Interview with Cynthia Yuan Cheng

Cynthia Yuan Cheng is an illustrator and cartoonist who creates funny, bittersweet stories centered on connection, identity, and belonging. When not at a desk, you can find Cynthia laughing at manga or eating a good meal with friends. Cynthia lives in Los Angeles.

I had the opportunity to interview Cynthia, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Hi! My name is Cynthia Yuan Cheng, I’m a cartoonist and illustrator, and I love telling stories that make people laugh and cry! Thank you for having me!

What can you tell us about your latest project, Mary Anne’s Bad Luck Mystery and how did you get involved in illustrating for The Baby-sitters Clubseries in general?

Mary Anne’s Bad Luck Mystery is the 13th installment in The Baby-sitters Club graphic novel series. The story is kicked off when Mary Anne receives a mysterious chain letter in the mail– the club members try to figure out who sent the letter, and spooky shenanigans ensue! I enjoyed the spooky Halloween moments in this book, and getting to sprinkle in some horror-comedy moments throughout the story.

I met my editor, Cassandra, during my senior portfolio review at my art school (Maryland Institute College of Art, MICA), and she kept me in mind a few years down the line when the series was looking for a new adapter.

Did you have any previous connections to The Baby-sitters Clubuniverse before working on this project?

Aside from recognizing the vast popularity of the original novel series and the graphic novel adaptations, I actually didn’t have any previous connection! I’d been a big admirer of all the previous (and upcoming) adapters, but I’m very fresh to the world of BSC, so I’m really grateful to my editor and the team at Scholastic who trusted my vision with adapting the book and provided great guidance along the way.

How did you find yourself getting into comics? What drew you to becoming an artist?

I’ve drawn comics and created art since my elementary school days, and loved reading manga and graphic novels all throughout my life. I wasn’t always interested in pursuing comics and art professionally, but I guess I couldn’t resist that love for storytelling! I’m very grateful to have a career in creating comics and art.

What advice might you have to give to aspiring artists/comic book creators, to both those who draw and those who don’t?

Make sure you’re always having fun with your projects! Comics require so much labor and time, so any project you’re committing to should be something you’re excited about and can genuinely enjoy the process of.

Also, explore interests outside of comics— it’ll enrich your storytelling and make your voice more unique!

What are some of your favorite elements of making comics? What do you consider some of the most frustrating and/or challenging? 

I love thumbnailing, especially when it comes to a funny scene. Crafting the comedic timing is a lot of fun for me, and it’s always satisfying when the joke lands successfully.

Regarding the challenges, I’m still new to creating full-color comics and have lots of growing to do there. I’m so grateful to Hank Jones and Braden Lamb whose color work made Mary Anne’s Bad Luck Mystery come to life. I really admire colorists whose coloring work adds so much mood and depth to the overall story!

Aside from your work, what are some things you would want others to know about you?

I’m relocating to New Jersey soon, really close to NYC! I’m so excited to explore the creative scene there and better familiarize myself with the thriving indie comics scene on the East Coast.

What’s a question you haven’t been asked yet and wish you were asked (and your answer to that question)?

I don’t really get asked about my hobbies and interests outside of art and comics, even though I love talking about it. I love bouldering, trying new restaurants, and hanging out with my friends! I believe strongly in a work-play balance, so I try to get out and play and goof around often. It’s great.

Are there any projects you are working on and at liberty to discuss?

I’m currently working on a YA graphic novel memoir with First Second, tentatively titled Win. It’s about my time in high school playing American football on the boys’ team, and centers on gender and (toxic) masculinity. I don’t want it to sound too heavy; I ultimately think of it as a hopeful story about chasing your dreams. I’m really looking forward to getting this story out in the world some day!

Finally, what LGBTQ+ books/authors would you recommend to the readers of Geeks OUT?

So hard to choose, but my most recent favorites are the manga short story To Strip the Flesh by Oto Toda and indie comics by Kimberly Wang. I’m also deeply excited for the graphic novel Firebird by friend and cartoonist Sunmi, which came out on July 18th!

Interview with Cartoonist Chan Chau

Chan Chau is the creator of the New York Times bestselling graphic novel adaptations of The Baby-Sitters Club: Kristy and the Snobs and The Baby-Sitters Club: Jessi’s Secret Language by Ann M. Martin. They graduated from the Minneapolis College of Art and Design. Their work appears in the award-winning comics anthology ELEMENTS: Fire and they have designed backgrounds for animated TV shows. Chan lives in Tacoma, Washington.

I had the opportunity to interview Chan, which you can read below.

First of all, welcome to Geeks OUT. Could you tell us a little about yourself?

I am Chan, a nonbinary cartoonist, and illustrator based in the Pacific Northwest. I have been working in comics for several years and have been nominated for multiple Eisners and several other awards.

What can you tell us about your latest project, and how did you get involved in illustrating for the Baby-Sitters Club series in general?

I am finishing up a book called Enlighten Me with writer Minh Le, published by Little Brown Ink. As for Baby-Sitters Club, my involvement was a surprise! I received an email one day from the lovely editor, Cassandra Pelham Fulton, with an offer to adapt the series, and that was that!

Did you have any previous connections to the Baby-sitters Club universe before working on this project?

I did not! I had heard of the Baby-Sitters Club when I was growing up, but I had no real connection to it otherwise.

How did you find yourself getting into comics? What drew you to becoming an artist?

I read comics and manga growing up. It wasn’t considered “reading” at the time; however, it was one of the only ways I read books. Comics require the ability to parse words and images together. I wanted to share my love for them and grow up wanting to make art.

As someone who both writes and draws comics, what is your favorite part of both processes? How would you describe your process working on comics in general?

Oh gosh, it varies from project to project, but my process is either highly chaotic or having assembly line-like precision. Nothing in between, unfortunately. I find myself loving either the Thumbnailing or Inking process; one requires me to set the whole stage of a book or story, and the other is where I can mindlessly listen to Youtube and work.

I’ve noticed within your work, whether working on Young Adult content, superhero-inspired comics, or the supernatural, you have a really beautiful style that’s so soft and elegant, and yet still super dynamic. As an artist, would you say there were/are any artists or comics that have influenced you creatively over the years?

While in school, I studied a lot of Western European and East Asian artists and styles. A few of my biggest influences are Roger Ibáñez, Shirahama Kamome, Thierry Martin, and Kerascoët. They all have a keen eye and hand for inking.

A comic of yours I’ve really enjoyed was Soft Lead, in which you imagine Superman as a newspaper cartoonist. I think the theme of discussing the value of creating art in a world that constantly needs saving is really potent right now and was wondering on your thoughts about what art means to you personally?

Art, to me, is an expression. Whether done for commercial use or fun, it’s all made with a purpose. Some folks would argue with me about that, but I don’t think artists would make art if they genuinely didn’t want to. I certainly wouldn’t, haha!

What advice might you have to give to aspiring artists/comic book creators, to both those who draw and those who don’t?

My advice is to get out there and make that thing you want to make. Try it out and see where it takes you because you will only know if something is working if you put your pen to paper (for both artists and writers). Read many comics and indulge in other media that bring you joy!

Aside from comics, what would you say are some of your other skills or interests?

Before I did comics full-time, I spent most of it being a freelance illustrator or product designer. I love to make merchandise with my art on it and present it at shows! There’s something about making your art a tangible object that I love.

What’s a question you haven’t been asked yet and wish you were asked (and your answer to that question)?

I wish people would ask about my constant decision to make short stories or zines. Some of my peers will laugh at me because they know I continuously preach it as a valuable skill! Short stories provide a platform to show off a cartoonist’s vision, storytelling prowess, and ability to finish a comic. I’m utterly grateful for all the opportunities that zines/short stories have brought me. 

Are there any projects you are working on and at liberty to discuss?

I have also been dabbling in pitching my own story, and I hope to talk about it in the near future!

Finally, what LGBTQ+ books/authors would you recommend to the readers of Geeks OUT?

Most folks inundated with LGBTQ+ comics probably already know these authors, but I highly recommend checking out Trung Lê Capecchi-Nguyễn, K Rhodes and Jen Xu (KaiJu), and Petra Erika Nordlund.

The Geeks OUT Podcast: Singled, Out & Queer

https://geeksoutpodcast.libsyn.com/geeks-out-podcast-singled-out-queer

In this week’s episode of the Geeks OUT Podcast, Kevin is joined by Geeks OUT President, Nic Gitau, as they discuss the trailer for the new reboot of The Baby-Sitters Club, the first look at AppleTV+’s adaptation of Isaac Asimov’s Foundation, and celebrate Quibi renewing Singled Out hosted by the queertastic Keke Palmer & Joel Kim Booster in This Week in Queer. 

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BIG OPENING

KEVIN: Multiple comic professionals face harassment accusations

NIC: Disney re-themes Splash Mountain after The Princess and the Frog

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DOWN AND NERDY

KEVIN: Harley Quinn, The Floor is Lava, You Brought Me the Ocean
NIC: Drag Race, Hannibal, This One Summer

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STRONG FEMALE CHARACTER

New trailer for The Baby-Sitter’s Club reboot

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THIS WEEK IN QUEER

Quibi renews the queertastic Singled Out for a second season

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CLIP OF THE WEEK

New trailer for Foundation

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THE WEEK IN GEEK

MOVIES

• Michael Keaton in talks to play Batman in new Flash movie
• Queer filmmaker and icon Joel Schumacher passes away
• New trailer for animated movie Superman: Man of Tomorrow
• Tenet & Mulan pushed back again, to August
• Elizabeth Banks to star in live action Magic School Bus movie
• New trailer for Over the Moon 
• New trailer for The King’s Man
• SpongeBob Movie: Sponge on the Run moving to onDemand & CBS All Access 

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TV

• New trailer for Brave New World
Central Park, Big Mouth, Family Guy, & The Simpsons recasting non-white roles being played white actors
• New trailer for Muppets Now
• New trailer for docuseries Into the Unknown: Making Frozen 2
• New trailer for Unsolved Mysteries revival
• Netflix picks up Cobra Kai
• Syfy cancels Vagrant Queen  
• New trailer for Crunchyroll’s animated latinx series Onyx Equinox 

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COMIC BOOKS

• Eisner Awards redoing voting process after anomalies occur
• Skybound announces virtual Skybound Expo