Interview with Author Melissa Blair

Melissa Blair (she/her/kwe) is an Anishinaabe-kwe of mixed ancestry living in Turtle Island. She splits her time between Treaty 9 in Northern Ontario and the unceded territory of the Algonquin Anishinabeg in Ottawa, Canada. She has a graduate degree in Applied Linguistics and Discourse Studies, loves movies, and hates spoons. Melissa has a BookTok account where she discusses her favorite kinds of books including Indigenous and queer fiction, feminist literature, and non-fiction. A Broken Blade is her first novel.

I had the opportunity to interview Melissa, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Sure – I’m Melissa Blair. I’m 27 Anishinaabekwe, I spend too much money on books and too much time playing board games. I love all forms of storytelling and have a new puppy named Giizhik.

How did you get into writing, and what drew you to writing speculative fiction specifically?

I was seven when my mom explained to me that it was someone’s job to write all the books I’d been reading, from that moment on I knew I wanted to tell stories. It started with paper and crayons and has gotten slightly more sophisticated from there. I think speculative fiction has always been something I’m drawn to because its function is to allow another perspective or idea take center focus, as an Indigenous person I’m always comparing Western perspectives with Indigenous ones. 

What can you tell us about your new book, A Broken Blade? Where did the inspiration for this story come from? 

A Broken Blade is the story of Keera who is part Mortal part Elf and also an assassin for the Crown. She is forced to serve the king who conquered the continent and drove her kin into hiding. When the King tasks her with killing the Shadow, a masked enemy who is destabilizing the Crown, Keera realizes that she has a choice to make to stay safe or save her people. 

The inspiration came from reading a lot of books in this subgenre during lockdown. They were so much fun and I enjoyed them, but I kept noticing that all of the stories took place in colonial societies. I had all these questions about what happened to the Indigenous people of those realms, where were they, how were their lands taken from them? Those questions became the foundation of me creating the world of the Halfling Saga. 

A Broken Blade is described as anti-colonial fantasy with indigenous influences. Could you describe what that means?

The story is about Keera who is part Elf and her Elvish kin. As a story it centres the characters Indigenous to the continent and frames the conquering King as the rightful villain. Much of the plot and the impacts on the characters on the story is directly inspired by the history that has happened to my own ancestors – extractive colonialism, establishment of a gendered binary and the weaponization of patriarchy are only a few examples of how the Kingdom of Elverath mirrors our own. A huge part of the series will be uncovering how the Elverin lived before the King came at all and reclaiming that way of life. 

Since Geeks OUT is a queer centered website, could you tell us a bit about the LGBTQ+ characters that will be featured in your book?

I would say readers should assume everyone is queer in some way unless stated otherwise. There are bisexual characters, gay and lesbian characters, asexual characters, and ones who don’t conform to the gender binary the king has established. As the series moves forward, something Keera learns is how differently her kin view and live queerness as compared to the king. The Elverin love freely and always have, and they also conceptualize gender in a very different way than the king and his citizens. Keera begins to uncover that in A Broken Blade but it becomes a much bigger theme in upcoming books. 

What are some things you hope readers take away from this story?

My first hope is that readers have a fun time but recognize the parallels I’m making between this made up world and our own. I also hope readers seek out more Indigenous books, there are so many out there.  

Growing up, were there any books/media that inspired you as a creative and/or that you felt yourself personally reflected in?

My biggest inspiration was the storytelling that happened around me as a kid. Most of it came from my grandma, sometimes my mom or aunties too. Hearing a story around a campfire can really make it come to life and those are some of my most vivid memories. I want to learn how to evoke emotion in that same way. 

I think part of the reason I want to be a storyteller is because I never got to see myself reflected in the media I consumed as a child or teenager. There are so few examples of Indigenous characters in popular stories, and when they do exist, they are often stereotyped and poor portrayals. I think I write out of spite in some ways.  

What does it mean to you creating a story with queer and indigenous influenced representation?

It means a lot. For me it is the ultimate form of self-expression because so much of who I am and how I see the world is in the book. But in many ways it is also a responsibility. We all receive gifts in life, and I’ve been given a brain to create stories where nothing exist before. It’s important to me that those stories reflect my family, my ancestors in some way. Even when I’m writing about mythical creatures on a made-up land. 

What are some of your favorite elements of writing? What do you consider some of the most frustrating and/or difficult?

My favorite stages are conception of an idea, plotting, and editing. I find first drafts really exhausting and tend to get through them as quickly as possible. To be honest, second drafts aren’t much fun either. But once I get notes back, I fall in love with the story all over again. There are also days where I do not have the strength to write dialogue and will move on to a scene where that isn’t necessary. 

What advice might you have to give for aspiring writers?

You can’t get better at something unless you do it – a lot – and until you get quality feedback on it. Seek out writing partners and friends, share your work, and learn from each other. Every writer has something to teach another, even if neither of you have shared your work publicly. Also if you have an idea that you can’t get out of your head, write it! And when you get to the point where you hate it and you’re convinced it’s the worst story ever told, it isn’t and you needed to keep going.  

Are there any other projects you are working on and at liberty to speak about?

Currently I’m working on a few projects. The sequel to A Broken Blade is moving through the editing process and will come to readers in 2023. Readers will also be getting a contemporary romance from me later this year. I also have a speculative sci fi story about language and Indigenous sovereignty that I’m very excited about and hope to sell. The best place to stay up to date on those releases is on my socials. 

Finally, what LGBTQ+ and/or indigenous books/authors would you recommend to the readers of Geeks OUT?

There are so many amazing storytellers! You can’t go wrong with Rebecca Roanhorse, Eden Robinson, Cherie Dimaline, Billy Ray Belcourt, or Richard Wagamese

Interview with Author Samantha San Miguel

Samantha San Miguel grew up barefoot in South Florida. Living in this wild, diverse, and exuberant state taught Samantha a lifelong respect for the natural world with both its dangers and delights. Working there as an adult taught her a love for the colorful personalities that crowd the state’s borders. And leaving it taught her that whether in Florida, Cuba, or anywhere else in the world, you can never be an exile if there’s sunshine in your heart.

I had the opportunity to interview Sam, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Hi and thank you! I’m Sam. When I’m not writing you can usually find me reading, practicing some kind of sport, or hanging out with my family. I love animals and the outdoors.

What can you tell us about your latest book, Spineless? What was the inspiration for this story?

Set at the turn of the 19th century, Spineless is the story of twelve-year-old aspiring naturalist Algie Emsworth, whose family winters at a remote South Florida hotel. While searching for new species in the surrounding swamps, Algie makes a discovery bigger than he bargained for!

Though the book is set in a different location, the city of St. Augustine furnished both my concept inspirations. While visiting there a few years ago, I was startled to walk around a corner smack dab into a gigantic Spanish renaissance castle just hanging out along the sidewalk. “What is that?” I asked my husband, who was more familiar with the area than I. “Oh, just Flagler College,” he answered. As I delved deeper into the matter, I discovered that the college campus had begun as the flagship of Florida’s grand hotels: elaborate Gilded Age enterprises as architecturally fantastical as they were financially unviable. Their history captured my imagination, and the inkling of a story was born.

My second inspiration was a vintage photograph of the St. Augustine Monster carcass. Florida is rife with cryptozoological lore, and the St. Augustine Monster was a flesh blob that washed up there in the late 1800s. Modern science has since determined it to be a decomposed whale, but at the time people hypothesized it was a gigantic, Jules Verne-esque octopus.

What drew you to storytelling, and what drew you to middle grade specifically?

Some of my earliest memories are of my siblings and I telling stories to each other before falling asleep. As we got older the stories progressed into RPG campaigns in various fandoms, writing and filming our own movies, and for some of us, full-length novels. We never really stopped—these days, my older brother is my critique partner! So storytelling has always been a very natural part of my life.

As for why middle grade, this answer may sound funny but is the unvarnished truth: there’s not a huge adult market for books featuring monstrous creatures and happy endings, and I really love monstrous creatures and happy endings!

Spineless, while historical fiction, was said to be inspired by your experiences living in Florida. Could you elaborate on this and any other personal elements that may have made their way into the book?

When I was a kid, the marine research institute in our area had a fantastic educational program specifically for homeschoolers. They’d show us deep sea submersible footage, bring us aboard their research vessel, and take us out for days exploring various aspects of the ocean and lagoon. One day we might hike to a jetty and learn about worm reefs, the next we might spend hours wriggling through mangroves on our stomachs observing fiddler crabs. If you’ve read Spineless, you can see how those early experiences impacted the book. Another major influence was growing up close to Pelican Island, the first U.S. national wildlife refuge. It was created to protect endangered wading birds, and hearing about the historic struggles between plume hunters and early conservation champions made a big impact on me at an early age.

A few of the talking points of this book in the promotion of this book were the fact of Latinx representation and chronic illness representation, especially with the main character having chronic asthma. Could you discuss a little how you went about writing this and what writing this type of representation meant to you?

My family’s roots are Cuban, and the relationship between Cuba and the U.S. is complicated and sad. It reminds me of Jane Austen’s description of a bad breakup: “Now they were as strangers; nay, worse than strangers, for they could never become acquainted. It was a perpetual estrangement.” I grew up down the road from my abuelo, who said goodbye to Cuba after Castro took over. Our heritage is a huge part of our family culture and identity, but despite many of us living only a day-trip’s distance away, no one in my family has been able to even visit the island for generations. The closest us younger ones have gotten is seeing the love in our older relatives’ eyes when they talk about it. As a kid, I got used to hearing people (never Cuban Americans) laugh at me when I mentioned I was Hispanic, because I don’t speak fluent Spanish. I wanted to express a little bit of what it felt like, for me at least, growing up as a child of that estrangement. Different century, different war, same sense of exile.

Switching gears to chronic illness rep, I’m a registered nurse by profession and noticed long ago that it was tricky to find thoughtful depictions of characters with physical challenges in children’s media. In most of the instances I saw, either the story revolved around the character’s health issues, or else their disability was essentially cosmetic. For example, in the recent movie The Sea Beast, the first mate has an above-knee prosthetic leg, yet is shown as having superhuman balance on swaying, slippery, and uneven surfaces. I wanted to portray a character who had physical challenges, but without subsuming his identity in his health or ignoring the real risks and roadblocks associated with disability.

How would you describe your general writing process? What are some of your favorite/most challenging parts for you?

Here’s my creative process in five easy steps.

Step 1: Think of a concept. Decide it sucks, think of ten more, and pick the least boring one.

Step 2: Wrestle said concept into a one-page synopsis and read it aloud to every friend, family member, or stranger who will stand still long enough, watching like a hawk to see if they betray a gleam of interest.

Step 3: Write a draft. Decide it sucks. Rewrite it.

Step 4: Declare nothing on earth will ever make this story come together. Press onward anyway.

Step 5: Repeat Step 3 five to sixteen times.

I’m happiest once my drafts become a collaborative process between me and my agent or editor/s. The earlier drafts are always a struggle for me when the disconnect between my vision for the book and the messiness on the page is most glaring. There’s always the temptation to give up, but I get through it by gritting my teeth and reminding myself that anything worth doing is worth doing badly.

As an author, who or what would you say are some of your greatest creative influences and/or sources of inspiration?

My years working as an acute-care nurse had a huge influence on me as an author because they changed the way I view the world and other people. I’m not afraid to write about characters acting with impossible bravery in dire situations—my patients and coworkers showed me long ago that that kind of bravery isn’t actually impossible.

Aside from your work as a writer, what would you want readers to know about you?

I became a triple amputee in my early thirties after a bout with septic shock. Athletics are a huge part of my life, and I’m a serious paratriathlete. I have separate pairs of prosthetic feet for walking, running, biking, and dancing.

What’s a question you haven’t been asked yet but wish you were asked (as well as the answer to that question)?

Q: How do you manage your time as a mom, writer, and adaptive athlete?

A: I prioritize. I have limited hand function due to nerve damage, so it takes me a longer time to get things done than it used to. Sleep, exercise, family time, and a healthy emotional and spiritual life come first. Writing is the next rung, and I’m also involved with various projects in the disability & accessibility arena. I try to keep everything else as lowkey as possible. For me, this has meant investing a lot of energy upfront into learning how simplify things like meal prep, laundry, scheduling, etc. Doubling up on stuff helps—for example, my husband is my training partner, so we get lots of great quality time working out together.

What advice would you give to other aspiring writers?

Think of writing the way you would a sport. Nobody’s born knowing how to do a backflip on a balance beam. Similarly, no one (at least no one I’ve ever met!) is born knowing how to effortlessly manipulate prose, characterization, and long-form narrative structure right off the bat. It takes practice. Read stories you love, read craft books, attend conferences or critique groups if you find those helpful—and if not, don’t. Find a writing buddy to swap stories with. Ask yourself why you write and put it on a sticky note somewhere visible. Don’t chronically sleep deprive yourself in order to fit in writing time—fire up your creative brain by figuring out a different way to fit the writing in. Never underestimate the value of mental white space.

Are there any projects you are working on or thinking about that you are able to discuss?

Right now I’m finishing up a middle-grade contemporary fantasy. I’m also working on a YA alternate history graphic novel.

Finally, what books/authors would you recommend to the readers of Geeks OUT?

For tropical steampunk vibes, check out The Twenty-One Balloons by William Pène du Bois. For a well-rounded protagonist with physical challenges, try Insignificant Events in the Life of A Cactus by Dusti Bowling. To satiate your sea monster cravings, go for The Monster Missions by Laura Martin.

Interview With Author Raymond Luczak

Raymond Luczak (he/him/his) is the author and editor of 29 titles, including Flannelwood: A Novel (Red Hen Press) and Silence Is a Four-Letter Word: On Art & Deafness (Handtype Press). His book once upon a twin: poems (Gallaudet University Press) was a Top Ten U.P. Notable Book of the Year for 2021. His work has appeared in Poetry, Prairie Schooner, and elsewhere. An inaugural Zoeglossia Fellow, he lives in Minneapolis, Minnesota. You can follow him on Twitter or through his Facebook page.

I had the opportunity to interview Raymond, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a bit about yourself?

I’m a Deaf gay writer and editor of 29 titles, including my latest book A Quiet Foghorn: More Notes from a Deaf Gay Life (Gallaudet University Press). I lost most of my hearing at the age of eight months due to double pneumonia and a high fever, but this was not detected until I was two-and-a-half years old. After all, I was just number seven in a hearing family of nine children growing up in Ironwood, a small mining town in Michigan’s Upper Peninsula (U.P.). Forbidden to sign, I was outfitted with a rechargeable hearing aid and started on speech therapy immediately. After graduating from high school, I finally learned American Sign Language (ASL) at Gallaudet University.

How would you describe your upcoming book A Quiet Foghorn? What was the inspiration for this project?

When I put together my first essay collection Assembly Required: Notes from a Deaf Gay, I had chosen not to include a number of arts-related pieces that had appeared over the years. This time around I wanted to pull the various threads of my interests—the arts, the political, and the personal—into a single book. By then I had amassed more published pieces, so it made sense to include most of everything this time around.

As a gay D/deaf writer, you write on the intersection of queerness and disability. Was identity something you had always intended to explore within your writing, or was it simply a natural evolution? At any point during your life have you found media (i.e. books, film/television, etc.) in which you could see yourself reflected or relating to in terms of personal representation?

It was not necessarily intentional at first, but it became a necessity once I realized that there weren’t any accurate representations of the Deaf gay experience in literature. It was quite obvious that if no one was doing anything about that, I might as well try my best and write about it. You could say that’s been the story of my career. If I couldn’t find anything similar to my experiences in print, I felt obligated to write about them, starting with my Christopher Street magazine essay (“Notes of a Deaf Gay Writer”) in 1990 and continuing with my editing Eyes of Desire: A Deaf Gay & Lesbian Reader (Alyson), which turned out to be the very first published title exploring the Deaf LGBTQ experience in the world back in 1993. I haven’t stopped since!

How would you describe your writing process? What are some of your favorite/most difficult parts of the creative process for you?

Each piece I write rarely starts in the same place. Inspiration can be found anywhere. It’s best if I don’t think about it too much. Just roll with it and see what happens when I write! I like discovering new things in my work after I’ve written the first draft (and rewritten in subsequent drafts) because it’s almost as if I didn’t really know my inner self was thinking while writing! 

What’s something about deafness you might want someone to take away from this interview?

That silence, particularly when it pertains to the Deaf experience, is a metaphorical cliché that needs to be permanently iced on moratorium. Very few Deaf people have total hearing loss; they can hear some things at certain frequencies and volume, and yet cannot hear other things. Just like there’s a spectrum when it comes to sexual orientation, there too is a spectrum for hearing loss. Reducing Deaf people to just their ears and/or their signing hands regardless of where in the media is incredibly reductive and offensive to the Deaf community. We are not your metaphor. We are so much more vital than that! We are a people, a community.

Besides your writing, what are some things you would want readers to know about you?

I love to make ice creams and sorbets! 

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)?

I’d love to have hearing people ask themselves this question: Why do I expect Deaf people to carry the full burden of communication when I interact with them? In other words, hearing people have always expected me to lipread, and they’re too happy to find out that I can speak. And then they get occasionally frustrated if I cannot lipread them well enough, and end up saying, “Never mind,” which ends the conversation. (For the record, even the best lipreader in the world can catch maybe 30% on the lips if they don’t know the context of the conversation.) That line (or variations thereof)—“Never mind”—is extremely demoralizing because I’ve taken sixteen years of speech therapy, but they couldn’t be bothered to try another way to rephrase so I can understand them better? When they say, “Never mind,” they are telling me that their discomfort with the situation is much more important than my desire to fully understand what is going on, and therefore, they are exercising their hearing privilege over me. They do not want to put in the same effort into the conversation that they’ve expected me to do. Communication is a two-way street, and contrary to what the majority would like to believe about us Deaf people, it is not run by hearing people. It is run by both people in the conversation.

What advice would you give for other writers?

Never, never, never give up. Rejection is normal, so you have to learn not to take it personally. I’ve had editors reject my work a few times only to accept this or that piece. (Part of that may be due to luck and/or timing.) It’s more important to keep writing, rewriting, and reading the work of other writers who are better than you so you can improve your craft.

Are there any other projects you are currently working on and at liberty to speak about?

2022 has been a very busy year. Two of my full-length poetry collections have appeared in print recently: Lunafly: Poems (Gnashing Teeth), which is filled with queer retellings of Biblical stories, Greek myths, and paganisms, and Chlorophyll: Poems about Michigan’s Upper Peninsula (Modern History Press), which is a sequel of sorts to my earlier childhood nature poetry collection This Way to the Acorns: Poems (Handtype Press), but this time from an adult’s perspective. These days Rattling Good Yarns Press is finalizing my next novel Widower, 48, Seeks Husband for publication. While the novel covers some 40 years of gay Minneapolis history, the book explores in depth what it means to be a middle-aged gay widower in a community that can be unfortunately lookist and ageist. It’s not necessarily a book for young queer reader; it’s a story written for older gay men who’ve been around the block and then some. The story was partly inspired by my realization and disappointment by how many gay fiction titles often featured young good-looking men on their book covers. Where are all those stories featuring middle-aged gay protagonists? (Andrew Sean Greer’s satirical—and commercially successful—novel Less [Lee Boudreau Books] is definitely an outlier in this regard.) It’s my hope that Widower, 48, Seeks Husband will come out this later this year; if not, definitely next year. As always, I do post from time to time ASL translations of my poems as well as book trailers on my YouTube channel here. [youtube.com/deafwoof]

Finally, are there any books, particularly books about disability/Deafhood, you would recommend to the readers of Geeks OUT?

Aside from my own collection QDA: A Queer Disability Anthology, which I edited for Squares & Rebels, I’d recommend Corbett Joan O’Toole’s Fading Scars: My Queer Disability History (Reclamation Press), Carol Padden’s Deaf in America: Voices from a Culture (Harvard University Press), and Harlan Lane’s When the Mind Hears: A History of the Deaf (Vintage). One should also check out the documentaries Through Deaf Eyes and Signing Black in America.

Interview with Author Ryan La Sala

Ryan La Sala resides in New York City, but only physically. Escapist to the core, he spends most of his time in the astral planes and only takes up corporeal form for special occasions, like brunch and to watch anime (which is banned on the astral planes).

Ryan is the author behind the bestselling cottagecore horror, The Honeys, the riotously imaginative Reverie, and the brilliantly constructed Be Dazzled. He has been featured in Entertainment Weekly, NPR, Tor.com, and one-time Shangela from RuPaul’s Drag Race called him cute. Right in the middle of the road downtown! So. Pretty big deal all around, yes?

I had the opportunity to interview Ryan, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Thanks for having me! I’m Ryan, and I’m best known for writing queer books and wearing short shorts. Thus far, my career as a writer has been all about centering queer characters in stories only they can tell. I’m crafting a new mythology around queerness, one that finds depth, power, and complexity in queer identities. This mission has gotten my books put on many ban lists in the past year, but I’m unfettered. More often than the bans, I see my books showing up on lists created by allies and queer readers and bookclubs to promote books that tell the truth about LGBTQIA+ people, namely that we exist and have our own adventures.  

How would you describe your upcoming book, The Honeys? Where did the inspiration for the story come from?

Everyone wants to be a Honey. They’re the popular girls at the Aspen Summer Academy, and they wield an enchanting power over adults and campers alike. All except Mars Matthias, a geeky, rebellious teen who shows up at the Summer Academy for one reason: to prove the connection between the Honeys and his sister’s recent, horrific death after her brief time as one of them. Mars is genderfluid and therefore exists beyond the traditions of summer camps, specifically their binary structures (Boys and Girls cabins, Battle of the Sexes, etc). But, because of this, Mars is able to slip through the dark in between, closer and closer to the bright, terrifying truth that shines at the center of the Aspen Summer Academy.

The Honeys takes inspiration from the genre of dark academia, but rendered in the bright, lovely pastels of cottagecore, because for queer people it is not just the darkness we must fear, but the monsters that are allowed to hunt us in broad daylight. Inspiration from the natural world also shaped this book, such as the minute ritual of bees. Studying bees, I learned a lot about humanity and found a lens through which to process grief, horror, and revenge. 

How did you get into writing, and what drew you to young adult fiction and speculative fiction specifically?

To be completely candid, I started writing out of spite. As a queer teen, I was perplexed that popular YA novels like Twilight, The Hunger Games, and Harry Potter were devoid of queer people. All the best imaginations of our time, and they couldn’t imagine someone like me? Noting this clear flaw, and driven by spite, I started writing my own stories, and I filled them with queerness. Not just with characters who happened to be gay, but with plots, adventures, and victories that are inherently queer.

That story became my first book, REVERIE, about a queer kid battling a drag queen sorceress for the fate of reality. It’s a dreamy, ambitious book, but beneath the glitz is a serious question: why would you fight to save a reality that marginalizes you? Why not destroy it, and try again? This is the conversation between Kane, a young gay kid discovering his terrifying power, and Poesy, a drag queen who has had to stifle her power too long. Could a straight kid have this adventure? Probably not. Bless the straight kids, really, but they don’t have the range I need to tell the stories I needed as a kid.

I still feel the spite of my youth, but I’ve realized something. Spite is just undressed justice. Justice without her corset on, if you will. My stories might be fantastical, but the impact on our reality is real. My books have been celebrated and banned. I’m doing what I set out to do. I’m using queer magic to revise reality into something that doesn’t just tolerate queer kids but embraces them.

How would you describe your writing process? Would you say it’s changed since you first started as a writer versus now?

You know when you are crossing a busy street in the city, at night, with vehicles parked along it, and before you can even see an oncoming car you first see its reflection sliding towards you? Or the shadows flee from approaching headlights? Or the things seem to glow until suddenly the car bursts from the periphery into your reality? That’s what my process feels like. I know something is coming, and I catch glimpses of it reflected in the world around me, and then suddenly it’s honking at me, and I’m writing as quickly as I can, and before I know it I’m on the other side of the street. The book is written.

I don’t like this process. It’s inconvenient to be arrested like this for however long it takes. And I find it never takes long enough. Reverie took about ten years to actually get published. My second book took a summer to write. The Honeys took a month. My most recent book took 25 days. The car, to extend my earlier metaphor, keeps cutting it closer and closer, so I’m trying to get better at looking around the corners of my mind in anticipation of what’ll try to run me over next. 

What would you say are some of your favorite craft elements to work on? Were there any stories or authors that inspired you as a writer coming into your own?

I adore contrast. The Honeys, for example, exists in the tradition of the Dark Academia novel–it takes place at an institution for the elite, which appears to harbor sinister secrets for the initiated few–but the book is neither dark nor academic. It’s bright and summery, and it’s actually set at a summer camp. The horror is still there, but the reader is forced to face these horrors without any darkness to hide within. That’s on purpose.

Sailor Moon taught me this contrast. Sailor Moon’s beauty and femininity never costs her power; it’s often the source of it. It never saves her from devastation, either. That’s true for a lot of media made for girls, that the gays declare iconic, and it’s had a profound effect on my approach to horror and fantasy. In my books, I love to use lush, lovely writing to explore serious, scary topics. It’s the brightest colors in nature that are often poisonous, after all. 

Since Geeks OUT is a queer pop culture website, how would you describe your own queer and geeky interests? What draws you to fandom and what are some of your favorite fandoms?

I’m a total weeb. I grew up hoarding manga and anime. I loved Sailor Moon, Cardcaptor Sakura, and anything that was magical, dark, and flamboyant. I’m a gamer, too. I love the high-concept JRPGs of late, along with classics like Kingdom Hearts and Zelda.

That said, I kept fandoms at a distance until just recently. Growing up, ‘fandom’ was synonymous with pompous white guys who wanted to quiz me on Star Wars trivia and The Foundation trilogy. Barf. I’m so glad it’s so much more welcoming and diverse now!

My way back into fandom was actually cosplay. Cosplayers are my favorite people in any fandom. They’re the ones who are literally doing the work to participate in the stories we adore, and I love how open-source the community is when it comes to crafting these incredible costumes. My second book, BE DAZZLED, is all about cosplay culture. After writing it, I started to compete in cosplay competitions myself, and actually won Best in Show with a design from the book! I was dressed as HIM from Powerpuff Girls. An iconic sissy villain. 

Besides being a writer, what are some things you would like others to know about you? 

Writing is just an extension of my lifelong obsession with creating stuff. I love to craft costumes and cosplays, I love making gifts for people, and half the stuff in my very cluttered apartment is covered in hot glue, paint, or rhinestones. You know Howl’s bedroom in Howl’s Moving Castle?  aspire to that level of elaborate, eccentric theatricality.

Speaking of theatricality! I come from a musical theater background, and still love to put on shows. I want people to know that I don’t just exist in the backflap of my books. I spend an inordinate amount of time creating content for Twitter, TikTok, Youtube, and live writer events because I love to put on a show and entertain. I hope people search for me after finishing my books!

What’s a question you haven’t been asked yet but wish you were asked (as well as the answer to that question)?

Question: Why honey?

Answer: Because it’s fascinating stuff. The closest thing to actual ambrosia I can think of. Did you know that a teaspoon of honey represents the life’s work of 12 bees? And a jar of honey is created by bees visiting millions of flowers in flights that, if added up, could circumvent the earth? When you taste honey, you’re tasting the concentrated essence of an entire ecosystem, and that to me is a paradox ripe for writing about. You have these tiny, cute insects working to create this miraculous substance that never, ever goes bad, and the act of creating it is what allows all these cycles of life, death, and regeneration.

In short, I think the bee has a lot to teach us humans, who often operate as adamantly individualistic, often until it destroys us. That describes Mars at the start of the book. I wanted him to face something greater than him, something that would force him to connect with the world after the isolating loss of his sister. That something is The Honeys. 

What advice might you have to give to other aspiring writers?

If you’re going to say yes to making your dreams a reality, you’re going to have to say no to reality. Reality is not designed to let you write books. Books aren’t obligatory, like jobs or chores or karaoke. For most of us, no one asked. It’s a selfish, intriguing impulse that often gets us started with writing, and it’s usually at odds with a reality that would rather us leave it undisturbed with our dreaming. But I’m telling you to say no to that sense of complacency, and to dream, and to disturb the status quo with your made-up worlds.

What I also mean is: if you’re going to say yes to writing, you’re going to have to say no to something else. The harsh truth is that writing costs time. A lot of it. And no one is going to make that time but you. So, as quickly as you can, learn to say no. Get used to the discomfort of missing out. It sounds grim but it isn’t. It takes bravery to believe in yourself enough to make space and time for your dreams.

Are there other projects you are working on and at liberty to discuss?

I recently wrote a book in 24 days and recorded a diary on TikTok that I may or may not need to take down, because I think it’ll be the next book I publish. Here’s what I can share about it: it’s supernatural, it’s horrific, and it takes place in the most beautiful, private homes of New York City. While it’s not a sequel to The Honeys, it feels like a sibling to Mars’s story. It’s darker and hungrier, and the monster within is the kind I know people will have a hard time unseeing if they manage to see it at all before it gets them.

Finally, what LGBTQ+ books/authors would you recommend to the readers of Geeks OUT?

Increasingly, I’m talking about the LGBTQ+ books and authors I adore via Twitter and TikTok, so I recommend people follow me if they’re curious! Right now I’m reading and loving THE 99 BOYFRIENDS OF MICAH SUMMERS by Adam Sass. I am also eagerly awaiting books by Aiden Thomas and Julian Winters. My favorite recent read is PET by Aweake Emezi, and I just acquired the prequel, BITTER.

Interview with Author Keah Brown

Keah Brown is a journalist, author, and screenwriter. She is the creator of #DisabledAndCute, and her work has appeared in Teen Vogue, Elle, Harper’s Bazaar, Marie Claire UK, and The New York Times, among other publications. Her debut essay collection The Pretty One (Atria Books) was published in 2019, and her writing has appeared in the anthologies Disability Visibility edited by Alice Wong and You Are Your Best Thing, edited by Tarana Burke and Brené Brown. 

I had the opportunity to interview Keah, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Thank you for having me! I am a journalist, author, screenwriter, and studying actress. I love to tell stories, that’s the Throughline of the work that I do. I’m also a person who loves concerts, cheesecake, Drew Barrymore, and Paramore. 

I am also a person who thinks that joy is revolutionary and now more than ever we deserve things that make us want to get through each day.

What can you tell us about your latest book, Sam’s Super Seats? What was the inspiration for this story?

Sam’s Super Seats is one of my dreams come true. It tells the story of Sam, this adorable little girl with Cerebral palsy, who goes back to school shopping with her mom and her two best friends. While at the mall, she learns the importance of comfort and rest and listening to her body.

The inspiration for the story was me writing a story that I would’ve loved as a child. Growing up I didn’t see any books for children featuring stories of little black girls with any disability let alone mine, cerebral palsy.  So, in many ways, this book is my way of giving little Black girls and children of all races with disabilities a slice of representation I never had. The dream could only be a reality because of the fantastic work of the team at Kokila, penguin kids, and my amazing illustrator, Sharee Miller. 

What drew you to storytelling, and what drew you to children’s literature specifically? 

I have been storytelling in some way since I was a child. The stories were not always good because we have to start somewhere right?  For me, there is magic to Storytelling the ability to be lost in someone else’s world for a while, to give our sometimes racing brains a break. I was an early reader, I loved and still do love reading books and I knew from a very early age that if I ever had the chance to tell stories of my own, to potentially give readers a chance to give what was given to me, to share in the magic I was going to jump on it. I am very grateful that I get to do this for a living and hopefully people enjoy the magic that I create too.

 One of the most Virgo things about me is that I have a ten-year plan document on my computer. Writing a children’s book has always been on that list. When my editor from Kokila, Sydnee, reached out to me with The idea of creating a children’s book after she’d read and thankfully enjoyed The Pretty One, I leapt at the chance. As an early reader books were my Safe Haven and I wanted to be able to give that specifically to children one day I’m just so glad that that day is here. 

As the writer of The Pretty One: On Life, Pop Culture, Disability, and Other Reasons to Fall in Love with Me, what drew you to writing non-fiction?

The thing that is most interesting is that fiction is my first love, I will always have a soft spot for fiction. However, with The Pretty One, I had the opportunity to write about things that I didn’t really have the opportunity to write about in my one-off essays or interviews, or articles as a journalist. With The Pretty One, I was able to talk about things like music, grief, family, platonic love, my love for TV and film, and more in a more in-depth way because I had the page space. 

As a Black, disabled, queer author much of your writing has been highly personal in regards to describing your specific experiences and identities. How would you say you balance creative drive (and career needs) versus preserving your own vulnerability? 

Well, with each piece of writing I think about craft. What is the way that I want to tell the story, and why do I want to tell the story? and What lends itself to the story and what doesn’t? The way that I preserve my own vulnerability is with the recognition that I don’t have to share everything with everyone. In my work, especially in my nonfiction work, I share what serves the story and the things that are just for me are simply just for me. My non-fiction work is highly personal but it is not the whole of me. Early on in my career, I was sharing everything, letting it all hang out, and then after some advice from a few prominent writers that I deeply admire and trust, I learned that I didn’t have to give everything away in order to get a byline in the first place. Now I’m in a place in my career where if I do write something that’s non-fiction, like The Pretty One or an essay, I let craft also dictate when, how, and why I tell a personal story. Sometimes I think it’s easy for people to forget that even when we’re telling stories of our own lives that takes effort and it’s not just like a diary entry on the page. 

How would you describe your general writing process? What are some of your favorite/most challenging parts for you?

My general writing process depends on the thing I’m writing. If I am writing a book I outline first. Outlining is not my favorite thing but it is a necessary piece of the process, especially in writing longer works. If I am working on an essay or a story for an anthology, I usually skip the outline and just start writing. When I am co-writing something like the musical that I am currently cowriting, we outlined extensively for weeks because it is also a longer work. On the off chance that I’m writing something like a poem, that usually happens at like 3 AM so there’s no outlining involved in that process either. However, I cannot write at all without music. So, regardless of genre, Music has to be playing while I write and it has to be songs that I know.

My favorite part about writing is truly creating worlds and people that others can get lost in, that even if I need to I can get lost in. Sometimes we all need to step away from the real world for awhile. So, when I’m writing, my favorite part is knowing that I enjoy the story that I’m creating and letting the worry about if anyone else will fall away at least until it’s over.

The challenging part of the writing process is knowing that there are just going to be some days where nothing comes and to give myself grace on those days and to not feel like a failure because I didn’t write anything good that week or that day.

As an author, who or what would you say are some of your greatest creative influences and/or sources of inspiration? 

Music, movies, and TV is one of my greatest sources of inspiration. One of the coolest things about being creative is seeing different genres create and being inspired to create in your own because of it.

As far as people, Roxane Gay, Ashley C. Ford, Issa Rae, Shonda Rhimes, Andie J. Christopher, Jasmine Guillory, and Samantha Irby. 

Aside from your work as a writer, what would you want readers to know about you?

I want readers to know that I absolutely love getting to tell stories and then I want to tell stories via film and television as well. I want readers to know that I do not take them for granted and that I’m grateful that they exist at all. 

I am simply your average disabled black girl who loves love and a happy ending. 🙂

What advice would you give to other aspiring writers? 

There will be days when it feels impossible to write and days where nothing good comes but try and remember that even your favorite writers have those days. Don’t give up on yourself or your story. Sometimes, will spend a day writing and none of it will make the final product but that’s also a part of the process. 

Let your first draft be bad, it’s supposed to be bad. First drafts are just about getting words on the page. It does not have to be perfect, rid yourself of the idea that everything has to be going perfectly well or that you have to write the next great thing in order to start writing. Just start writing

Are there any projects you are working on or thinking about that you are able to discuss?

Absolutely. As I mentioned earlier, I am co-writing a musical about two twin sisters who are out looking for adventure, I am dipping my toes into the film and TV space, and I’ve got a young adult book coming out next spring.  I also am continuing to take acting classes and I plan to draft out what will be book number four toward the end of the year.

Finally, what books/authors, particularly relating to queerness/disability, would you recommend to the readers of Geeks OUT?

Interview with Author Pavlos C. Hunt

Pavlos C. Hunt is a New York CIty based author and poet. You can follow him on Twitter as well as Instagram. I had the opportunity to interview Pavlos, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Thank you for having me at Geeks OUT, it’s an honor! I am Pavlos C. Hunt, author of Little Beach, Little Bitch, a queer poetry collection that explores the themes of love, loss, and hope, through the lens of a queer immigrant. I was born and raised in Nicosia, Cyprus, and I moved to New York ten years ago to pursue my creative dreams. I’ve worked in TV, theater and book publishing, but my dream is to get to a place where I can wake up and write until the sunset.    

How did you find yourself drawn to the art of poetry and storytelling? 

It started as a need to understand myself better. Every poem has a part of me, something I once felt, or something I once was. The same goes to my characters in fiction. They are all a reflection of me to some extent.

What can you tell us about your latest book, Little Beach, Little Bitch? What inspired this project?

Little Beach, Little Bitch started ten years before I was even aware of it. I was in the army in Cyprus back then, hiding my sexuality, and finding escape in the poetry of Walt Whitman, drafting my own poems at the watch tower to kill time. When I moved to New York, I thought everything would suddenly be wonderful in my life, but I was naïve, and I threw myself into bad relationships. Again, I used poetry to navigate all that. A few months ago, I was packing to move apartments, and I opened a box with more than a hundred notebooks in it. I read every single page, realizing that my entire life story was in there, and I decided to do a selection together and see where it takes me. 

As a queer author of Cyprus descent, do you believe your background has influenced your poetry or writing in any way?

The older I get, the more I understand the depth of the connection I have with my motherland. Certain cultural aspects are engraved in me, so my point of view in life is always filtered by my experiences growing up in Cyprus. Even after ten years, I still feel like an outsider in New York. I don’t know if I belong here. There is a poem in Little Beach, Little Bitch about Nicosia, the capital of Cyprus and my birthplace, and there are a few other poems with references to my heritage and the topography of Cyprus.   

For many years I resented Cyprus, because I was in the closet there, and I saw New York as my gay sanctuary. I didn’t come out to my parents until last year, at 27 years old, and it’s only now that by being my authentic self, I have completely transformed my relationship with Cyprus in a positive way.  

How would you describe your writing process? Is there anything you do to help yourself in terms of motivation or creativity?

I revisit my work a lot. I edit and I re-write sometimes for years; it’s an endless process. However, a few of the poems in Little Beach, Little Bitch flew out me so naturally that I kept them intact since their inception. I stay motivated because I want to improve myself. I know my limitations, and I notice my improvement with every new piece of writing. I can only hope that by keeping at it, I’ll one day write something great. I believe that when a good poem touches your soul, it can transform your understanding of the entire world. And if I can do that even just for one person, then it’s worth it to me. 

As a writer, who or what would you say are some of your greatest creative influences and/or sources of inspiration?

I observe how human relationships change through time. I lost friends I thought I’d had forever, and that was a catalyst in my writing. The queer community and culture are also an inspiration to me, and I try to find the connections and the nuances, and how the queer experience expands and how it diverges. In terms of people that inspire me, Cavafy was an archetype for me and my poetry. He has a poem about running away to a new city in hopes of change, but ultimately bringing yourself with you, which means it’s all just the same. That poem sums up my life. I also love reading lyrics to songs without the music, as if they were poems. 

What are some of your favorite parts of writing? What do you feel are some of the most challenging?

It’s cathartic. As I mentioned above, my favorite part of writing is that it helps me understand myself and the people around me. The most challenging part to me is finding an audience and making them relate to something so personal. All the logistics that come after the creative process is a challenge to me as well, but I made a conscious decision recently to let go, put myself out there, and trust the process. 

Aside from your work, what are some things you would want people to know about you?

I love drag shows. I even tried to be a drag queen in the past, but I didn’t commit to it. Doing drag takes a tremendous amount of time, and so does writing, so it wasn’t a viable option for me. I couldn’t give my heart to that craft. The drag queens that I love have a wildfire inside of them. I’m thinking of Pixie Aventura and Jasmine Rice now.

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)?

I think it’s fun when people talk about what superpower they’d like to have. I’m obsessed with everything magical. I hope to write fantasy one day, if I can bring my voice to the genre. So, the answer to that question for me would be teleportation, so I can close my eyes and, in a blink, appear in Cyprus and then back to New York. I’m just terrified of planes, and I always have to take two of them to get home. 

Are there any other ideas or projects you are currently working on and at liberty to speak about?

I wrote a screenplay called MISS MYKONOS about a teenager that goes to the island of Mykonos with his grandmother and competes in a drag queen pageant with her help. It’s a light comedy; very different in style and aesthetic from Little Beach, Little Bitch, but still very queer. I am also writing a novel loosely based on my sexual experiences in New York City. The themes are very similar to my poetry, but the novel has a love story that carries the plot. It’s the journey of an innocent soul slowly getting broken into pieces by all the wrong people he lets in his life. In the end, there’s not much to give to the one he loves. Lastly, I also write lyrics for musicians, and I would love for people to check out another queer artist named Louis Bluehart who has some very fun songs out on Spotify and all other music platforms. 

What advice would you give to other aspiring creatives?

I don’t think I have accumulated a lot of wisdom yet, but what really helped me stay creative was giving up the idea of perfection or originality, and just embracing every step of the way. Personally, I’m not sure if I have natural talent in writing, but I thought, “It’ll get better if I keep doing it, anyway.” 

Finally, what queer books/writers would you recommend to the readers of Geeks OUT?

I already mentioned classics like Cavafy and Walt Whitman. Another book that I loved recently is The Song of Achilles by Madeline Miller. I also want to read A Previous Life by Edmund White and Memorial by Bryan Washington. 

Interview with Author Sunyi Dean

Sunyi Dean (sun-yee deen) is an autistic author of fantasy fiction. Originally born in the States and raised in Hong Kong, she now lives in Yorkshire with her children. When not reading, running, falling over in yoga, or rolling d20s, she sometimes escapes the city to wildswim in lonely dales.

Her short stories have featured in The Best of British Scifi Anthology, Prole, FFO, Tor Dot Com, etc., and her debut novel, THE BOOK EATERS, will be published 2 Aug 2022 by Tor (USA), and 18 Aug 2022 by Harper Voyager (UK). Available at all good bookstores, in ebook, hardback, and audio.

I had the opportunity to interview Sunyi, which you can read below.

First of all, welcome to Geeks OUT! What can you tell us about your book, The Book Eaters? Where did the inspiration for this story come from?

Inspiration came from many places! I love the ethical dilemma of vampires as creatures who must do terrible things to stay alive. Every culture, for as long as we’ve had written records, has legends about vampiric creatures of some kind, and I find that quite eerie, too. (I don’t love their cheesy Dracula-based reputation, but that’s easy to side step in one’s own writing.) 

I’m also interested in how we consume media, how it affects us, and what it says about our society’s psychology. All of those things folded together, gradually, into this book. 

How do you believe your neurodivergence affects your writing and worldview as an author?

In Chinese, ‘autism’ sometimes translates to ‘loneliness disease’ or ‘closed-self’ disease. Those are terrible, ableist terms in many ways, but there’s a grain of truth to them as well. Autistic life is often lonely, sometimes very narrow, and usually more inward-looking; autistic people are deeply self-reflective thinkers. 

Devon is not written as autistic, because I am not really sure what autism versus neurotypicalism would even look like in book eaters. But she, and many of my other characters in various stories, do tend to be isolated, reflective, sometimes lonely, and placed at the fringe of society. 

What inspired you to get into writing, particularly speculative fiction? Were there any writers or stories that sparked your own love and interest in storytelling?

Truthfully, it was actually book reviewers who inspired me to try writing. I love reading in-depth reviews which deconstruct a novel and engage with what the author was trying to do or explore. In particular, I remember reading a 5k-word essay about a classic sci fi novel and thinking, How cool would it be to write something which inspired 5,000 words of discussion from someone else? 

I write because I want to connect, to be heard, and to have conversations with folks through text, and the complexity of speculative fiction (as opposed to other genres) allows so much freedom in stories. 

As someone who is obviously inspired by fairytales, why do you think you yourself and other readers keep being drawn to these older stories?

Fairytales are a highly accessible “bare bones” medium that speak to cultural experience. They are safe ways to explore and work through things that we, as a society, collectively fear or don’t understand. 

A classic example is the mythology surrounding werewolves, and their use in talking about domestic violence. The language we have today for talking about domestic violence is very specific and detailed, but hundreds of years ago, that wasn’t the case. People instead relied on stories to process very complex experiences and common fears.

Fairytales were never meant to be something we aspire to. They were always intended to be something we talk about.

How would you describe your writing routine?

There is no routine, only chaos and prayers to the elder gods. Occasionally deadlines and panic. 

What are some of your favorite elements of writing? What are some of the most challenging?

I’m in the camp of people who despise drafting and adore editing. I love having written, but don’t enjoy it while I’m actually doing it. A bit like running: I love finishing a run, but I swear and snarl through the actual experience. 

What advice would you have for aspiring writers?

Writing is hard, and publishing (where self, trad, or hybrid) is harder. Be kind to yourself, especially if no one else is kind to you. 

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)? 

‘What is your favorite whisky at the moment’, you say? Well, so glad you asked! 😉 Seaweed and Aeons and Digging and Fire, cask strength. 

Are there any other projects you are currently working on and at liberty to talk about? 

I’m working on a few projects! One is a historical fantasy set in Hong Kong, featuring ghosts. Another is a near-future, retro-sci fi, set in rural Texas. Both are novels, both are early stages. 

I would also like to complete my half-finished novella, revamp an older book, and start making notes on 2-3 other books beyond that. 

Finally, what LGBTQ+ books/ authors would you recommend to the readers of Geeks OUT?

Do check out The Final Strife by Saara El Arifi, a glorious and bloody epic fantasy with a queernormative society and a sapphic lead MC. Came out June 2022! 

Recently, I have also loved Hench by Natalie Walschots (competent bi MC), Nophek Gloss trilogy by Essa Hansen (acespec MC with genderfluid characters), and Space Between Worlds by Micaiah Johnson (sapphic leads again.)

Interview with Author Holly Black

Holly Black is the #1 New York Times bestselling and award-winning author of speculative and fantasy novels, short stories, and comics. She has sold over 26 million books worldwide, and her work has been translated into over 30 languages and adapted for film. She currently lives in New England with her husband and son in a house with a secret library. Book of Night is her adult fiction debut.

I had the opportunity to interview Holly, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a bit about yourself?

Sure, I’m Holly Black; I’m originally from New Jersey and now living in Massachusetts, and I write contemporary fantasy, often involving mythic or folkloric beings, with a melancholy bent. I love cons, heists, twists and surprises.

How would you describe your writing process?

I think I’ve tried it all – outlining, fast drafting, note cards, whiteboard, three act structure, five act structure, reading the entrails of goats. But none of it has made the drafting process less agonizing! Recently I’ve tried skeleton drafting and found that useful – at least I can get my mistakes over with quickly and get on to the revising stage, which is where I feel I can actually begin to make the mess of the draft into a book.

Can you remember any of the stories or authors who inspired you growing up? Who or what inspires you now?

As a teenager and in my early twenties, I lucked into finding books that inspired me – Ellen Kushner’s Swordspoint, in particular, which I continue to think of as a perfect book. That was also when I came to read Tanith Lee, with her delicious prose, and also Anne Rice, whose Interview with the Vampire was my bedside reading all through eighth grade.

From my childhood, one of the most important books in molding my writing was Brian Froud and Alan Lee’s illustrated book, Faeries. The art is extraordinary and a little frightening. And along with that, there’s a lot of somewhat brutal folkloric accounts. I came back to that book again and again as a kid, and I love it as much as an adult.

Since the beginning of your career, you’ve been known for dabbling in urban fantasy. What draws you in about the fusion of everyday mundane reality and the supernatural?

I love the way that in contemporary fantasy, it seems possible that if you were to look out of the corner of your eye, or turn the right (or wrong) way down a street, you might stumble on magic.

What can you tell us about your upcoming book, Book of Night? What can readers expect?

Book of Night is about Charlie Hall. She’s spent half her life stealing secrets from shadow magicians, and is now trying to get out of the game. She’s hoping to settle down with her shadowless (and possibly soulless) boyfriend, Vince, and resist the pull toward her worst impulses. But when her past comes back to threaten everything she’s built, she discovers she’s not the only one with a complicated history or dark desires.

Unlike your previous work, which consisted of books for younger or young adult readers, Book of Night is considered to be adult fantasy. Was the writing process for this book in any way different from your previous books?

It was – and I can’t really say why. I wrote and deleted more from this book than any I have written previously, including at least a dozen first chapters. I was on a writing retreat with Kelly Link, and I’d give her a new chapter each morning and then delete it at night, only to give her another the next day. She found the whole thing very puzzling! But I love the world and the magic and the characters a lot, perhaps the more for having had such a hard time finding them.

Asking for a friend, but where did the idea for your stories, the queer favorite, Valiant. come from? 

I am so surprised that’s the one you’re asking about and not Darkest Part of the Forest or Ironside, but Valiant was my favorite of my books for a long time. The story came out of my younger sister’s struggle with addiction and her overdose, as well as being a Beauty and the Beast retelling.

If the characters of Book of Night could interact with any characters from other fictional worlds, what characters would they be and why?

Odette, the dominatrix owner of Rapture, where Charlie tends bar, would be a great dinner companion for Catwoman. They could compare latex outfits. 🙂

What advice would you give to other aspiring writers?

My biggest advice is to write for your reader self, not your writer self. Think about the kinds of books you like to read, the characters in books you like to read about, and write for that person – you!

Are there any other projects you are currently working on and at liberty to speak about?

I am currently working on another YA novel set in the Faerie world. I hope to be able to talk about it very soon. 

Finally, are there any LGBTQ+ and / or fantasy books/ authors that you would recommend to the readers of Geeks OUT?

In terms of YA books, I would highly recommend Charlie Jane Anders’ Victories Greater Than Death, which is the space opera I have been waiting for. Malinda Lo’s Last Night at the Telegraph Club is fantastic and has won all of the awards, but I also have a special place in my heart for her Cinderella retelling, Ash. Recently, I read Eliot Schrefer’s The Darkness Outside Us and Aiden Thomas’s Cemetery Boys, both of which I loved. Also recommend Alex London’s Black Wings Beating, which has a fascinating magic system. And Emily Skrutskie’s Bonds of Brass, which was a lot of fun.

And back when I was writing my first book, one of my critique partners, Steve Berman, was writing a teen ghost story entitled Vintage, which was recently re-released with a new cover and updated text. Re-reading it, I was reminded of its unique mix of horror and romance.

In terms of adult books, my friends group passed around Tamsyn Muir’s Gideon the Ninth, which we all were obsessed over. I’ve always loved Stina Leicht’s books, so I was excited to get my hands on Persephone Station. Carmen Machado’s work is both lovely and urgent. And of course, my recommendation for Swordspoint always stands.

Interview with Author Adam Sass

ADAM SASS began writing books in Sharpie on the backs of Starbucks pastry bags. (He’s sorry it distracted him from making your latte.) His award-winning debut, SURRENDER YOU SONS, was featured in Teen Vogue and the Savage Lovecast and was named a best book of 2020 by Kirkus. THE 99 BOYFRIENDS OF MICAH SUMMERS is his forthcoming novel from Viking. He lives in Los Angeles with his husband and dachshunds.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

I’m dachshund-obsessed. I’ve got two little ones—Marty and Malibu—with my husband. We just moved back to LA after spending the first year of the pandemic in North Carolina with family. LA is our forever home, though. Something in the air out here just clicks with us. We’re not ourselves when we live anywhere else!

When did you know you were first interested in writing, and what drew you specifically to Young Adult Fiction?

I actually started my writing career in movies and TV, so I shifted out of screenplays and into novels when I started reading YA (shout out to Andrew Smith’s Grasshopper Jungle!) and fell in love with the imagination and story possibilities I was seeing. Also, I first started writing in the years I was a barista at my local Barnes & Noble. I’d scribble ideas on the backs of pastry bags as I looked out on the bookshelves, imagining my books in there one day.

Were there any stories (queer or otherwise) that you read or watched growing up that had touched you or felt relatable in any way? What stories feel relatable to you today?

Like most queer people my age, I had to find my queerness elsewhere growing up. Buffy was obviously core, queer-friendly media. Christopher Rice’s books were really important to me in high school. These days, I love seeing queer characters have darker edges to them, even in an unflattering light. I think The Other Two is maybe doing that the best right now.

How would you describe your writing routine or process? What are some of the enjoyable, hardest, and strangest parts of the process?

It’s not just about writing, you have to think as well. A hard and strange part of that process means showing your loved ones that seemingly irrelevant activities are feeding the creative process. For instance, I often do a puzzle while thinking through a story structure problem. 

Your debut novel, Surrender Your Sons, was hailed as a gay thriller novel, dealing with horror, conversion camps, and queer survival. What draws you into to horror and what it been like writing this, including some of the realities of our world, distorted or reflected through the lens of fiction?

Horror helps us express our worst anxieties, and for me, the most therapeutic way to express mine is dig deep inside my terrified heart and spit out what I find there. Surrender Your Sons depicts several cruel people and puts many innocent people through unimaginable horrors, so that was difficult to put down on the page. However, the light in the dark is that I always gave these characters dignity and agency, and sometimes, they got big victories. My favorite part of Surrender Your Sons is the characters and the bonds between my queer teen campers. Writing them, letting them have laughs and sweet moments and kick-ass scenes where they worked together gave me all the joy I needed to survive writing the dark scenes. Surrender Your Sons shows that love and hope can never be killed, not even when everyone and everything seems to be against you.

Unfortunately, censorship of queer books is on the rise, which seems to be a topic you’re pretty passionate about. What are some ways as readers we can fight against us, and what is your take on what representation in books means to you?

Authors can only put the book out—that’s all we can do. Readers and parents hold the power in a way that even librarians and teachers don’t (because their employment is at stake, and they’re frequently a cudgel in this war). Readers and parents must email, call, text, show up in person to voice their support for challenged books and for diverse reads in general. They must do it often and loudly, because the other side never runs out of energy trying to pull us out.

What advice would you give to other aspiring writers?

Treat your work like you’re starting a small business, or an Etsy shop. Writing is not a job, a job has health benefits, 401k, and paid time off. You will not have that. Ever. You’ll have to give yourself that, and the way you do it is to understand you are a salesperson. Small businesses take years to take off and require you to put in more money than you get back. For a while! This is the first year where my business has turned a profit, but it took years to get to that point. Don’t despair that you don’t have the respect of a square job. You’re building something else!

Aside from writing, what are some things you would want others to know about you?

I’m a theme park fanatic. I collect books about Imagineers and often use their physical space storytelling techniques in my written work.

What’s a question you haven’t been asked yet and wish you were asked (as well as the answer to that question)?

Who is my favorite character I’ve ever written, and without a doubt, it’s Marcos Carrillo from Surrender Your Sons. I miss writing him and his goodness so much.

Can you tell us about any new projects or ideas you are nurturing and at liberty to discuss?

My second book, a YA romcom called The 99 Boyfriends of Micah Summers, comes out in September! It’s about a queer boy who draws his crushes (and imagines his life with them) before putting them away. When he decides to finally ask one of them out—Boy 100—he has a great connection, but they’re cruelly separated by fate, so he embarks on a quest to find his mystery boyfriend!

Finally, what LGBTQ+ books/authors would you recommend to the readers of Geeks OUT?

Jason-June’s Out of the Blue, Dan Aleman’s Indivisible, Andrew Joseph White’s Hell Followed With Us, and in Spring 2023, keep your eyes out for Terry Benton-Walker’s Blood Debts! All of these show different ways to be queer, different types of queerness, and have us at the center of stories that have little to do with being queer.

Interview with Author Alexandra Rowland

Alexandra Rowland is the author of several fantasy books, including A Conspiracy Of Truths, A Choir Of Lies, and Some by Virtue Fall, as well as a co-host of the Hugo Award nominated podcast Be the Serpent, all sternly supervised by their feline quality control manager. They hold a degree in world literature, mythology, and folklore from Truman State University. 

I had the opportunity to interview Alexandra, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Hi, thanks for having me!

I’m Alexandra Rowland (they/them), and I’m a very queer fantasy novelist writing very queer fantasy novels, all set in the same expansive worldI have a degree in world literature, mythology, and folklore, which definitely informs the sort of stories I tell and the ways in which I tell them. I’m also the person who coined the word “hopepunk”, and a four-time Hugo Award nominee as a co-host of the podcast Be the Serpent, which discusses tropes in literature/media and particularly the role of fanfiction in the broader literary conversation.

Please link to this article, *NOT* the Vox one: https://festive.ninja/one-atom-of-justice-one-molecule-of-mercy-and-the-empire-of-unsheathed-knives-alexandra-rowland/

What inspired you to get into writing, particularly romance and speculative fiction? Were there any writers or stories that sparked your own love and interest in storytelling?

When I was eight years old, a friend of my parents said to me, “Wow, you really love reading, I bet you’ll be a great writer someday!”—whereupon I, outraged and affronted at the very suggestion, told her in no uncertain terms that I hated writing and that I would never be a writer. (So that’s clearly going well, LOL.) If I had realized at the time that the little stories I made up in my head or wrote down in my diary totally counted as writing, I might have had a different answer—because I’d been doing that for as long as I can remember.

Likewise, I can’t remember a time when I didn’t love speculative fiction. My parents were both geeks, and my dad in particular really loved fantasy, so I grew up with those books being read to me or readily accessible around the house. My dad was also a bit… voluble, shall we say, especially once he got going on topics he was interested in (of which there were many), so oral storytelling was a great part of my childhood as well.

In terms of specific authors who have shaped me, I’ve probably been most influenced by (in no particular order) Diana Wynne Jones, Terry Pratchett, Douglas Adams, Neil Gaiman, Lois McMaster Bujold… And, of course, KJ Charles for the enormous epiphany that I did like romance novels, it’s just that I needed to be reading queer romance novels, not straight ones.

What’s probably been most influential on me, though, is two decades of reading fanfiction. Now, there are still a lot of people who turn up their noses at fanfic and who might be sneering and scoffing at the mere mention of the fact that it’s been that influential on me. But the truth stands! Fanfiction is a part of the broader literary conversation, and there is absolutely no better school for teaching you how to do incisive literary criticism through the medium of really, really deep character work—and, as it happens, characters have always been what I am most interested in.

Reading fanfiction also taught me a great deal about how writing can be a joyfully self-indulgent thing, that self-indulgence and your own personal pursuit of what delights you is not something shameful or embarrassing. There is a strong tendency in our culture to assume that things that make you happy are also things that make you weak or worthy of scorn—why? Why make such an effort to conceal the things that bring us simple, uncomplicated joy? Why spend so much energy trying to convince people that we’re aloof and disinterested and without human feelings? Why perpetuate that toxic bullshit?

Self-indulgence and the personal pursuit of joy was a hugely influential thing with this book in particular, whiiiich… seems to lead us to the next question!

What can you tell us about your upcoming book, A Taste Of Gold And Iron? What inspired this story?

There’s two ways to answer that!

First, the surface-level answer: A Taste of Gold and Iron is about an Exquisitely Beautiful Prince and his Hyper-Disciplined Stoic Bodyguard investigating some counterfeited coins—and then they fall in love! It’s got heartfelt oaths of fealty, erotic handholding, and a scene where they wash each other’s hair and talk about ethics. If you’re looking for big, epic, swoopy action scenes and multi-kingdom battle sequences, this might not be the book for you, honestly! But if you are looking for lots of deep, intimate character work and all the quiet, soft moments of two characters realizing their first impressions of each other might have been wrong, and then doing the work on themselves to grow as people, come closer together, and have extravagant feelings, then this is definitely the book for you. Also a little magic system, as a treat.

On a deeper level: A Taste of Gold and Iron came about because back in 2017 or so, I was mulling on some of my favorite tropes in fiction—and, in particular, my personal hands-down favorite, the Benevolent Liege/Devoted Vassal romance (which is a specific aspect of a broader category, the classic Courtly Love trope). Then I had that grouchy thought, as so many writers do, that nobody had yet written that trope in precisely the way I wanted to read it, so I had to do it myself. (I have taken to calling it “Fealty+Feelings”.)

This was unusually deliberate in comparison to my general writing process—I started from a place of “I’m going to write this favorite trope of mine in exactly the way I would want to read it,” and then it was sort of a natural progression to, “Okay, what other tropes do I also love which would underpin and support the main one to best effect?” and thence with increasing giddiness to, “What if I just cram as many things as I like into one book?”, and then further to, “Now let’s dig in even deeper to interrogate some of those tropes and unpack them, so that they’re complex, intentional, meaningful building-blocks of story.” (For example: “Kissing to avert suspicion” is a great trope—why do I like it? What makes it so appealing? What’s the realistic, logical aftermath? How would two people navigate that, when there are so many other factors in play?)

But then, that’s the sort of thing that I really, really love—not just going through the motions to recreate a trope as if I’m following a script or a recipe, but also interrogating what underpins it. It’s the difference between “In making bread, we must knead the dough for ten minutes” and “In making bread, first we must understand how gluten is formed and what the act of kneading does to the end product.”

The entire writing process was like that—not just finding the things I liked best, but asking myself questions about why I liked them, and then about what could be tweaked or emphasized to make me like it even more. It was an exercise in the exploration of my own delight, and long before I ever sold the book, I used to tell people that I’d already gotten paid in joy, just from the time that I got to spend with this story and these characters.

This novel is said to be set in a world inspired by the Ottoman Empire. Did any particular kind of research go into making the world you created?

To be specific, it is only this particular kingdom of the world which is inspired like the Ottoman Empire! In terms of research, much of it was of the “read seven Wikipedia articles, glean two or three interesting pieces of information, and extrapolate outwards from there” variety. I’m not trying to replicate the Ottoman Empire (But Make It Fantasy), but rather create a new setting that has enough of the the flavor, the vibes, the texture—whatever you want to call it—that someone with a working knowledge of that period/area of history would find it comfortably familiar and hospitable.

For research on general flavor/vibes/texture, one of my favorite methods is to watch foreign movies or TV shows (ie: in this case, I watched several dozen hours a Turkish period drama, Magnificent Century, as well as a couple other Turkish shows). The key thing I’m looking for with things like this is, again, not to do an empty recreation, but to catch really visceral details of everyday life (like how and what they eat, or what the architecture looks like, or how people move when they’re wearing the clothes), but also, more importantly, how a story oriented to an in-group audience chooses to depict itself: What is the implicit scaffolding that the story is leaning on? What does it frame as romantic or epic or scandalous? What does it consider so normal and mundane as to not require any explanation whatsoever, and what does it go out of its way to inform the audience about?

The one thing I did borrow directly from the Ottomans is the governmental structure, particularly in regards to the janissary corps and bureaucracy—in particular, the fact that their soldiers and ministers were “recruited” as children and provided with years of education and elite training, after which they were appointed to government office and could potentially rise to be the second most powerful person in the empire after the sultan himself. Of course, the Ottomans, being an empire, were doing this “recruitment” in usually non-consensual ways (as empires so often do), by which I mean “forcibly taking children from their parents and enslaving them.”

While obviously I strictly avoided replicating that particular aspect, I did find it interesting to think about a system of governance that relies so heavily on investing time and money into educating the next generation of ministers, soldiers, bodyguards, and other servants of the Crown, especially when juxtaposed against the book’s themes of the ethics of power (both theoretically and in practice), and specifically the question: “If a vassal owes his loyalty to his liege, what does his liege owe in return to him?” We currently live in a society where we can expect to be actively and carelessly exploited by anyone who is in power over us—we regard that as no more than the mundane cost of earning a paycheck! So asking questions about power and responsibility and what fealty really means is a juicy subject.

What can we expect from the main characters of A Taste Of Gold And Iron?

[slaps the roof of Kadou and Evemer] These good boys can hold so many feelings!

Kadou is Exquisitely Beautiful, the prince of the richest nation in the world, very tenderhearted, and lightly traumatized. He is pretty much permanently worried about whether he is taking care of his people sufficiently, or whether he is inadvertently causing harm. Part of this is due to the fact that he has one hell of an unmedicated anxiety disorder; part of it is just very real philosophical concerns about the ethical expectations and responsibilities of his position.

Evemer is Beefy and Stoic. He has shoulders like a hero out of legend, an extremely rigid and unyielding sense of right and wrong, a tendency to be quite harshly judgmental of others’ shortcomings in the privacy of his own mind (or so he thinks). He has never failed at anything in his life. Hell, he’s rarely even felt ill-prepared for a challenge. (Spoilers: He is very ill-prepared for dealing with Kadou.)

They both have big, big feelings about responsibility, obligation, duty, and serving something greater than themselves.

Evemer: [wistful sigh] My most romantic fantasy is that I will one day be able to dedicate myself to the service of a worthy lord, throw my whole self into his service, and then maybe… just maybe…. save his life and die tragically in his arms, in the rain, while he cries on my face. Like in an epic poem.

Kadou: ??????? UM… Sorry, but why does this so-called romantic fantasy involve you dying? Can we revisit that???? Because that’s one of my dealbreakers.

What are some of your favorite elements of writing? What do you find to be some of the most challenging?

I love writing beginnings, unusual worldbuilding, vividly emotional scenes, introspective characters, and tangents about fantasy economics. I love characters that are complex, by which I mean “capable of accessing a broad range of feelings”—I don’t really enjoy books where everyone seems to feel only one thing in a sustained note the whole way through the story, so I don’t write books like that. I like it when characters have the capacity for a variety of different emotions, where they might get a chance to be funny, or tease a friend, or feel insecure, affectionate, fascinated, bored… All the things people feel.

The most challenging part of a book for me is the middle, particularly just before and during the “darkest right before the dawn” part. You know, the bit when the main characters are facing setbacks and feeling disheartened and discouraged and all seems lost. I haven’t yet quite figured out how to dodge that, partially because the temptation to write all the juicy emotions of a character being really sad is nearly irresistible (love those vivid emotions!). But that section always makes me grind to a halt and lose a lot of momentum, and it’s not nearly as much fun as other bits.

In addition to being a writer, what are some things you would want readers to know about you?

I haven’t the foggiest idea how to answer this question, so I have chosen to willfully interpret it as a request for Three Quirky Facts About Me:

1. I grew up on a sailboat in the Bahamas.

2. My superpower is to intuitively Perceive when someone is on the asexual spectrum and hasn’t twigged to it yet (this is kind of ironic because it took me until age 28 to grasp that I was not “just really picky”, that was in fact demisexuality I was experiencing).

3. I’ve done every fiber art you can name, and some that you can’t

What advice would you have for aspiring writers?

From a craft perspective: Ask questions. Always. About everything. Especially when you think you understand something innately and effortlessly, ask questions about it. Push yourself to think deeper and go a step farther. When you think you’ve walked all the way to the end of Understanding a thing, turn around and walk back to the other end and interrogate it all again from a slightly different perspective. Your whole job is to see something in the world that nobody else sees and to then tell people about it, so don’t ever accept the obvious answer without turning it around and peeking underneath to see what’s there.

From a career perspective: I know it feels icky to think of writing as a business, but getting out of that mindset is an essential part of protecting yourself, giving your work the best chance that it has, and slowly encouraging this industry away from the ways that it so egregiously everybody working within it. You can still be an artist when you’re all alone in a room with the manuscript, but having a business brain is invaluable.

Additionally, whether you decide to go for traditional publishing, indie publishing, or hybrid, take some time to look at the ways other people are doing it—on both sides of the aisle. Learn the tricks and tools the other side has, and see if any of them are useful and applicable for you and your situation.

Most importantly: Be a cockroach. This is a hard career, and for most people, it takes a lot of time to see results from the effort and time you’ve invested. Be a cockroach! Refuse to be squished, survive the nuclear winter, spread your cockroachy dominion across the earth when all others have perished—ok, this analogy is getting away from me a bit, but you get the picture. This game isn’t over until you decide you don’t want to play anymore.

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)? 

Q: Favorite line of the book?

A: Hard choice, it’s between “I got you this door” or “Oh, fuck, I think I just got religion.” You’ll laugh about this later, I promise. 😉

Are there any other projects you are currently working on and at liberty to talk about? 

Yes! I’ve branched out into hybrid publishing this year (that is, a blend of both traditional publishing and indie publishing), and I’ve been releasing a novella series called The Seven Gods (of which the first book is Some By Virtue Fall), and it is chock full of disaster lesbians, fantasy-Shakespearean theater intrigue, dapper fancy hats, and arson. Right now, I’m putting the finishing touches on another installment of that series—The Light of Ystrac’s Wood, a small spinoff about a secondary character who will be quite important in book two of the series—which due to be released in early May.

I’m also hard at work for another book for Tordotcom, and while I can’t quite tell you any solid details yet, I’ll give you a fun clue: One of the Three Quirky Facts I gave you earlier will be, ah, relevant. 😉

Finally, what LGBTQ+ books/ authors would you recommend to the readers of Geeks OUT?

Victoria Goddard’s The Hands of the Emperor, ALWAYS—if A Taste of Gold and Iron sounds good to you, this one will probably also appeal! It is about a god-emperor who doesn’t want to be emperor and his incomparable secretary, and together they institute Universal Basic Income, have a deeply romantic friendship/queerplatonic relationship, yearn at each other from across a room because there is a taboo against touching the emperor, and… eventually… hold hands. GASP. Scandalous, I know. (Lots of queer rep throughout the series—the two main characters of this one are bisexual (the emperor) and somewhere on the ace/demisexual spectrum (the secretary).

I’ve also recently loved Seducing the Sorcerer by Lee Welch and The Bachelor’s Valet by Arden Powell, which are both M/M romance novels. And for authors in general, I’m always delighted to boost Tasha Suri, Jenn Lyons, Freya Marske, Everina Maxwell, Alexis Hall, AJ Demas, and Cat Sebastian!