Queer Quills and Nerdy Thrills: Glimpses Through My Geeky Glasses – Fantasy and Supernatural

Sapphic Adventurers Unite!

Busy Geek Breakdown (TL;DR): Read these books for some Sapphic Fantasy (Supernatural) Realness!

Gideon the Ninth- Tamsyn Muir;

Hench – Natalie Z. Walschots;

Empress of Salt and Fortune – Nghi Vo;

Valiant Ladies – Melissa Grey;

Warrior of the Wild – Tricia Levenseller;

Dread Nation – Justina Ireland.

Let us know what you think!

Welcome to a world of magic, wonder, and representation where Sapphic adventurers take center stage. If I’ve learned anything from Drag Race …

As an avid reader and fantasy enthusiast, I can’t help but don my geeky glasses and immerse myself in fantastical realms where diversity and inclusivity reign supreme. Of course I still love dimension hopping, but Fantasy is what got me started in my reading journey as a young person in Indiana. Join me as we embark on a journey through six remarkable fantasy and supernatural novels that explore compelling LGBTQIA+ issues and storylines. From necromancers to superheroes, these tales showcase the power of diverse narratives .

6. Gideon the Ninth (by Tamsyn Muir):

Content Warnings: Gideon the Ninth is about Necromancers. There’s a lot of bones and gore and violence and such. Its a darkly funny story in a dark universe. Please proceed with caution.

The Best way to Sum it all up ….
https://creativecommons.org/licenses/by-sa/2.0/


Gideon Nav, a snarky and sword-wielding orphan, is bound to her lifelong frenemy, Harrowhark Nonagesimus (her very few friends call her Harrow), to serve the Ninth House in a deadly cosmic competition. This epic tale combines dark fantasy and science fiction elements, enthralling readers with its unique blend of magic and technology. As we traverse the dangerous halls of the Emperor’s crumbling palace, we encounter a tantalizing romance between Gideon and another powerful necromancer that is not what it seems. Tamsyn Muir’s masterful storytelling highlights the struggles of queer characters while delivering a thrilling mystery and adventure that will keep you on the edge of your seat.


Gideon’s unyielding spirit and witty banter make her an instantly likable and relatable character for LGBTQ+ readers who have often sought more assertive representation in the genre. Her struggles with self-acceptance and the journey towards embracing her identity resonate deeply, mirroring the experiences of many individuals within the queer community.

The novel’s strength lies not only in its LGBTQ+ themes but also in its nuanced exploration of power dynamics, loyalty, and the complexities of human relationships. As Gideon and Harrow navigate a treacherous game of politics and dark magic, their compelling dynamic unveils layers of emotion and vulnerability beneath their seemingly adversarial exteriors.

Tamsyn Muir’s world-building is nothing short of mesmerizing. She crafts a vivid, macabre setting that immerses readers in a chillingly gothic universe filled with ancient mysteries and ominous secrets. This eerie ambiance serves as an ideal backdrop for a story that delves deep into the hearts and minds of its characters, showcasing their triumphs and traumas.

I picked this up on the recommendation of my local Providence Bookstore, and I couldn’t be happier. Tamsyn Muir’s skillful storytelling, multi-dimensional characters, and darkly enchanting world-building combine to create a singular reading experience.

5. Hench (by Natalie Zina Walschots):

Content Warnings: Some violence, blood, gore, imprisonment, and torture.

Fair Use – this image is copyrighted, but used here under Fair Use guidelines. Owner/Creator: Harper Collins Publishing Group, LLC.

Ever wondered about the lives of henches working for supervillains? (And no, I’m not talking about Jeff Bezos, Elon Musk, Dara Khosrowshahi.) Hench takes us on a journey with Anna, a data analyst working for various nefarious villains. Amidst the chaos of superhuman battles, we witness a budding romance between Anna and a fellow hench. Natalie Zina Walschots’ engaging narrative sheds light on the vulnerability and strength of LGBT characters in a world where villains and heroes blur the lines of morality.

At the heart of “Hench” is Anna Tromedlov, a talented data analyst who finds herself entangled in the machinations of superheroes and villains. As she navigates the dangerous world of powered individuals, Anna’s compelling character arcs offer a profound exploration of identity, ambition, and the pursuit of personal agency. Her journey to embrace her queer identity resonates with authenticity. It highlights the struggles and triumphs faced by members of the LGBTQ+ community.

As Anna becomes entangled with the enigmatic and charismatic villain, Leviathan, the novel explores a complex queer relationship that defies the binary notions of good and evil. The exploration of queer romance in “Hench” transcends token representation and delves into the depths of emotional connection, showing the profound impact of authentic love regardless of societal norms.

In a genre often dominated by cisgender and heterosexual protagonists, “Hench” boldly carves out a space for queer representation and narrative complexity. The novel’s unflinching exploration of identity and agency mirrors the struggles of many in the LGBTQ+ community, highlighting the need for greater inclusivity and visibility in all forms of storytelling.

4. Empress of Salt and Fortune (by Nghi Vo):

Fair Use – this image is copyrighted, but used here under Fair Use guidelines.
Owner/Creator: MacMillan Publishing Group, LLC.


In this evocative novella, Nghi Vo explores the life of a non-binary cleric, Chih, who unravels the secrets of an exiled empress through the eyes of an elderly servant, Rabbit. Set against a rich tapestry of East Asian-inspired mythology, the story delves into power, betrayal, and resilience themes. As Chih and Rabbit’s paths intertwine, the novella offers a tender depiction of queer love, acceptance, and the endurance of the human spirit.

At the story’s core is a timeless tale of resilience and defiance, centered around the exiled empress, In-yo, and her loyal handmaiden, Rabbit. As their untold story unfolds through the narration of the nonbinary cleric Chih, readers are drawn into a mesmerizing journey that challenges traditional gender roles and explores the profound bond between women.

Nghi Vo’s exquisite prose creates a vivid tapestry that paints a nuanced picture of power dynamics, patriarchy, and the hidden strength of women who have often been relegated to the sidelines of history. “Empress of Salt and Fortune” celebrates the agency and wisdom of female characters while shedding light on the overlooked aspects of their contributions to shaping kingdoms and empires.

The novel explores the consequences of silenced voices and histories and profoundly resonates with contemporary social justice issues. By portraying the multifaceted impact of colonization and erasure, “Empress of Salt and Fortune” becomes an allegory for reclaiming marginalized narratives and identities.

As Chih unearths the hidden truths of the past, the novel reveals a narrative that celebrates the resilience of women, the beauty of queer connections, and the power of reclaiming history.

3. Valiant Ladies (by Melissa Grey):

Fair Use – this image is copyrighted, but used here under Fair Use guidelines. Owner/Creator: MacMillan Publishing Group, LLC.

Set in the spirited landscape of 17th-century Peru, “Valiant Ladies” is a historical fantasy novel that centers on the gripping tale of Kiki and Ana, two women from starkly different backgrounds. Kiki hails from nobility, while Ana has been raised in a brothel. Despite societal differences, they form an unyielding bond and begin a thrilling secret life of night-time adventures, gambling, and rescuing the oppressed. When tragedy strikes close to home, they find themselves in the heart of a murder mystery, their growing love for each other intertwining with their pursuit of justice. Based loosely on real historical figures, the story is a riveting blend of reality and fiction, serving as a fresh take on the fantasy genre.


“Valiant Ladies” is an engaging blend of historical fantasy and sapphic romance, offering a refreshing narrative in Young Adult and New Adult literature. It beautifully captures the budding romance between the two main characters, presenting a realistic, intimate exploration of a lesbian relationship that is still sadly underrepresented in fantasy.
The novel successfully fuses fantasy tropes with a distinct LGBTQ+ narrative. Kiki and Ana’s story challenges the familiar heteronormative narratives found in many fantasy novels, bringing to the forefront a tender sapphic romance that resonates deeply with the LGBTQ+ community. It is not simply a token romance but an integral part of the plot as they navigate their growing feelings amidst societal expectations and high-stakes adventures.

The book’s historical context provides a unique backdrop for exploring issues of acceptance and identity. Ana’s acceptance by Kiki’s noble family and their non-judgmental approach towards her past provide a poignant commentary on acceptance and breaking societal norms, a theme many in the LGBTQ+ community can relate to.


Moreover, “Valiant Ladies” doesn’t shy away from weaving feminist themes into its narrative. The heroines challenge the gender norms of their time – they are vigilantes, gamblers, and fighters, subverting expectations in a predominantly patriarchal society. This aligns with the broader themes of resistance and agency explored in LGBTQ+ narratives.


“Valiant Ladies” is a fun, engaging historical fantasy that offers a heartwarming sapphic romance, an exciting adventure, and a thoughtful exploration of LGBTQ+ themes. While it doesn’t revolutionize the genre, it adds a much-needed voice to the diversity of narratives within fantasy literature. It’s a must-read for any Queer geek seeking representation and relatability in their fantasy adventures.

2. Warrior of the Wild (by Tricia Levenseller):

Fair Use – this image is copyrighted, but used here under Fair Use guidelines.
Owner/Creator: MacMillan Publishing Group, LLC.

In “Warrior of the Wild” by Tricia Levenseller, embark on a captivating journey into a Viking-inspired world where honor, love, and identity intertwine. As the story unfolds, Rasmira, a fiercely skilled warrior, faces the heartbreak of betrayal and is cast out to the perilous wilderness. To redeem herself, she must accomplish the impossible – slay an oppressive god. In this action-packed tale of self-discovery and resilience, Rasmira’s unwavering spirit challenges societal norms. An unexpected romance blooms, transcending boundaries and making an empowering statement for LGBT representation in fantasy.

Rasmira’s journey as a robust and skilled warrior mirrors the struggles of many in the Queer community who face discrimination and prejudice based on societal expectations. Her resilience and determination in the face of adversity are an empowering parallel to the real-world challenges of self-acceptance and embracing one’s true identity.
The novel artfully incorporates LGBTQIA+ themes, offering readers a heartwarming and authentic portrayal of same-sex love through the character of Iric. As Rasmira’s banished companions, Iric and his partner defy society’s expectations, and their relationship becomes a beacon of hope for those seeking representation in fantasy literature.

Beyond its focus on LGBT representation, “Warrior of the Wild” delves into broader social justice issues. Through Rasmira’s journey to defeat an oppressive god, the story symbolizes the fight against systemic injustice and the struggle to dismantle oppressive power structures. The battles she faces in the wilderness are potent metaphors for overcoming societal prejudices and finding one’s place in a world that often seeks to marginalize and silence diverse voices.

Tricia Levenseller’s masterful storytelling unfolds with a perfect blend of action, romance, and rich world-building. While the novel adheres to classic fantasy tropes, it gracefully subverts them to celebrate diversity and inclusivity. The characters are beautifully developed, and the solid sisterly bond between Rasmira and her sister adds depth to the narrative, emphasizing the importance of family support in the journey toward self-acceptance.

1. Dread Nation (by Justina Ireland):

Content Warnings: Racism, racial violence, gore.

Fair Use – this image is copyrighted, but used here under Fair Use guidelines. Owner/Creator: Titan Books

I know what some of you are thinking. I just did a review of Survival Horror Books. How did I end up with a Zombie Book on the Fantasy List? That is a valid question, but holy cow look behind you!

What if the Civil War was interrupted by a zombie apocalypse? Dread Nation presents a gripping alternate history where African American and Native American children are forced to train as zombie-fighting warriors. Among them, the bold and capable Jane McKeene stands out, fearlessly challenging the norms of her society. She forms a complex bond with another girl along her path, showcasing a powerful portrayal of queer love amidst the undead chaos.

“Dread Nation” by Justina Ireland is a riveting and groundbreaking novel that deftly weaves together alternate history, zombie horror, and social commentary while championing intersectional representation with a fierce and complex protagonist. This genre-blending tale transports readers to an America where the Civil War takes an unexpected turn when the dead rise, forcing a new narrative of survival and resistance.

At the story’s heart is Jane McKeene, a fierce and intelligent Black protagonist who navigates a world where racial oppression intersects with the threat of the undead. As a student in Miss Preston’s School of Combat, Jane is trained as an Attendant, meant to protect the wealthy white citizens from the relentless zombie hordes. Her narrative embodies the struggle of Black people throughout history, navigating a society that seeks to control and limit their potential.

Justina Ireland’s writing is engaging and thought-provoking, immersing readers in a vividly depicted world that mirrors the complexities of our own history. Through Jane’s journey, the novel delves into themes of identity, survival, and rebellion against oppressive systems, resonating deeply with readers who face similar challenges in the real world.

As we conclude our journey through these enchanting worlds, we celebrate the wonders of fantasy and supernatural fiction and the importance of queer representation. So, whether you’re a seasoned fantasy enthusiast or a newcomer to the genre, these books promise to leave you enchanted and inspired, opening your heart and mind to the power of Sapphic adventurers and their quest for love, acceptance, and triumph. As always, if you think I missed any great reads, let me know. Happy reading!

Interview with Author Lionel Hart

Lionel Hart (he/him) is an M/M fantasy romance author based out of the San Diego area.

Twitter: @lionelhart_ 
TikTok: @author.lionelhart 
Facebook: Lionel Hart, Author
Website: lionelhart.ink

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Hi! I’m Lionel Hart, and I write M/M romance books. I write primarily fantasy romance but have plans to branch out into a few different subgenres of M/M romance. I live in North San Diego county with my partner and our dog.

Since Geeks OUT is a queer centered website, could you tell us a bit about the LGBTQ+ characters featured in your books?

For sure! Well, I’m a gay trans man, so having representation that mirrors my own experiences is important to me. Not all of my main characters are trans, but they are all somewhere in the LGBTQ+ spectrum. But, I do focus mainly on male-male relationships, since that aligns with my own identity and lived experience.

How did you find yourself getting into writing fiction, particularly fantasy adventure with a side of gay eroticism?

I’ve always wanted to be an author, but had put that dream on the back burner as an adult — paying the bills and keeping a roof over my head was my primary focus for a while after getting out of college, when I came out and lost a lot of familial support. Then even when I was in a more stable place, it was hard to get back into writing. It was actually a few months into the pandemic, after I was laid off, that got me into writing seriously again. I had so much free time all of a sudden and decided now was my best chance at making writing my career. 

I did a ton of research into the world of indie publishing and decided romance was a genre I enjoyed reading, would enjoy writing, and would give me the best shot at making a living doing what I loved. I knew I would want to write gay romance, of course, and as an avid Dungeons and Dragons player and general fantasy enjoyer, I saw there weren’t a ton of the sorts of stories I liked to read in indie published gay romance. So I decided that would be the niche I focused on, and here we are!

Your book(s) tend to center around male protagonists of fantastical origins. Could you tell us about some elements of these characters you’re excited for others to see in stories?

My debut series, The Orc Prince trilogy, features an arranged marriage between an elf and an orc. I wanted something that felt like a D&D inspired world, and I thought that would be a fun pairing. And since this was going to be a spicy romance, I included some omegaverse-like elements in my lore for elves — the series isn’t exactly an omegaverse series, but there are definitely shared elements so I’d say it’s omegaverse lite, haha.

I also have a more paranormal/urban fantasy series that’s in progress, the Chronicles of the Veil, which features a trans MC with a cis male love interest. The main character Florian finds out that he’s secretly a fae prince prophesied to save the world, and falls in love with his wolf shifter bodyguard along the way. This is a different take on fae and shifters, but I really love these characters and this series, and put a lot of myself in Florian. My partner is a cis man, so their dynamic was one I loved writing and felt very comfortable with.

Lastly, I have a dragon romance duology featuring an immortal dragon with a mortal fated mate. This is a darker romance which I really loved writing, as I got to explore what morality means to an immortal, extremely powerful creature. The dragon MC does a lot of morally questionable things in his attempts to keep his mortal mate with him forever, and I loved writing a villainous character who would not consider himself evil in the least, but would gladly destroy the world for the one he loves!

Were there any books that touched you or inspired you growing up? 

Too many to name! I was a voracious reader as a child, so it’s hard to name any in particular. I re-read the Chronicles of Narnia a lot, so I’d say that really started my love of fantasy as a genre. I think that the book that made me decide I wanted to write fantasy books was The Secret of Dragonhome, a YA fantasy novel which I randomly found in the school library and loved it so much that I just never returned it… oops! It’s fairly obscure and I’ve never met anyone else who’s read it, but I read it over and over. I’d say that was my first experience with romantic fantasy, and while I’m not sure that book specifically stands up to the test of time, it definitely shaped my reading and writing habits into adulthood.

Where did you get your start in creative writing? What pulled you to fiction?

To be honest, I’ve been writing for as long as I can remember. I wrote my first story in kindergarten — my mom still has it — about me finding a dalmatian puppy on the way home from school and convincing my parents to let me keep it. I was obsessed after watching 101 Dalmatians, but wasn’t allowed to have a dog at the time. The story didn’t convince my parents, but I never stopped writing after that. I got my bachelor’s degree in creative writing, and for a while wanted to get more into literary fiction to be a “serious writer” but honestly found I had a lot more fun writing genre fiction instead.

What magic systems/worlds/characters draw your attention?

I play a ton of D&D, specifically 5th edition, so I think that influences my magic systems and worldbuilding. For a future project I’d like to create a new magic system from the ground up, but for now, the worlds I write in have a softer, looser version of D&D’s magic system.

My partner is deep in the A Song of Ice and Fire fandom, so I know a lot about it even though I’m not nearly as big a fan as he is. I don’t know if I’d ever be able to pull off writing a world as intricate and deep as George R.R. Martin has accomplished, but I do love the idea of creating a fantasy world from the beginning, having its own mythos to self-reference and an entire history to pull stories from. I think a lot about that when trying to come up with ideas for future books, so maybe I’ll attempt something that ambitious someday!

As far as characters, that’s so hard to say! I love tragic characters and angst in general, so I think I’m drawn more to characters like that. Those who have dark pasts and carry deep sorrow or grief with them, but work to keep living until they find purpose again. I think a lot of LGBTQ+ people can resonate with those sorts of characters, because we still live in a world where just openly being LGBTQ+ means experiencing a loss of friends and family for a lot of people. That was my reality, too, so seeing characters who struggle but ultimately triumph is a comfort and an inspiration.

Is writing in the genre you have chosen difficult? Do you consider the results worth the challenge?

Fantasy can definitely be a challenge just by the virtue of how much worldbuilding goes into creating a good fantasy story, and while romance has a different reputation, it can still be a challenge for very different reasons. Putting both together creates unique challenges that encompass the pillars of both genres, but I think that when they’re done well, this is absolutely worth the challenge! I love the familiarity of romance beats contrasted to the new, unknown elements of a fantasy backdrop.

Do you have any plans to branch into other genres?

I do, actually! While I plan to stick with MM romance at the core, there are other subgenres I’d like to explore. I recently have been reading a lot of litRPG as a genre, so I have some ideas for more litRPG/progression fantasy-inspired romances, and I’d also like to dip my toes in contemporary MM romance in the future as well.

What’s something you haven’t done as a writer that you’d like to do?

I’ve never fully fleshed out a custom, hard magic system. It seems daunting from the outside, but the more I read about creating magic systems, the more I think it’s a challenge I’d like to take on at some time. So I’d like to do that in the future, especially if I decide to move forward with the litRPG-inspired fantasy ideas I have.

Are there any projects you are currently working on and are at liberty to speak about?

Definitely! I’m currently working on finishing my paranormal romance series, The Chronicles of the Veil. Books one and two are out, and I’m finishing up book 3 now and hope to have it published this spring. Book 4 will be the final book of the series and should be published later this year. I’ve really enjoyed writing this series and I’m eager to share it with my readers!

After that, I think I might give contemporary MM romance a shot. I’ve had some ideas for an angsty rockstar romance series, which would be pretty different from what I’ve written before, but I have three books basically already outlined so I think it would be a fun but fairly quick project to experiment with.

Aside from writing, what do you enjoy doing in your free time? 

As mentioned, I play a ton of D&D, haha! I used to be a DM but when I started writing seriously again, I found it difficult to put my creative energy into two big projects, so now I’m a player in two different campaigns. I’m also a huge Pokemon fan and I play a lot of that when I have the time — I love shiny hunting, but I’m not very good at competitive battles unfortunately! I live in San Diego, so when it’s warm my partner and I spend a lot of time at the beach as well.

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)? 

This is a tough question, haha. I think someone’s favorite food can tell you a lot about a person, so — Lionel, what’s your favorite food? Thanks Lionel, if I had to pick, it’d have to be sushi for me!

Finally, what LGBTQ+ books/authors/creators would you recommend to the readers of Geeks OUT? 

So many!! If you want more M/M fantasy romance, especially if it’s spicy, check out Ben Alderson’s books — he has quite a few, but I loved his gay vampire Beauty and the Beast retelling, Lord of Eternal Night

For a more high fantasy inspired omegaverse series, I’ve loved Corey Kerr’s The Middle Sea series, especially The Sorcerer’s Alpha. Kerr really nails keeping the appeal of omegaverse books in a very different setting, and the fantasy world of this series feels very expansive.

For some spicy trans rep, I’ve loved everything I’ve read by Freydis Moon, especially their novella Exodus 20:3. If you have some lingering religious trauma like me, I think you’ll enjoy this spicy story between a trans man and an angel in disguise.

And finally, for a cozy, non-spicy, sapphic fantasy, I adored Legends and Lattes by Travis Baldree. I read it with a friend who’s into a very different vein of fantasy romance (cough, ACOTAR, cough) and we both loved it, so I would highly recommend it to just about everyone, especially if they love D&D flavored fantasy.

Interview with Author Marshall Ryan Maresca

Marshall Ryan Maresca (he/him) is a fantasy and science-fiction writer, author of the Maradaine Saga: Four braided series set amid the bustling streets and crime-ridden districts of the exotic city called Maradaine, which includes The Thorn of Dentonhill, A Murder of Mages, The Holver Alley Crew and The Way of the Shield, as well as the dieselpunk fantasy, The Velocity of Revolution. He is also the co-host of the Hugo-nominated, Stabby-winning podcast Worldbuilding for Masochists, and has been a playwright, an actor, a delivery driver and an amateur chef. He lives in Austin, Texas with his family.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Hi, I’m Marshall Ryan Maresca, and I’m a fantasy author and a podcaster.  I’ve written 16 novels, a novella and a novelette, most of which take place in the same world.  I’m also the host of Worldbuilding for Masochists, a podcast about fantasy worldbuilding in deep and considered ways.

Your stories are a intertwined group of series all taking place simultaneously in the same city. How did you come up with this interesting way of telling your tales?

So, I started the worldbuilding work of the Maradaine setting in the 90s, and I had done a lot of the entire-world, broad-brushstroke work of it all.  With that, all of my early attempts to write in it tried to be these giant epics where, because I had made the whole world, I wanted to show off the whole world. When those projects didn’t work, I reconsidered my approach, deciding to narrow my focus to one city in the world, and from there, finding the stories in that city, and how they could come together to be facets of the larger story.

Since Geeks OUT is a queer centered website, could you tell us a bit about the LGBTQ+ characters featured in your books?

So, one of the ethos of Worldbuilding for Masochists is “Choose, don’t presume”, in that when you are building the world your stories are in, you want to make deliberate choices of what’s going on in your world, instead of falling back on lazy presumptions. And one of the top presumptions to push back on, for me, is heteronormativity.

Now, in the case of the Maradaine books, my intention was to show a culture in a time of social change, and part of that is shown with more visibility of LGBTQ+ characters as Maradaine goes on.  One of the main ones is Jerinne, from the Maradaine Elite books.  We first see her just having a crush on one of the other young women in her cohort, and then later has her first kiss with another woman, and then in later books she is starting a potentially long and serious relationship with Rian.  

With The Velocity of Revolution, I made completely different choices, namely: I created a culture where pansexual polyamory was a social norm, so almost all of the characters are LGBTQ+. 

There have been LGBTQ+ characters in the background of some of your stories, but recently one of the main protagonists in a series was portrayed as bisexual, why was this the time to show that aspect of them?

This is in reference to Asti Rynax in The Quarrygate GambitI’ve always known Asti was bisexual, but since the beginning of the series he’s also been carrying a lot of trauma, to the point he doesn’t trust himself to let his guard down at all, let alone be intimate with anyone.  I’ve had readers presume he was ace because of that, actually.  But Quarrygate gave me the opportunity to give him a quieter moment with Tharek Pell– another character whose queerness was strongly implied in his previous appearance in the saga, but not explicit.  And in starting to write that quieter moment, it was clear to me that Asti needed intimacy, and given his traumas, Tharek– someone who you would never describe as a “safe” character, but he’s definitely capable of protecting himself–  was the perfect person to have that with.  That moment actually wasn’t in my outline, but when I was writing, it just made sense for both of them.

As a writer, what drew you to writing fantasy?

It’s funny, I can’t think of an exact, you know, origin story for that.  It’s just a genre that’s always pulled at me, and which I’ve alwasy found the most interesting, just out of the limitless possibilities it has.

Were there any books or authors that touched you or inspired you growing up? 

Two of the big ones were the Green Sky Trilogy by Zilpha Keatly Snyder and Watership Down by Richard Adams.  Both are absolutely fantasy stories– though Green Sky is kind of fantasy-embedded-within-scifi — but neither of them look like “traditional” fantasy, which I think was instrumental in a lot of my mindset as I’ve been approaching the genre.

Where did you get your start in creative writing? What pulled you to fiction?

It had always held my interest, I know somewhere around middle school I made my first attempts at “writing a novel”, not that I had any idea what I was doing.  I actually remember in 7th grade I was attempting to write a fantasy novel called “The Last Righon”, but I had no idea what a Righon was or why someone might be the last one.  I just thought it sounded like a cool fantasy title.

How would you describe your writing process? Are there any methods you use to help better your concentration or progress?

Despite my prolific output, I actually have something of a slow-cook process.  Often I will have an idea, and then outline it roughly, put it to the side to marinate, then outline it more thoroughly, put it aside again to stew, and THEN, much later, start actually drafting.  Honestly, Velocity probably had the fastest turnaround from concept-to-draft in 18 months.  

As far as concentration tactics, I’m a big fan of putting in earbuds and then one song on repeat so it drowns out all the “what about this shiny thing?” thoughts that pull me off track. 

What’s something you haven’t done as a writer that you’d like to do?

I still have a space opera type project stewing in one of the crockpots in the back of my head.  Haven’t quite cracked it yet.

Are there any projects you are currently working on and at liberty to speak about?

Right now, I’ve been calling 2023 a “rebuilding year”, as I’m creating some new projects that aren’t Maradaine, as well as readjusting the long-term Maradaine plans.  One of them is a secondary-world fantasy, sort-of gaslamp, about people trying to build a theater company in a new city, where I’m also using magic in very class-specific ways as a tool of wealth inequality.  I’m enjoying drafting it, but there still are pieces that haven’t clicked into place.

Aside from writing, what do you enjoy doing in your free time? 

I’m a big fan of cooking from scratch, which I find very zen and relaxing… most of the time, at least.  If you look at my instagram (https://www.instagram.com/mrmaresca/), pretty much everything that isn’t shouting about books is food porn.

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)? 

How about, “Hey, are there going to be any new audiobook versions of your books?”

YES THERE ARE.  In April and May we’re getting all four of the Streets of Maradaine series in audiobook, starting with The Holver Alley Crew (https://www.audiobooks.com/promotions/promotedBook/655954/holver-alley-crew-a-streets-of-maradaine-novel?refId=64976), followed by Lady Henterman’s Wardrobe,  The Fenmere Job and The Quarrygate Gambit.  

Finally, what LGBTQ books/authors would you recommend to the readers of Geeks OUT? 

I have to plug my co-host Cass Morris, whose Aven Cycle books are very bisexual (as is she!).   And I’m probably not telling your readers something they don’t already know, but I just adored CL Clark’s The Unbroken.  Also Andrea Stewart’s Drowning Empire series, Victor Manibo’s The Sleepless, and Jordan Kurella’s I Never Liked You Anyway

Interview with Author SL Rowland

S.L. Rowland (he/him) is a wanderer. Whether that’s getting lost in the woods or road-tripping coast to coast with his Shiba Inu, Lawson, he goes where the wind blows. When not writing, he enjoys hiking, reading, weightlifting, playing video games, and having his heart broken by various Atlanta sports teams.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Thanks for having me! I’m a fantasy author of over ten books and audiobooks. I got my start writing LitRPG, (If you’re not familiar, think Dungeons & Dragons meets epic fantasy) and I’ve just started branching into more traditional fantasy with my first cozy fantasy, Cursed Cocktails.

What can you tell us about your newest story, Cursed Cocktails? Where did the inspiration for this book come from?

All credit for the inspiration goes to Travis Baldree and his amazing debut novel, Legends & Lattes. It’s an amazing story of a retired orc barbarian who opens a coffee shop. I didn’t know how much I would be drawn to the idea of high fantasy with low stakes, but I loved it.

As I was reading, the idea for Cursed Cocktails started to form. It grew for months and months in the back of my mind while I finished up another project, and by the time I was done, I had this whole world that was ready to be explored. I knew I had to write it.

Cursed Cocktails seems to fall into the “cozy mystery/fantasy” genre, which is a genre I didn’t know I needed until I read and loved it. What caused you to move into that genre?

I felt the same way. After discovering cozy fantasy, I immediately fell in love with the possibilities it could offer for storytelling. One of my favorite tropes is the retired hero/adventurer, and seeing what these characters do when the fighting is over.

After the last few years, I kind of felt like everyone needed a bit of an escape from the doom and gloom of the real world, and cozy fantasy offers that. I love high fantasy and dungeons & dragons, and some of my favorite moments are the small scenes in a tavern or camping by the woods. The idea of writing full novels that capture that feeling was incredibly appealing to me.

As a writer, what drew you to writing fantasy, especially works intended for LQBTQ+ audiences?

Fantasy has always been a big part of my life. I grew up playing RPG video games and reading the Hobbit, Lord of the Rings, and Harry Potter. As a kid, I’d often go out into the woods pretending I was on some epic quest and looking for hidden treasure. I’ve always been drawn to the fantastical, magic, elves, dwarves, and the like.

When the idea for Rhoren first came to me, I knew he was an LGBTQ+ character. It wasn’t what defined him, it was just part of who he was. And I wanted to tell his story to the best of my ability.

Since Geeks OUT is a queer centered website, could you tell us a bit about the LGBTQ+ characters featured in your books?

I’ve had several books feature LGBTQ+ characters as side characters, but Cursed Cocktails was the first one I’ve written with an LGBTQ+ protagonist. Rhoren is an elven blood mage suffering from the chronic pain caused by years of using blood magic to defend the realm. Once he retires, he moves to a warmer climate in the hopes that it will help with his pain. He’s a little broody at times with a good heart and a desire to help people. When he arrives in Eastborne, he meets Kallum, a human bartender who’s naturally charismatic with a detail oriented personality. The two have an easy-going relationship, balancing one another out in a lot of ways.

Where did you get your start in creative writing? What pulled you to fiction?

I dabbled with creative writing growing up, but never really pushed myself to explore it or hone my craft until much later in life. I had a pretty dysfunctional childhood growing up, but I always found escape in fantasy books and video games. Learning to write fiction has been a lifelong process. There were some very bad Harry Potter-esque attempts at worldbuilding in high school, and then I wrote a few post-apocalyptic short stories in college.

At 27, I took my first shot at writing a novel. It was a post-apocalyptic novel about a guy who dives into a lake and wakes up in the apocalypse. The book wasn’t very good, but it got me started down the path that would eventually become my career. This was when I first realized what it was like to have the characters really come to life in a story, and become more than just words on a page. By 29, I’d started researching publishing and eventually indie publishing. I published my first novel at 30, and I’ve been doing this ever since.

What magic systems/worlds/characters draw your attention?

There’s so much that I love–tolkienesque high fantasy, grimdark, cozy, litrpg. I think they all have something to offer, and depending on my mood, I’ll read just about anything. I love the retired adventurer trope, like Kvothe in Name of the Wind or Viv in Legends & Lattes, which has become a pretty popular in cozy fantasy as well. Morally grey characters can be fun. As long as the characters are written believably, I’ll ride along for the journey.

Your latest book contains drink recipes for the cocktails created in the books. Did you develop them yourself? Have you tried them all? Do you have a favorite?

Creating the drinks for Cursed Cocktails was a really fun experience. I worked in upscale restaurants for 10 years, so I have quite a bit of drink knowledge. Plus, I love a good cocktail. I had an idea for the type of drinks I wanted to include, and I knew I wanted to have a recipe book as a bonus download so that readers could make the drinks themselves.

One of my readers is an amazing bartender, and he’d made one of the magical drinks from my Sentenced to Troll series for fun. I reached out to him for some suggestions, and he helped me narrow down a list of real-world cocktails to use as a guide. Every drink in Cursed Cocktails is based off of a real-world cocktail, with all of the ingredients translated to a fantasy setting.

I’ve tried a good portion of them and one of my favorites is the Nelderland Mule, which is based on a Moscow Mule. There’s something about the copper mug that really sets it off.

Where do you see your stories going in the future? More like Cursed Cocktails, back to your previous works, or in a new direction?

I’d like to do a mixture of stories. One thing about creating the world for Cursed Cocktails is that it’s really epic in scope, allowing for a variety of story styles set in the same world. I already have a handful of story ideas I want to explore there, but I also love litrpg, so I’m sure I’ll write more in that genre as well. I just want to tell good stories with fun characters, wherever that leads me.

Are there any projects you are currently working on and are at liberty to speak about?

I’m currently working on a second book set in the world of Aedrea, the same setting as Cursed Cocktails. It will feature a character who made a brief appearance in the first book. I intentionally made the world epic, with nine kingdoms and a deep history, so that I could tell a lot of small-scale stories within the setting. I already have ideas for several more books.

After this current book, I’ll be wrapping up the sixth and final book in my Sentenced to Troll series before doing another book within Aedrea.

What’s something you haven’t done as a writer that you’d like to do?

That’s a good question. Doing a book tour sounds pretty cool but also incredibly stressful. 

Aside from writing, what do you enjoy doing in your free time? 

I spend a lot of time walking my dog, playing video games, weightlifting, or getting lost in a good Netflix binge. I’m also a big fantasy football nerd, so that consumes way too much of my time in the fall. My interests are all over the place, so there’s usually something to keep me occupied.

Finally, what LGBTQ+ books/authors/creators would you recommend to the readers of Geeks OUT?

There are so many great stories that fall under this umbrella with more releasing by the day. It’s great to see more representation in fiction. I think as readers, we can all enjoy stories that are different from our own, but it’s a nice feeling when you can relate to a character on a personal level.

A few of my favorites are The House in the Cerulean Sea by TJ Klune, Legends & Lattes by Travis Baldree, and Can’t Spell Treason Without Tea by Rebecca Thorne. They all have great characters and are feel-good stories.

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Interview with Author Blake R. Wolfe

Blake R. Wolfe (he/him) is an LGBTQ+ fantasy and romance author of over a dozen books. His work is known for its heartfelt characters, daring adventures, and commitment to preserving the magic and wonder that readers love. Blake resides in Muskegon, Michigan near the shores of the Great Lakes. He spends most of his time writing, usually while sitting on the beach, and cooking/gardening with his partners.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Of course! My name is Blake and I’m a fantasy/romance author. I’ve been writing for a couple of years at this point, although I’ve been dabbling for most of my life. Up until recently I almost exclusively wrote epic fantasy. However, in the past couple of months I’ve been diving into Shifter Romance and let me tell you, it’s been a wild ride!

What can you tell us about your newest story, Alpha’s Rejection? Most of your previous books have been fantasy, what made you change to paranormal romance?

I hate to admit this, but Alpha’s Rejection was a complete experiment and an “I don’t care” project. I’d been listening to some shifter romance on Audible and I thought to myself, I can do this. So I gave it a shot. You wouldn’t believe it, but I wrote 99% of the book in 15 days. It just flowed so easily that I could barely put it down. I fully intended it to be a one-off romance novel, have it flop, and never come back to it. But in less than two weeks, it’s become one of my most popular books I’ve ever written. I guess it’s true that good things happen when you’re having fun! Now I’m halfways into the next book in the series and have at least a handful more planned for this year.

Since Geeks OUT is a queer centered website, could you tell us a bit about the LGBTQ+ characters featured in your books?

All of my main characters, regardless of the series, are LGBTQ+. I try to make them as real as possible and convey some of the struggle of being LGBTQ+, but I also like to put them in worlds (especially in the fantasy stories) where being queer isn’t a taboo. Sometimes, in situations where people are required to produce an heir (like nobility or royalty) I can create some tension with the characters coming out and going “against the grain”, but usually I just want them to have problems outside of their sexuality. I want them to be first and foremost compelling characters, not just queer people struggling BECAUSE they are queer. I had to go through that growing up and I can’t bring myself to do it to my characters.

As a writer, what drew you to writing fiction/fantasy, especially that intended for LGBTQ+ audiences?

Pure and simple, I wanted to read about people like me growing up and I couldn’t. There were no queer characters in fantasy. It was always the knight in shining armor and his princess. Reading those books, I always saw myself as the hero, but when they got to the romance with the princess, I found myself losing interest. So, when I started writing, I decided I was going to write the kinds of stories I love, for a younger version of myself.

Were there any books that touched you or inspired you growing up?

Most of the books I read growing up were things like Animorphs, Deltora Quest, Jurassic Park, Eragon, and Harry Potter. However, I didn’t really get into the big name fantasy stuff until I was nearly thirty. That being said, movies played a HUGE role in my understanding of the fantasy genre. The Neverending Story, Labyrinth, Stardust, The Chronicles of Narnia, The Lord of the Rings, Studio Ghibli, and a ridiculous amount of anime, not to mention almost every Final Fantasy game. All these pieces of media evoke a nostalgia that’s so deeply comforting and I try to bring that into my work while weaving in a bit more realism. I love dark and gritty stories, but at the same time, I know it can be overwhelming if it’s overdone, so I try to make sure there’s quite a bit of levity at the same time.

Where did you get your start in creative writing? What pulled you to fiction?

As a kid, I used to make up stories all the time and I loved to draw. When I learned that art got me more immediate attention (I was like seven), I leaned into drawing. But there were always little stories happening. During high school and college I would make an attempt, at least once a year, to write a novel and never really got anywhere. However, in 2019, after my divorce, I found myself too emotionally compromised to draw, so I began to write. And wouldn’t you know it, I finished something for the first time in my life. It was a horror novella composed of eleven short stories about a killer mermaid. I published it with a shrug in May of 2020, figuring it would never go anywhere. But people liked it, so I kept writing. Now, nearing on my third anniversary of being a published author, I have fifteen books written, over 1.3 million words under my belt, and more ideas that I could write in a lifetime. This has become the most euphoric and difficult (in a good way) creative experience of my life.

How would you describe your writing process? Are there any methods you use to help better your concentration or progress?

I am 100% a panster (a writer who flies by the seat of their pants). My method is similar to Stephen King’s, although I don’t claim to be anywhere near his level of competency. I come up with a “what if” scenario and then I go nuts. Usually I’ll develop a character, or a magic item, or a problem, and then I sit down and try to solve it. The great thing about this method is that since humans are genetically wired to tell stories, my brain takes care of most of the story beats without me realizing it. However, I do go back, once the draft is done, and clean it up, add foreshadowing, and make sure it flows. I write with a goal of 1500-2000 words per day and I write every single day. That usually means I’m done with a book in less than 60 days unless it’s super long.

As for concentration, I find being excited about the story really helps. If I’m bored while writing it, my readers will be bored, and that simple will not do. I also like to write at night while I’m tired. I close my eyes and leave my fingers on the keyboard, writing what I see in my mind. Sometimes I can bang out 1000 words in twenty minutes if I really get lost and I love that feeling. Definitely hitting that elusive “flow state” that people talk about.

What’s something you haven’t done as a writer that you’d like to do?

One of my biggest goals is to go full-time as an author. That is really the one BIG thing I’d like to accomplish. As for the actual creation of books, I want to write a big meandering epic fantasy, something like The Lord of the Rings, but more easily readable. I’m currently working on building a world for that project, but I don’t expect it to be finished anytime soon. I’m in it for the long haul.

What magic systems/worlds/characters draw your attention?

I love intuitive magic because frankly, it saves me a lot of time making up hard magic rules. Hard magic is great, it’s just too stifling for me when I’m trying to be creative. However, I see that as a challenge, so I’m actually trying to figure out a way to make it fun. As for worlds, the bigger and more high fantasy they are, the better. I adore giant magic crystals, floating islands, gods that meddle in the affairs of men, and mages that can grow so powerful that they control the fate of the entire world. Make it big and chaotic and I’m in.

When it comes to characters, I like them to be a little bit broken (I blame Disney for that) and I like them to be a little morally ambiguous. Fantasy worlds are nothing like our own and sometimes that means defending yourself (murderously) with a sword or magic. I think that makes them more real when faced with a problem. There’s an easy way out and there’s the hard/right way and sometimes, they make the wrong decision. It’s relatable, because there is not a single person on this planet who has not made the wrong decision in their life. We can watch these characters fall and then cheer them on as they rebuild themselves from the ashes. So, in reality, I tend to write a lot of phoenix characters.

Are there any projects you are currently working on and at liberty to speak about?

Absolutely! As mentioned, I’m working on Beta’s Bliss, the sequel to Alpha’s Rejection. It’s another shifter romance. After that, I’ll move onto Gamma’s Delight, probably the last in that series. However, that won’t be the end of werewolf romance for me. I’ve got another series idea brewing in the back of my mind.

My giant fantasy project is currently being worked on as well. Right now I know the premise and the name of the world, Eadronem. This will be a much larger epic fantasy, probably a trilogy with pretty thick books. I imagine it will take me a year or more to complete it with other projects going on.

I also have one book, that is incredibly stupid, coming out in March called The Quest for Cowmelot. It’s a fantasy satire/spoof about a cow that pulls Excalibur from the stone instead of Arthur. It makes fun of the entire fantasy genre, it is incredibly ridiculous, and I think I make fun of every major political/rich person figure in the world today. It’s another giant experiment, but I’ve laughed so much writing it that I think people will like it.

Aside from writing, what do you enjoy doing in your free time?

I love to garden and I love to cook, I think those are my two big ones. My partners and I just bought a house in late 2022 and we finally have enough space for a big garden. I’ve got lots of little plants growing already for this season and I can’t wait to cook with those veggies! I actually bought a new wok recently and I’ve been only making Cantonese/Japanese food for the past two weeks, haha. I’m sure they’re getting tired of it, but I really do have a lot of fun learning all these cooking techniques and making some of the best food I’ve had in my life.

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)?

I think a lot of people focus on the creative aspect of being an author, which is awesome. It’s inspiring and it gives people more of a “story” to attach to that author. However, I’m surprised nobody ever talks about the business side of being an author. Being an indie, I have to not only be a good writer, but I have to know how to balance spreadsheets, run ads, hire narrators and cover designers, do taxes, and run marketing campaigns. I LOVE the business-y side of being an author, but I think it’s something a lot of people struggle with. It’s not often that people love math and writing at the same time, so some of those less “fun” skills have to be learned. I’m definitely privileged in the fact that I enjoy both and a successful marketing campaign feels just as good as publishing a successful book.

Finally, what LGBTQ books/authors would you recommend to the readers of Geeks OUT?

One of the best LGBTQ+ books out in the past year is definitely Perception Check by Astrid Knight. She is an incredible author and wordsmith. Her characters and worlds are so ALIVE, you can practically feel the book breathing in your hands. I have the greatest pleasure of working with her and Taiylor Wallace on novelizing one of our recent Dungeons and Dragons campaigns (The Obsidian Archive). It is incredible to work with them both and the stories we create together are so much richer because of that. We recently released book one in the series, The Wayward and the Wanderer, and it’s just amazing. I don’t usually claim one of my own books is good, but this one is GREAT because those two were part of the team!

Find Blake R. Wolfe here:

Twitter: twitter.com/BlakeRWolfe

Facebook: www.facebook.com/blakerwolfe

Patreon (exclusive content): https://www.patreon.com/blakerwolfe

Website and Newsletter: www.blakerwolfe.com

Interview with Author David Slayton

David R. Slayton (He/Him) grew up outside of Guthrie, Oklahoma, where finding fantasy novels was pretty challenging and finding fantasy novels with diverse characters was downright impossible. David’s debut, White Trash Warlock, was published in 2020 by Blackstone Publishing and was a finalist for the Colorado Book Award. The Adam Binder series continues with Trailer Park Trickster (October 2021), and Deadbeat Druid (October 2022).

In 2015, David founded Trick or Read, an annual initiative to give out books along with candy to children on Halloween as well as uplift lesser-known authors from marginalized backgrounds.

A lifelong Dungeon Master, video gaymer, and sci-fi/fantasy/comic book fan, David has degrees in History and English from Metropolitan State University in Denver. He’ll happily talk your ear off about anything from Ancient Greece to Star Trek.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Sure! Like Adam, the main character in White Trash Warlock, I grew up in a trailer outside of Guthrie, Oklahoma. Like him I’m gay and a high school dropout. Now I’m fortunate enough to live in Denver, Colorado with my partner Brian and write the books I always wanted to read.

Congratulations on releasing the last book in your first series, Deadbeat Druid! Could you tell us what it’s about and where the idea for the book came from?

It really springs from my rural background. I love urban fantasy but could never find myself represented on the page, not just as a gay man but as someone who comes from where I do. I wanted to tell a story about people like us and I can’t express how touched I am by some of the emails I’ve gotten from readers who connect with it. Deadbeat Druid is the third book in the series (I hope for more) and is my take on the Odyssey, only it’s a road trip through hell to get the two love interests back together. It’s spooky and weird and full of healing your trauma by facing what you don’t want to.

As a writer, what drew you to writing modern fantasy?

Urban fantasy as a genre has so much flexibility in it, so much variation. I always saw myself as a high fantasy or epic fantasy author, and there’s a lack of representation there too, but I wasn’t making headway publishing in that space so I tried something new and it paid off. I originally started writing White Trash Warlock to remember why I love writing. I was very tentative when I shared it with my agent, but she loved it and it ended up being my debut book. I’m very grateful that it’s been so well received.

Since Geeks OUT is a queer centered website, could you tell us a bit about the LGBTQ+ characters featured in your books?

Absolutely! I focus on gay main characters for all of my current books, as that’s my experience. The Adam Binder series also features a bi love interest and including that representation was very important to me. The elven characters we meet are pansexual. Argent is also aromantic and Vran is asexual.

I’m writing the spin off, Rogue Community College, now and I’m happy to get to work with a bigger cast and show more LGBTQ+ characters and relationships.

Your book(s) tend to center around gay and bisexual protagonist(s). Could you tell us about some elements of these character(s) you’re excited for others to see in stories?

I love getting to include the characters’ identity without it being the thing that drives the plot. I always say that I write books about LGBTQ+ characters that aren’t about being LGBTQ+. The Adam series is contemporary fantasy and Adam is from Oklahoma so homophobia and other issues exist, but they aren’t the focus of the story. I’m especially happy to be releasing Dark Moon Shallow Sea later this year as it’s high fantasy in an original world where I could leave homophobia, transphobia, racism, sexism, etc. behind. In that world, nobody cares about your identity or orientation but which god you worship? That can get you in trouble.

Were there any books that touched you or inspired you growing up?

I especially loved Tolkien and Ursula K. Le Guin when I discovered her work. My mother went deeply into religion at one point and my reading was limited to Star Trek books (big shout out to David Mack here), which were fantastic, but as with fantasy, we just weren’t on the page or on the screen. It’s great to see Star Trek correcting this, but I’ll always be sad I didn’t have that representation when I needed it the most.

How would you describe your writing process? Are there any methods you use to help better your concentration or progress?

I use an Agile Project Management approach to my writing, which means I set weekly goals, track everything in spreadsheets, and try to maintain a consistent daily practice, though sometimes the day job means I just don’t get to write on a weekday and have to make up the time on the weekend. The best thing I can do is turn off the Internet, social media especially, and just lose myself in the work. It’s also been really important to me to not compare my career trajectory to others. That way lies madness. A lot of what happens in a writing career comes down to luck. The only think you can really control is your writing, so I focus on always learning and continually improving my craft.

What’s something you haven’t done as a writer that you’d like to do?

I’d love to be nominated for a Lambda or a Hugo. I’d especially love to see the Adam Binder novels made into a TV series, to see that representation on the screen. I’ll admit that I’m always fan-casting my books. I saw that Noah Schnapp from Stranger Things just came out and my first thought was that he’d be great for Adam.

Your first series has characters that come from the southern states in the United States, why did you pick this area that is usually unwelcoming to people like your protagonist?

We’re not often portrayed in urban fantasy. Books like this one are usually set in big cities like Chicago or New York. It was nice to be able to showcase small town Oklahoma and a smaller city like Denver (where I live now). I also think that so many LGBTQ+ people come from places like Guthrie or have experiences like mine. I wanted to tell our story and I wanted us to have the chance at being the hero. Someone recently asked me why there’s a car chase with a dragon in the book and my answer was how often do you see a gay action hero?

All three of your books mix the modern day world with high fantasy, can you explain how you developed the world you’ve placed your stories in?

I’m all about trying to undermine stereotypes and encourage readers to look beneath the surface. I like to take fantasy tropes and mess with them or flip them on their head. No one in my books is simple and the worlds they inhabit reflect that. For example, the elven realm is beautiful but there’s a shady side to their politics and some of their motivations are outright evil. My friend Shiri said that my elves would have Tolkien spinning in his grave and I take that as a high compliment.

Are there any projects you are currently working on and are at liberty to speak about?

I mentioned Dark Moon, Shallow Sea. It’s queer and dark and full of ghosts and dead gods. It’s everything I love in high fantasy and it’s out on Halloween 2023! It’s Brandon Sanderson’s Mistborn meets Dark Souls. On the other end of the spectrum, I have a gay, geeky romance called To Catch a Geek coming out late 2023, maybe 2024. It’s nerdy and full of every nerdy reference I could work into it. It’s really fun. I have also have a spin off to the Adam Binder series, Rogue Community College, coming out in 2024. It picks up on developments in Deadbeat Druid and it’s Umbrella Academy meets Doctor Who with lots of great representation. It’s a bit more cozy which is funny since the main character Isaac is an assassin, but he’s quickly faced with his attraction to another student and the problem of trying to murder a living building.

Aside from writing, what do you enjoy doing in your free time?

I’m a huge gaymer. I’m really excited to see what Bethesda’s Starfield will look like later this year and for Baldur’s Gate III to leave early access. I’m also anxious to get my hands on Jedi: Survivor, the sequel to Jedi: Fallen Order. That quickly became my favorite Star Wars game. Let’s hope Cal gets a boyfriend this time around. I’m a big fan of TTRPGS, Dungeons and Dragons especially. I’m writing an adventure set in the world of Dark Moon, Shallow Sea that I’ll give away on my website as we get closer to the book’s release.

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)?

I was stumped so my partner Brian suggested this one: how do you write about your experience without opening yourself to hurt or pain when you put yourself on the page? My answer is that you don’t. You have to open yourself to the pain to write authentically. Obviously, my characters are fictional. They aren’t me, but I try to give them pieces of myself, enough to make them feel real to the reader. A lot of Adam’s experience around his family and upbringing in the White Trash Warlock series come from my experience. A lot of Raef’s hurt and anger in Dark Moon, Shallow Sea come from my hurt, anger, and my own experiences with faith and religion.

Finally, what LGBTQ books/authors would you recommend to the readers of Geeks OUT?

Some of my favorite authors working in the LGBTQ+ space are:
K.D. Edwards’s Tarot Sequence is great urban fantasy. It’s high action mixed with cool magic and witty banter.
Cale Dietrich: The Pledge, The Friend Scheme, etc. He just captures that sense of teen want like no one else. Reading Cale’s stuff takes me back to being an awkward gay teen.
Helen Corcoran: Queen of Coin and Whispers, Daughter of Winter and Twilight. This is low magic YA sapphic fantasy with deep political machinations.
Barbara Ann Wright: The Pyramid Waltz, Thrall, etc. Barbara is the queen of sapphic sci-fi/fantasy romance and has fourteen books ranging from fantasy to space opera.
I’m also really excited about Trip Galey’s A Market of Dreams and Destiny coming in September.

Fanart for David Slayton’s Adam Binder series, first three are from Jake Shandy (permission given to author for use); second three are from novaecomic.com (permission given to author for use)

Interview with Author C. L. Polk

C. L. Polk (they/them) wrote the Hugo-nominated series The Kingston Cycle, including the WFA-winning Witchmark. The Midnight Bargain was a Canada Reads, Nebula, Locus, Ignyte, and WFA finalist. They have worked as a film extra, sold vegetables on the street, and identified exotic insect species for a vast collection of Lepidoptera before settling down to write fantasy novels. Polk lives in Calgary, which is on the traditional territories of the Blackfoot Confederacy, the Tsuut’ina, the Îyâxe Nakoda Nations, and the Métis Nation (Region 3).

I had the opportunity to interview C. L., which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Hi! I’m C. L. Polk, I write Fantasy, I’ve lost all the big three North American SFF awards, and I’m always late watching the TV show everyone is talking about, and I would love to follow Critical Role but I just never seem to start. I’ve been trying to get a gaming group together for years, and I like to knit.

What can you tell us about your latest book, Even Though I Knew The End? What inspired the story?

I had a whim one day to write a hardboiled detective pulp voice, and I let it percolate in my mind while I did some other things, and one day it sprouted. I didn’t really have a good reason. I wanted to write something voicey; that was all. 

But when it finally came together it did so all at once, and I had to race to finish it. Then it languished for a while, and I picked it up, read it, and thought of something that I could do with the story, so I had the chance to do what a lot of writers don’t get – a good long wait between finishing it and returning as a different kind of writer.

What inspired you to get into writing, particularly speculative fiction? Were there any favorite writers or stories that sparked your own love and interest in storytelling?

My reasons are ordinary. I liked stories, and I wanted to try writing some of my own, and when I did, I found that I liked it, so I kept doing it. And I’ve read a lot of books. All of them have something to do with the reasons why I’m interested in writing and stories. My favorite writer is a tough one to answer. I usually say Tanith Lee, but honestly, it’s a lot wider than that.

How would you describe your writing process, especially that for worldbuilding?

When I worldbuild I just do whatever. I don’t have a system. I follow an enthusiasm, which sparks off more enthusiasms until I hit critical mass and I have to start writing before it all collapses.

What are some of your favorite elements of writing? What are some of the most challenging?

My favorite is the times when I’m drafting an I hit flow. It’s great. It’s a gift. It’s not like that every day. The most challenging is evading the self-doubt that is in the way of the page.

What’s a question you haven’t been asked yet but wish you were asked (as well as the answer to that question)?

I never have an answer for this. I never expect or hope for someone to ask me the perfect question. I’m not sure it exists. I also don’t think I can control what drives another person’s curiosity. I suppose that’s not an exciting answer but I find accepting this is much less stressful than hoping someone perceives me in a particular way.

Also, asking for a friend, do you have a favorite hot beverage?

I like a lot of hot beverages. I drink coffee pretty often, and I’m particular about its quality. I usually make coffee at home, but when I’m out I look for cafes with excellent beans and well-trained baristas. A good cup of coffee will stop you in your tracks.

And how have you masterfully weaved so many plot threads together, like in Witchmark?

It’s easy. I write characters who want things that aren’t the same as what the other characters want, and then I set them to go about getting it.

More technically, for the interested writers in the group: I use Scrivener. I am a scene-by-scene writer and not a chapter writer. So for each scene, I write a little summary and give it a label, and every label has a color – so if I look at my Scrivener project’s notecards, I can see at a glance which plotlines are getting lost because their colors haven’t shown up in a while.

If you don’t have Scrivener, you can use Google Slides for this as well. But don’t let me gas on about Scrivener because I will be here all day.

And as a writer would you ever be interested in trying out other genres besides fantasy?

I have written science fiction short stories before and I might try a novel at some point. I have written more than one contemporary romance, but never tried to publish one. I like mysteries, but those are easy to include into fantasy stories. I’m also interested in Gothics and domestic thrillers. Honestly, I just like genre.

What advice might you have to give for aspiring writers?

Write what you believe in. Ignore trends. You have thousands of people who are dying for the kind of thing you’re doing. They are your audience; write for them instead of who you think you should write for.

Besides your work, what are some things you would want readers to know about you?

Honestly, that’s it. I like stories, I’ve written a few, I hope you like them. If you want my cheeky comments check out my twitter. I don’t think there’s anything a reader needs to know—if they’re curious, that’s fine, but it’s not necessary.

Finally, what books/authors would you recommend to the readers of Geeks OUT?

There’s an activity on a subreddit called r/fantasy where they do a bingo card. The idea is that you try to read a book you’ve never read before that fits a given category and fill the square. I think it’s brilliant: one of the best reading guides out there. It’s such a good invitation to explore, so I want to shout out to the bingo card. And I do that because it’s a great way to do what I recommend – go wide. Try stuff. The number of amazing books being published these days is staggering.

Also, I want to shout out to short fiction. There’s piles of it online, free, waiting to be read, and short fiction is fantastic reading. Other magazines are by subscription, and some of them, particularly the print digests, have been around for decades. You can finish a story quickly but short stories have the potential to come along with you for years after.


Header Photo Credit: Mike Tan

Interview with Author Melissa Blair

Melissa Blair (she/her/kwe) is an Anishinaabe-kwe of mixed ancestry living in Turtle Island. She splits her time between Treaty 9 in Northern Ontario and the unceded territory of the Algonquin Anishinabeg in Ottawa, Canada. She has a graduate degree in Applied Linguistics and Discourse Studies, loves movies, and hates spoons. Melissa has a BookTok account where she discusses her favorite kinds of books including Indigenous and queer fiction, feminist literature, and non-fiction. A Broken Blade is her first novel.

I had the opportunity to interview Melissa, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Sure – I’m Melissa Blair. I’m 27 Anishinaabekwe, I spend too much money on books and too much time playing board games. I love all forms of storytelling and have a new puppy named Giizhik.

How did you get into writing, and what drew you to writing speculative fiction specifically?

I was seven when my mom explained to me that it was someone’s job to write all the books I’d been reading, from that moment on I knew I wanted to tell stories. It started with paper and crayons and has gotten slightly more sophisticated from there. I think speculative fiction has always been something I’m drawn to because its function is to allow another perspective or idea take center focus, as an Indigenous person I’m always comparing Western perspectives with Indigenous ones. 

What can you tell us about your new book, A Broken Blade? Where did the inspiration for this story come from? 

A Broken Blade is the story of Keera who is part Mortal part Elf and also an assassin for the Crown. She is forced to serve the king who conquered the continent and drove her kin into hiding. When the King tasks her with killing the Shadow, a masked enemy who is destabilizing the Crown, Keera realizes that she has a choice to make to stay safe or save her people. 

The inspiration came from reading a lot of books in this subgenre during lockdown. They were so much fun and I enjoyed them, but I kept noticing that all of the stories took place in colonial societies. I had all these questions about what happened to the Indigenous people of those realms, where were they, how were their lands taken from them? Those questions became the foundation of me creating the world of the Halfling Saga. 

A Broken Blade is described as anti-colonial fantasy with indigenous influences. Could you describe what that means?

The story is about Keera who is part Elf and her Elvish kin. As a story it centres the characters Indigenous to the continent and frames the conquering King as the rightful villain. Much of the plot and the impacts on the characters on the story is directly inspired by the history that has happened to my own ancestors – extractive colonialism, establishment of a gendered binary and the weaponization of patriarchy are only a few examples of how the Kingdom of Elverath mirrors our own. A huge part of the series will be uncovering how the Elverin lived before the King came at all and reclaiming that way of life. 

Since Geeks OUT is a queer centered website, could you tell us a bit about the LGBTQ+ characters that will be featured in your book?

I would say readers should assume everyone is queer in some way unless stated otherwise. There are bisexual characters, gay and lesbian characters, asexual characters, and ones who don’t conform to the gender binary the king has established. As the series moves forward, something Keera learns is how differently her kin view and live queerness as compared to the king. The Elverin love freely and always have, and they also conceptualize gender in a very different way than the king and his citizens. Keera begins to uncover that in A Broken Blade but it becomes a much bigger theme in upcoming books. 

What are some things you hope readers take away from this story?

My first hope is that readers have a fun time but recognize the parallels I’m making between this made up world and our own. I also hope readers seek out more Indigenous books, there are so many out there.  

Growing up, were there any books/media that inspired you as a creative and/or that you felt yourself personally reflected in?

My biggest inspiration was the storytelling that happened around me as a kid. Most of it came from my grandma, sometimes my mom or aunties too. Hearing a story around a campfire can really make it come to life and those are some of my most vivid memories. I want to learn how to evoke emotion in that same way. 

I think part of the reason I want to be a storyteller is because I never got to see myself reflected in the media I consumed as a child or teenager. There are so few examples of Indigenous characters in popular stories, and when they do exist, they are often stereotyped and poor portrayals. I think I write out of spite in some ways.  

What does it mean to you creating a story with queer and indigenous influenced representation?

It means a lot. For me it is the ultimate form of self-expression because so much of who I am and how I see the world is in the book. But in many ways it is also a responsibility. We all receive gifts in life, and I’ve been given a brain to create stories where nothing exist before. It’s important to me that those stories reflect my family, my ancestors in some way. Even when I’m writing about mythical creatures on a made-up land. 

What are some of your favorite elements of writing? What do you consider some of the most frustrating and/or difficult?

My favorite stages are conception of an idea, plotting, and editing. I find first drafts really exhausting and tend to get through them as quickly as possible. To be honest, second drafts aren’t much fun either. But once I get notes back, I fall in love with the story all over again. There are also days where I do not have the strength to write dialogue and will move on to a scene where that isn’t necessary. 

What advice might you have to give for aspiring writers?

You can’t get better at something unless you do it – a lot – and until you get quality feedback on it. Seek out writing partners and friends, share your work, and learn from each other. Every writer has something to teach another, even if neither of you have shared your work publicly. Also if you have an idea that you can’t get out of your head, write it! And when you get to the point where you hate it and you’re convinced it’s the worst story ever told, it isn’t and you needed to keep going.  

Are there any other projects you are working on and at liberty to speak about?

Currently I’m working on a few projects. The sequel to A Broken Blade is moving through the editing process and will come to readers in 2023. Readers will also be getting a contemporary romance from me later this year. I also have a speculative sci fi story about language and Indigenous sovereignty that I’m very excited about and hope to sell. The best place to stay up to date on those releases is on my socials. 

Finally, what LGBTQ+ and/or indigenous books/authors would you recommend to the readers of Geeks OUT?

There are so many amazing storytellers! You can’t go wrong with Rebecca Roanhorse, Eden Robinson, Cherie Dimaline, Billy Ray Belcourt, or Richard Wagamese

Interview with Author Alexandra Rowland

Alexandra Rowland is the author of several fantasy books, including A Conspiracy Of Truths, A Choir Of Lies, and Some by Virtue Fall, as well as a co-host of the Hugo Award nominated podcast Be the Serpent, all sternly supervised by their feline quality control manager. They hold a degree in world literature, mythology, and folklore from Truman State University. 

I had the opportunity to interview Alexandra, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Hi, thanks for having me!

I’m Alexandra Rowland (they/them), and I’m a very queer fantasy novelist writing very queer fantasy novels, all set in the same expansive worldI have a degree in world literature, mythology, and folklore, which definitely informs the sort of stories I tell and the ways in which I tell them. I’m also the person who coined the word “hopepunk”, and a four-time Hugo Award nominee as a co-host of the podcast Be the Serpent, which discusses tropes in literature/media and particularly the role of fanfiction in the broader literary conversation.

Please link to this article, *NOT* the Vox one: https://festive.ninja/one-atom-of-justice-one-molecule-of-mercy-and-the-empire-of-unsheathed-knives-alexandra-rowland/

What inspired you to get into writing, particularly romance and speculative fiction? Were there any writers or stories that sparked your own love and interest in storytelling?

When I was eight years old, a friend of my parents said to me, “Wow, you really love reading, I bet you’ll be a great writer someday!”—whereupon I, outraged and affronted at the very suggestion, told her in no uncertain terms that I hated writing and that I would never be a writer. (So that’s clearly going well, LOL.) If I had realized at the time that the little stories I made up in my head or wrote down in my diary totally counted as writing, I might have had a different answer—because I’d been doing that for as long as I can remember.

Likewise, I can’t remember a time when I didn’t love speculative fiction. My parents were both geeks, and my dad in particular really loved fantasy, so I grew up with those books being read to me or readily accessible around the house. My dad was also a bit… voluble, shall we say, especially once he got going on topics he was interested in (of which there were many), so oral storytelling was a great part of my childhood as well.

In terms of specific authors who have shaped me, I’ve probably been most influenced by (in no particular order) Diana Wynne Jones, Terry Pratchett, Douglas Adams, Neil Gaiman, Lois McMaster Bujold… And, of course, KJ Charles for the enormous epiphany that I did like romance novels, it’s just that I needed to be reading queer romance novels, not straight ones.

What’s probably been most influential on me, though, is two decades of reading fanfiction. Now, there are still a lot of people who turn up their noses at fanfic and who might be sneering and scoffing at the mere mention of the fact that it’s been that influential on me. But the truth stands! Fanfiction is a part of the broader literary conversation, and there is absolutely no better school for teaching you how to do incisive literary criticism through the medium of really, really deep character work—and, as it happens, characters have always been what I am most interested in.

Reading fanfiction also taught me a great deal about how writing can be a joyfully self-indulgent thing, that self-indulgence and your own personal pursuit of what delights you is not something shameful or embarrassing. There is a strong tendency in our culture to assume that things that make you happy are also things that make you weak or worthy of scorn—why? Why make such an effort to conceal the things that bring us simple, uncomplicated joy? Why spend so much energy trying to convince people that we’re aloof and disinterested and without human feelings? Why perpetuate that toxic bullshit?

Self-indulgence and the personal pursuit of joy was a hugely influential thing with this book in particular, whiiiich… seems to lead us to the next question!

What can you tell us about your upcoming book, A Taste Of Gold And Iron? What inspired this story?

There’s two ways to answer that!

First, the surface-level answer: A Taste of Gold and Iron is about an Exquisitely Beautiful Prince and his Hyper-Disciplined Stoic Bodyguard investigating some counterfeited coins—and then they fall in love! It’s got heartfelt oaths of fealty, erotic handholding, and a scene where they wash each other’s hair and talk about ethics. If you’re looking for big, epic, swoopy action scenes and multi-kingdom battle sequences, this might not be the book for you, honestly! But if you are looking for lots of deep, intimate character work and all the quiet, soft moments of two characters realizing their first impressions of each other might have been wrong, and then doing the work on themselves to grow as people, come closer together, and have extravagant feelings, then this is definitely the book for you. Also a little magic system, as a treat.

On a deeper level: A Taste of Gold and Iron came about because back in 2017 or so, I was mulling on some of my favorite tropes in fiction—and, in particular, my personal hands-down favorite, the Benevolent Liege/Devoted Vassal romance (which is a specific aspect of a broader category, the classic Courtly Love trope). Then I had that grouchy thought, as so many writers do, that nobody had yet written that trope in precisely the way I wanted to read it, so I had to do it myself. (I have taken to calling it “Fealty+Feelings”.)

This was unusually deliberate in comparison to my general writing process—I started from a place of “I’m going to write this favorite trope of mine in exactly the way I would want to read it,” and then it was sort of a natural progression to, “Okay, what other tropes do I also love which would underpin and support the main one to best effect?” and thence with increasing giddiness to, “What if I just cram as many things as I like into one book?”, and then further to, “Now let’s dig in even deeper to interrogate some of those tropes and unpack them, so that they’re complex, intentional, meaningful building-blocks of story.” (For example: “Kissing to avert suspicion” is a great trope—why do I like it? What makes it so appealing? What’s the realistic, logical aftermath? How would two people navigate that, when there are so many other factors in play?)

But then, that’s the sort of thing that I really, really love—not just going through the motions to recreate a trope as if I’m following a script or a recipe, but also interrogating what underpins it. It’s the difference between “In making bread, we must knead the dough for ten minutes” and “In making bread, first we must understand how gluten is formed and what the act of kneading does to the end product.”

The entire writing process was like that—not just finding the things I liked best, but asking myself questions about why I liked them, and then about what could be tweaked or emphasized to make me like it even more. It was an exercise in the exploration of my own delight, and long before I ever sold the book, I used to tell people that I’d already gotten paid in joy, just from the time that I got to spend with this story and these characters.

This novel is said to be set in a world inspired by the Ottoman Empire. Did any particular kind of research go into making the world you created?

To be specific, it is only this particular kingdom of the world which is inspired like the Ottoman Empire! In terms of research, much of it was of the “read seven Wikipedia articles, glean two or three interesting pieces of information, and extrapolate outwards from there” variety. I’m not trying to replicate the Ottoman Empire (But Make It Fantasy), but rather create a new setting that has enough of the the flavor, the vibes, the texture—whatever you want to call it—that someone with a working knowledge of that period/area of history would find it comfortably familiar and hospitable.

For research on general flavor/vibes/texture, one of my favorite methods is to watch foreign movies or TV shows (ie: in this case, I watched several dozen hours a Turkish period drama, Magnificent Century, as well as a couple other Turkish shows). The key thing I’m looking for with things like this is, again, not to do an empty recreation, but to catch really visceral details of everyday life (like how and what they eat, or what the architecture looks like, or how people move when they’re wearing the clothes), but also, more importantly, how a story oriented to an in-group audience chooses to depict itself: What is the implicit scaffolding that the story is leaning on? What does it frame as romantic or epic or scandalous? What does it consider so normal and mundane as to not require any explanation whatsoever, and what does it go out of its way to inform the audience about?

The one thing I did borrow directly from the Ottomans is the governmental structure, particularly in regards to the janissary corps and bureaucracy—in particular, the fact that their soldiers and ministers were “recruited” as children and provided with years of education and elite training, after which they were appointed to government office and could potentially rise to be the second most powerful person in the empire after the sultan himself. Of course, the Ottomans, being an empire, were doing this “recruitment” in usually non-consensual ways (as empires so often do), by which I mean “forcibly taking children from their parents and enslaving them.”

While obviously I strictly avoided replicating that particular aspect, I did find it interesting to think about a system of governance that relies so heavily on investing time and money into educating the next generation of ministers, soldiers, bodyguards, and other servants of the Crown, especially when juxtaposed against the book’s themes of the ethics of power (both theoretically and in practice), and specifically the question: “If a vassal owes his loyalty to his liege, what does his liege owe in return to him?” We currently live in a society where we can expect to be actively and carelessly exploited by anyone who is in power over us—we regard that as no more than the mundane cost of earning a paycheck! So asking questions about power and responsibility and what fealty really means is a juicy subject.

What can we expect from the main characters of A Taste Of Gold And Iron?

[slaps the roof of Kadou and Evemer] These good boys can hold so many feelings!

Kadou is Exquisitely Beautiful, the prince of the richest nation in the world, very tenderhearted, and lightly traumatized. He is pretty much permanently worried about whether he is taking care of his people sufficiently, or whether he is inadvertently causing harm. Part of this is due to the fact that he has one hell of an unmedicated anxiety disorder; part of it is just very real philosophical concerns about the ethical expectations and responsibilities of his position.

Evemer is Beefy and Stoic. He has shoulders like a hero out of legend, an extremely rigid and unyielding sense of right and wrong, a tendency to be quite harshly judgmental of others’ shortcomings in the privacy of his own mind (or so he thinks). He has never failed at anything in his life. Hell, he’s rarely even felt ill-prepared for a challenge. (Spoilers: He is very ill-prepared for dealing with Kadou.)

They both have big, big feelings about responsibility, obligation, duty, and serving something greater than themselves.

Evemer: [wistful sigh] My most romantic fantasy is that I will one day be able to dedicate myself to the service of a worthy lord, throw my whole self into his service, and then maybe… just maybe…. save his life and die tragically in his arms, in the rain, while he cries on my face. Like in an epic poem.

Kadou: ??????? UM… Sorry, but why does this so-called romantic fantasy involve you dying? Can we revisit that???? Because that’s one of my dealbreakers.

What are some of your favorite elements of writing? What do you find to be some of the most challenging?

I love writing beginnings, unusual worldbuilding, vividly emotional scenes, introspective characters, and tangents about fantasy economics. I love characters that are complex, by which I mean “capable of accessing a broad range of feelings”—I don’t really enjoy books where everyone seems to feel only one thing in a sustained note the whole way through the story, so I don’t write books like that. I like it when characters have the capacity for a variety of different emotions, where they might get a chance to be funny, or tease a friend, or feel insecure, affectionate, fascinated, bored… All the things people feel.

The most challenging part of a book for me is the middle, particularly just before and during the “darkest right before the dawn” part. You know, the bit when the main characters are facing setbacks and feeling disheartened and discouraged and all seems lost. I haven’t yet quite figured out how to dodge that, partially because the temptation to write all the juicy emotions of a character being really sad is nearly irresistible (love those vivid emotions!). But that section always makes me grind to a halt and lose a lot of momentum, and it’s not nearly as much fun as other bits.

In addition to being a writer, what are some things you would want readers to know about you?

I haven’t the foggiest idea how to answer this question, so I have chosen to willfully interpret it as a request for Three Quirky Facts About Me:

1. I grew up on a sailboat in the Bahamas.

2. My superpower is to intuitively Perceive when someone is on the asexual spectrum and hasn’t twigged to it yet (this is kind of ironic because it took me until age 28 to grasp that I was not “just really picky”, that was in fact demisexuality I was experiencing).

3. I’ve done every fiber art you can name, and some that you can’t

What advice would you have for aspiring writers?

From a craft perspective: Ask questions. Always. About everything. Especially when you think you understand something innately and effortlessly, ask questions about it. Push yourself to think deeper and go a step farther. When you think you’ve walked all the way to the end of Understanding a thing, turn around and walk back to the other end and interrogate it all again from a slightly different perspective. Your whole job is to see something in the world that nobody else sees and to then tell people about it, so don’t ever accept the obvious answer without turning it around and peeking underneath to see what’s there.

From a career perspective: I know it feels icky to think of writing as a business, but getting out of that mindset is an essential part of protecting yourself, giving your work the best chance that it has, and slowly encouraging this industry away from the ways that it so egregiously everybody working within it. You can still be an artist when you’re all alone in a room with the manuscript, but having a business brain is invaluable.

Additionally, whether you decide to go for traditional publishing, indie publishing, or hybrid, take some time to look at the ways other people are doing it—on both sides of the aisle. Learn the tricks and tools the other side has, and see if any of them are useful and applicable for you and your situation.

Most importantly: Be a cockroach. This is a hard career, and for most people, it takes a lot of time to see results from the effort and time you’ve invested. Be a cockroach! Refuse to be squished, survive the nuclear winter, spread your cockroachy dominion across the earth when all others have perished—ok, this analogy is getting away from me a bit, but you get the picture. This game isn’t over until you decide you don’t want to play anymore.

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)? 

Q: Favorite line of the book?

A: Hard choice, it’s between “I got you this door” or “Oh, fuck, I think I just got religion.” You’ll laugh about this later, I promise. 😉

Are there any other projects you are currently working on and at liberty to talk about? 

Yes! I’ve branched out into hybrid publishing this year (that is, a blend of both traditional publishing and indie publishing), and I’ve been releasing a novella series called The Seven Gods (of which the first book is Some By Virtue Fall), and it is chock full of disaster lesbians, fantasy-Shakespearean theater intrigue, dapper fancy hats, and arson. Right now, I’m putting the finishing touches on another installment of that series—The Light of Ystrac’s Wood, a small spinoff about a secondary character who will be quite important in book two of the series—which due to be released in early May.

I’m also hard at work for another book for Tordotcom, and while I can’t quite tell you any solid details yet, I’ll give you a fun clue: One of the Three Quirky Facts I gave you earlier will be, ah, relevant. 😉

Finally, what LGBTQ+ books/ authors would you recommend to the readers of Geeks OUT?

Victoria Goddard’s The Hands of the Emperor, ALWAYS—if A Taste of Gold and Iron sounds good to you, this one will probably also appeal! It is about a god-emperor who doesn’t want to be emperor and his incomparable secretary, and together they institute Universal Basic Income, have a deeply romantic friendship/queerplatonic relationship, yearn at each other from across a room because there is a taboo against touching the emperor, and… eventually… hold hands. GASP. Scandalous, I know. (Lots of queer rep throughout the series—the two main characters of this one are bisexual (the emperor) and somewhere on the ace/demisexual spectrum (the secretary).

I’ve also recently loved Seducing the Sorcerer by Lee Welch and The Bachelor’s Valet by Arden Powell, which are both M/M romance novels. And for authors in general, I’m always delighted to boost Tasha Suri, Jenn Lyons, Freya Marske, Everina Maxwell, Alexis Hall, AJ Demas, and Cat Sebastian!

Interview with Author KD Edwards

KD Edwards, author

K.D. Edwards lives and writes in North Carolina, but has spent time in Massachusetts, Maine, Colorado, New Hampshire, Montana, and Washington. (Common theme until NC: Snow. So, so much snow.)

Mercifully short careers in food service, interactive television, corporate banking, retail management, and bariatric furniture has led to a much less short career in Higher Education.

The first book in his urban fantasy series THE TAROT SEQUENCE, called THE LAST SUN, was published by Pyr in June 2018. The third installment, THE HOURGLASS THRONE, is expected in May 2022.

K.D. is represented by Sara Megibow at kt literary, and Kim Yau at Echo Lake Entertainment for media rights.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Of course! I’m the author of The Tarot Sequence series, an urban fantasy that reimagines a modern world with a very real Atlantis. The series is built around several broad concepts: LGBT+ inclusion, found family, humor, tarot card imagery, a lack of toxic masculinity, and lots of immersive world-building in a society that blends science fiction and fantasy.

Congratulations on your upcoming book, The Hourglass Throne! Could you tell us what it’s about and where the idea for the book came from?

It’s the third book in a continuous series and is being released May 17, 2022 – I actually have nine planned books (three trilogies). My largest motivation for the series was to create a wildly different type of society free from many of the biases in our own culture. There is no “gay” or “straight” – Atlanteans operate on a very broad spectrum of gender and sexuality. I wanted to tell a story that honors urban fantasy greats – like Ilona Andrews, Patricia Briggs, Jim Butcher – while also featuring a cast of characters that I would have wanted to read as a young gay man.

As a writer, what drew you to writing fiction/fantasy?

I read SFF almost exclusively as a teen, and then moved away from it in my 20s and 30s. When I hit 40, I decided the world…. Well, the world kind of sucks at times. So I turned my back on contemporary fiction and dove whole-heartedly into escapism. I want people to ENJOY these books, and escape from the grind of doom scrolling. I want people to laugh, and care about the characters, and get lost in the wonder of this city I’m creating – a city built from teleported human ruins from across the world. I love that element of SFF. It can be uplifting, and can present a World we deserve. 

Since Geeks OUT is a queer centered website, could you tell us a bit about the LGBTQ+ characters featured in your books?

In the beginning, I thought I was something special for having a book with a lot of gay men. My readers – my very kind, awesome readers – disabused me of that. Since then, I’ve taken it as a point of pride to really explore the depth of the queer community. My main character, Rune, is demisexual, and in a relationship with a man. Quinn is Asexual. Layne, who was introduced as a 15-year old male teen, now identifies as gender fluid and uses “they/them” pronouns. One of my newest central characters, Lady Death, has had relationships with women in the past. I’m only getting started, too.

Were there any books or authors that touched you or inspired you growing up? 

I have a complicated relationship with the books I read growing up. The SFF was so important to my development but, looking back, I can see how homogenous the material was. And how male. It’s so powerfully obvious that those stories lacked diversity. Some of those series I cannot even talk about – especially the ones where the hero’s journey is built on raping others or violence against women. 

The urban fantasy stories I read as a young adult fare better. JD Robb’s In Death series; Patricia Briggs’ Mercy Thompson; Ilona Andrews’ Kate Daniels…. I really adored a lot of the early urban fantasies. 

Where did you get your start in creative writing? What pulled you to fiction?

I can’t even remember a time I didn’t want to be a writer. Ever. I think the ability to escape this world and live in another has always been the draw, for me.

What’s something you haven’t done as a writer that you’d like to do?

One of the ways I manage a 9-book series is having huge, tent pole ideas for each book. That satisfies my craving for different sub-genres within SFF. For instance, I’ll have my Natural Disaster novel. I’ll have my Kaiju novel. I’ll have my Roadtrip novel. 

But given the constraints of the series I built, there are still stories I wish I could tell. I want to write a space station book. I want to write a post-apocalyptic tale….

What inspired you to incorporate Tarot cards and it’s mythology into your stories?

My own writing has always involved archetypes. I’ve been working on Tarot Sequence for close to 10 years, but the archetypes of Rune and Brand pre-date that by many years. That’s what I love about tarot cards – they’re built on human archetypes and appetites, like Love, Fortune, Nature, Death. My focus is on the major arcana cards, in particular. Given the unique identity of each major arcana card, it seemed like a good idea to build a nobility system around it. My main character, Rune, is the sole remaining heir to the fallen Sun Throne. These novels represent his journey in reclaiming his birthright.

Your last short story collection placed your characters into the COVID pandemic and under lock down. How did your own experiences during that time inspire that work?

Oh my God, those stories SAVED ME. I was just as lost and scared as everyone else during the start of the Pandemic. Putting Rune and Brand through quarantine was my way of coping with it. And it snowballed from there – the response I got from readers also looking for a distraction, or meaning, was fantastic. So I decided to make the stories canon – and haven’t regretted it.

Aside from writing, what do you enjoy doing in your free time? 

The Pandemic has changed everything. I moved from a workplace-based day job to work-from-home status. (And I love it.) I also stopped reading books in favor of watching international TV. It really opened my eyes to how perspectives change globally. It expanded my tastes, and gave me new ideas and ideas. I really, really need to get back to reading – but the TV habit still persists for now.

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)? 

Hah! If you knew my readers, you’d know that there are very, very few unexplored questions. My readers are amazing, and supportive, and vocal. I am so freaking blessed. They exchange ideas with me, ask questions, make artwork, provide music recommendations… So I’m honestly at a loss at what question I haven’t been asked.

I suppose one question I don’t get often: The series is based in New Atlantis, formed after the fall of Atlantis during the Great Atlantean War. Every now and then a reader asks if I ever intend to take the story back to the abandoned homeland. And the answer? Oh yes.

Finally, what LGBTQ books/authors would you recommend to the readers of Geeks OUT?

I am really loving David Slayton’s Adam Binder series. TJ Klune is one of my favorites. Lynn Flewelling’s Nightrunner books. Gideon the Ninth is magnificent. I know I’ll regret not spending more time on this list….so many suggestions that they bottle-neck in my brain. Oh! Hero by the late Perry Moore remains hugely influential for me. Gregory Ashe is a prolific sci-fi and mystery writer, and I love his Hollow Folk series.