In this week’s episode of the Geeks OUT Podcast, Kevin is joined by Josh Trujillo, “live” from HeroesCon as they discuss their thoughts on Dark Phoenix, the new trailer for Doctor Sleep, and celebrate Tracee Ellis Ross bringing back Daria’s Jodie as our Strong Female Character of the Week.
Finlay’s sublime, affecting documentary Seahorse,
trans man Freddy McConnell embarks on a profound personal journey when he
decides to become pregnant. Freddy deals
with all of the physical challenges of pregnancy plus the added stressors of
gender dysphoria and other people’s reaction to an “unconventional” parent. I
had the chance to sit down with both Finlay and McConnell on the eve of their
world premiere at the Tribeca Film Festival.
As it turns out, McConnell provided the impetus for the film himself.
journalist as well,” he explained, “[and] I knew I wanted to share this
process, this journey. It was sort of at
my instigation.” McConnell was
particularly concerned with finding a trustworthy collaborator. He wanted Seahorse
“to be different from the way a lot of other trans stories are told, which
is exploitative and sensationalized. I
never would have said yes to anyone who had just approached me.” McConnell had witnessed friends’ bad
experiences with producers and journalists who proved untrustworthy. “The reason the film is the way it is, is
because of the way it was made and the way it was envisaged right from the word
go,” he stated.
film is artfully made and incredibly intimate.
Every step of the process is detailed, from the dysphoria that results
after Freddy stops taking testosterone (so as not to interfere with the
pregnancy) to the painful end of his relationship with partner CJ. Finlay spoke with a lovely, soothing British
accent as she explained her role in telling Freddy’s story: “I really want to
think about the film and let the film emerge.
Like if you go in too tight with a plan, the film doesn’t grow. The point is to grow like a baby. One of the definitions of a documentary
filmmaker is to be an emotional barometer; I’m really in tune with my feelings.” Beautiful footage of Freddy’s hometown of
Deal, England, as well as close-ups of real seahorses weave through and enhance
the narrative. “I’m very sensitive to
how atmospheres and the situation make me feel and I really try to think deeply
about, what could that look like in a film?” Finlay said. “How can I create visuals that can help promote
what I felt in the moment?” This thought
process led to some scenes that seem abstract but subtly support the themes of Seahorse. “Because Deal is so beautiful I wanted that
to be part of the film,” Finlay stated. “The idea that we’re sort of sitting on
the edge of England, looking into an uncertain future.”
Was the more
or less constant filming ever too much for Freddy? “In the moment sometimes, but the reason it
was happening was because I wanted it to happen,” McConnell pointed out. “I wanted to go out and tell the story.”
“It’s my job
to make the film feel personal, intimate,” Finlay agreed. “Sometimes my job is to gently push, because when
I committed to the film, I said, ‘if I do this, I’m all in. I give you all my heart. I’m gonna do this, and it’s not gonna be
easy.’ Sometimes my job is to ask the
difficult questions. ‘What is this
like? What is the answer that you
haven’t said out loud before?’”
“It did get
hard,” McConnell said, “but the way that it was put together and the way we
worked meant that wasn’t a disaster and that didn’t mean it was the end of
it. It was just part of the process.”
wanted to share his story, in part, to let other trans and queer people know that
they have options: “The information isn’t made widely available and it’s seen
as something unsafe or shameful. Things
that we’re told aren’t always in our best interests by people who are supposed
to have our best interests at heart, like doctors.” He also hoped the film would be enlightening
for audiences unfamiliar with, or skeptical of, trans people. “People whose minds are racing with those
issues and questions they have, debates they want to have, can maybe just park that when they see, ‘oh, it’s just about
another person who has the same desires and struggles and emotions that I do.’”
commit to making a film, I want people to come on a journey with me,” Finlay
added. “’Come on, let me hold your hand
and I’m gonna take you on a little journey.’
I want people to see the ordinariness, the normalness, the smallness,
the ecstasy of people’s lives.”
“I just hope
that anyone who watches it can relate to some tiny little thing, or maybe some
huge thing, in a way that surprises them, that they didn’t expect coming in,”
McConnell said. Added Finlay: “I just always want people to feel moved, in a
small way or a big way.” There’s little
doubt that anyone who sees Seahorse won’t
Seahorse will continue to play film festivals throughout the summer and fall. Visit seahorsefilm.com for more.
In this week’s episode of the Geeks OUT Podcast, Kevin is joined by John Jennison, as they discuss more Scary Stories to Tell in the Dark trailers, a dark future for Swamp Thing, and celebrate a special pride edition of The Babadook in This Week in Queer.
The narrative centers around Yaichi, a single dad who lives in Japan with his daughter, Kana. After learning of the death of his estranged twin brother Ryōji, Yaichi finds himself preparing to welcome his brother’s Canadian husband into his home. He is uncomfortable to say the least. Ryōji’s husband, Mike, has traveled all the way from Canada to meet his late husband’s family. Although he is charming and carries himself with a cheerful demeanor, he is clearly still struggling with his own grief. He is there on a mission of his own; to fulfil a promise he made to Ryōji.
My Brother’s Husband is a relatively simple narrative that builds its strength through quiet moments and strong characters. Through Kana, Tagame shows readers the ways in which homophobia is learned. While her father is preoccupied with figuring out how he feels about his having his new brother-in-law around, Kana has no such qualms. She never struggles with accepting that her father’s brother was gay. In fact, she’s thrilled that she now has a Canadian Uncle.
The story also addresses the culture clash between the Western world and traditional Japanese beliefs. Where Japan by and large is not outwardly homophobic, there is a quiet indifference and an unspoken shame linked to queerness. While it is a stark contrast to the overt hatred displayed toward queer people in other parts of the world, it’s not exactly harmless. That last point comes into sharp focus Yaichi evolves throughout the course of the story, and he begins to see the role that he played in his estrangement from his brother.
My Brother’s Husband is ultimately a story about having the courage to change. It examines cultural barriers and family dynamics that harm queer people. It shows the power of self-examination, forgiveness, and growing beyond the prejudices of our past. It uses powerful imagery from seemingly quiet moments that allow the larger themes of acceptance and empathy to really have an impact and gravity to them.
Even though it begins with the tragedy of Ryōji’s death, and doesn’t stray from conventional storytelling, it is a well-crafted and beautifully drawn queer story that we need to see more of in the world. The full series has been collected into two volumes and published in North America by Pantheon Books.
In this week’s episode of the Geeks OUT Podcast, Kevin is joined by Jon Herzog, as they discuss Robert Pattinson being cast as the new Batman, anxiously await the final season of Jessica Jones, and celebrate Hulu’s new animated queer fairy tale series The Bravest Knight in This Week in Queer.