prisoners, and it’s not afraid to get in your face. So, if you’re ready to embrace the filth, dive right in. Just be prepared for the raw, unrelenting journey that awaits you.
4. Fantastic Land
Book Cover Image Courtesy of Skyhorse Publishing
Listen up, folks. I got a story to tell ya. It’s about this book called Fantasticland. Now, let me warn ya right off the bat, this ain’t no walk in the park (see what I did there? Eh?). It’s violent, creepy, and it’ll send shivers down your spine. I wouldn’t call this a thriller, although it does manage to build suspense even though you know some of the worst stuff is coming right from the first page. It basically avoids sex entirely, and there’s even several comments about how you would think a bunch of bored teens would be constantly boning, but apparently ain’t nobody got time for that when they’re busy killin’ each other left and right. That or everyone is collectively forgetting parts and/or lying, which I suppose is possible. Anyway, gender and sexuality, they don’t really come up. Missed opportunity if you ask me. So, it’s all about survival and the primal instinct kickin’ in.
Now, this book takes place in Florida, of all places. Just when you thought things couldn’t get any worse down there, with Ron “pudding fingers” Desantis runnin’ the show, we got a hurricane wreakin’ havoc on an amusement park, and unsurprisingly, the corporation in charge has not properly trained their people for emergencies, and values the potential for looted merch over their people. Talk about bad luck. But let me tell ya, it’s the Florida Man that makes this whole story remotely believable. That state’s got a reputation for some wild and crazy stuff, and Fantasticland fits right in.
The book’s told in a series of interviews, like we’re gatherin’ evidence to piece together the horrifying events that unfolded. You got heads on spikes, corpses floatin’ in detention cells, people being blown apart by actual pirate cannons (just how high would the liability insurance have to be in a place to have real swords and real cannons for the actors???) and enough blood to make your stomach turn. It’s like a twisted version of Lord of the Flies, told a lot like World War Z only with more rides and a hell of a lot more gore.
The author, Mike Bockoven, ain’t holdin’ back. He’s paintin’ a vivid picture of this nightmare, makin’ it feel all too real. You’ll be glued to the pages, gripped by the darkness unfoldin’ before your eyes. It’s a thrill ride of the macabre, I tell ya.
Mike Bockoven
I gotta admit, this book ain’t for the faint of heart. It’s a dark journey into the depths of human depravity. But if you’re a fan of horror, if you can handle the gruesome and the twisted, then Fantasticland is a must-read. It’ll leave you unsettled, it’ll make you question the fragility of society, and it’ll remind you just how messed up things can get when all hell breaks loose.
So buckle up, my friends. Get ready for a wild ride through the twisted corridors of Fantasticland. It’s a violent, creepy, and downright disturbing tale. But hey, it’s Florida we’re talkin’ about. Anything’s possible down there, especially when Florida Man’s involved.
3. The Last She
Book Cover Image Courtesy of WattPad Webtoon Books
This book was a gripping, if sometimes problematic tale of survival, identity, and love in a Post-Apocalyptic World.
Listen up, folks! I’ve come across a story that’ll grab you by the guts and never let go. “The Last She” is a thrilling post-apocalyptic adventure that delves into the depths of survival, identity, and the complexities of human nature. In this harrowing tale, we follow the courageous protagonist Lana as she navigates a world devoid of hope and confronts the challenges of self-discovery.
“The Last She” excels in its ability to create a vivid and dangerous post-apocalyptic world, where the survival of tribes is constantly threatened by the menacing horde. The author paints a stark and unforgiving picture of this reality, keeping readers on the edge of their seats. However, there are some gaps and issues that merit acknowledgement.
While the book does explore relationships and love, its very heteronormative and definitely falls short in depicting or even really hinting at man-on-man romance or even sex. This omission leaves a gap in the representation of diverse queer experiences within the narrative. Additionally, the book does not adequately acknowledge the existence and experiences of trans individuals in this post-apocalyptic world. This lack of representation is a missed opportunity to explore the complexities of gender identity and the potential impact of the sickness on trans men.
The nature of the sickness itself, with its focus on women (frequently referred to by folks as ‘females’ ugh) dying first and fastest, leaves some ambiguity about how trans people would be affected. The book could have delved deeper into the nuances of gender and the diverse ways in which individuals navigate their identities in this devastated world. By providing a more inclusive perspective, “The Last She” could have further enriched its exploration of queer themes and added depth to the narrative.
One of the most chilling aspects of “The Last She” is the presence of the horde (basically a roving band of ‘Alpha Males’, who’s entrance is literally paid with a fight to the death (not sure about recruiting or retention strategy but apparently the math checks out)– the horde presents a relentless, relentless force that looms over the tribes surviving in this desolate world, and the leader has a very Negan vibe. The author paints a vivid and terrifying picture of the horde, emphasizing the constant danger and desperation that the tribes face. It’s a stark reminder of the ever-present threat lurking just beyond their fragile existence.
In this desperate struggle for survival, the tribes without women must find alternative ways to meet their primal urges. While not shying away from the harsh realities of human nature, this is primarily filled with violence and destruction. It’s a raw and unflinching exploration of the lengths people will go to satisfy their desires in the absence of conventional means. This portrayal adds a gritty layer of realism to the narrative, highlighting the complex moral dilemmas faced by the characters.
Despite these gaps, “The Last She” remains a captivating read that immerses readers in a post-apocalyptic landscape teeming with danger and uncertainty. It delves into the depths of human nature, challenging notions of identity, and exploring the bonds that hold us together. Lana’s journey serves as a beacon of hope in this bleak world, inspiring those around her to find strength amidst the chaos.
H.J. Nelson
“The Last She” is an intense exploration of survival instincts, the human spirit, and the unyielding quest for meaning in a world turned upside down. While it could have addressed certain gaps and issues more directly, it still offers a gripping narrative that delves into survival, identity, and the intricacies of human relationships.
So, gear up and prepare yourself for a journey through a world on the brink of collapse. Brace yourself for a gripping adventure that will leave you questioning the very essence of humanity, while keeping in mind the gaps and missed opportunities in the representation of diverse queer experiences.
*Update* While writing this review, I found out that there is a sequel called “The Last City”. In case you’re wondering, yes, I’m adding that to my list of ‘to read’ once I loop back around to Post Apocalyptic tales.
2. Burn Down, Rise Up
Book Cover Image Courtesy of SourceBooks Fire
This book was a Sapphic Love story with a best friend Monster Hunting adventure in a nightmare world inspired by real world events – (which I didn’t read about until after I read this book unfortunately – much like I didn’t know about the Tulsa Massacre until after I saw Love Craft Country …. I know, I know, Indiana Public Schools should be ashamed) the author, a non-binary Afro-Latine Bronx native, is a Horror Power House. So here we go …
V.E. Tirado
Listen up, folks! “Burn Down, Rise Up” ain’t your ordinary horror tale. This book takes you on a twisted journey through the dark corners of the Bronx, where disappearances are swept under the rug, and the monsters lurking in the shadows aren’t always what they seem. But what sets this story apart is how it shines a light on the strength of the LGBT and BIPOC community.
From the very start, you’re thrown into the chaos alongside Raquel, a brave young girl who’s determined to uncover the truth. As her crush Charlize’s cousin vanishes, Raquel can no longer ignore the eerie happenings around her. Joined by Charlize, these two fierce young ladies team up to face the unimaginable, while challenging the biases and prejudices that permeate their community.
The writing style is spot-on, immersing you in the dark underbelly of the Bronx without holding back. The author’s ability to conjure spine-chilling horror imagery and keep you on the edge of your seat is commendable. But what truly makes this book special is how it weaves the struggles and triumphs of the LGBTQ and BIPOC experience into its very fabric.
In the heart of the Bronx, “Burn Down, Rise Up” introduces us to Raquel, a courageous teenager navigating a world where the disappearance of certain lives goes unnoticed. When Charlize’s cousin goes missing, Raquel is compelled to take action. Together, these two young women embark on a perilous quest to uncover the truth behind the terrifying Echo Game, an urban legend that traps people in a sinister underworld.
As Raquel and Charlize face their own fears and confront the horrors lurking beneath the surface, the book delves into the experiences of the LGBT and BIPOC community in the Bronx. Through their resilience and determination, they challenge the biases and injustices that society imposes upon them.
Vincent Tirado’s writing style hooks you from the very beginning, painting a vivid picture of the Bronx’s dark history and the struggles faced by its diverse inhabitants. The narrative effortlessly blends heart-pounding horror with the indomitable spirit of the LGBT and BIPOC community, offering a fresh perspective on the genre.
“Burn Down, Rise Up” is a gripping horror novel that goes beyond the supernatural, capturing the strength and resilience of LGBT and BIPOC individuals. With its compelling characters, atmospheric storytelling, and a focus on marginalized communities, this book will keep you on the edge of your seat while shedding light on the challenges faced by those often overlooked. So buckle up, because this is one wild ride you won’t want to miss.
Ps. I will now think twice about riding the subway at night …
1. All That’s Left in The World
Book Cover Image Courtesy of Balzer + Bray (an imprint of HarperCollins)
The best way I can describe this book is to quote the author himself, “I wrote this. So I think it’s definitely top five best books of all time about queer kids surviving the apocalypse. I also think you’d agree so give it a read!”
Y’know, in a world gone to hell, where the dead are walkin’ and chaos reigns supreme, you’d think there wouldn’t be time for love. But hold onto your hats, folks, ’cause “All That’s Left in the World” shatters those expectations like a bullet through a walker’s brain.
This post-apocalyptic tale takes us on a wild ride through a world ravaged by a super-bug that wiped out most of humanity. But in the midst of the turmoil, two survivors emerge: Andrew and Jamie. Now, these boys ain’t just fightin’ for survival; they’re discoverin’ a love that’ll light up the darkness and warm even the coldest nights.
If you thought the end of the world couldn’t get any gayer, “All That’s Left in the World” is here to prove you wrong. This book ain’t just a post-apocalyptic adventure; it’s a damn celebration of LGBT themes in the face of the undead.
Erik J. Brown
From the get-go, you can tell this book means business. The writing grabs ya like a hungry walker sinking its teeth into fresh meat. The humor, action, and suspense blend together like the perfect recipe for survival. Erik J. Brown, the author, knows how to keep you on the edge of your seat while sprinklin’ in moments of tender love that’ll warm your heart, even in the darkest of times.
Now, let’s talk about our heroes, Andrew and Jamie. These boys ain’t your typical survivors. They’re beautifully flawed, guilt-ridden, and dang funny. They meet in a world where hope’s in short supply, but they find solace in each other’s arms. It’s a slow burn romance, but trust me, folks, it’s worth the wait. Their chemistry is hotter than a wildfire and sweeter than a can of peaches in a deserted pantry.
What sets this book apart is how effortlessly it weaves queer representation into the fabric of a zombie-ridden world. It’s like watchin’ “The Walking Dead,” but with a helluva lot more rainbows and heartwarming moments. Y’know, if King Ezekiel and Daryl Dixon decided to ride off into the sunset hand in hand, kickin’ undead butt along the way. (Hey Netflix, I have a pitch for you …)
So, my friends, if you’re lookin’ for an adventure that’ll keep you up all night, “All That’s Left in the World” is your ticket. It’s got everything you need: bickering, initially friendly seeming midwestern fascists, real talk, sarcastic banter, and a whole lot of love.
But seriously, folks, this book ain’t just about the end of the world; it’s about love and resilience in the face of unimaginable challenges. So grab your crossbow, lock and load, and join Andrew and Jamie on their journey through a post-apocalyptic landscape where love conquers all—even when the world has turned to hell.
