Tag: YA Fantasy

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Interview with Author Sacha Lamb

Sacha Lamb is a 2018 Lambda Literary Fellow in young adult fiction and graduated in Library and Information Science and History from Simmons University. Sacha lives in New England with a miniature dachshund mix named Anzu Bean. When The Angels Left The Old Country is their debut novel.

I had the opportunity to interview Sacha, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself? 

In my day job I’m a librarian. I graduated with degrees in library science and history in 2020, and I work for a scientific organization. When I’m not working I take walks and practice tricks with my dachshund mix. 

I was a Lambda literary fellow in YA in 2018 and my first published pieces were short queer stories online—Avi Cantor Has Six Months to Live from Book Smugglers (2017), “Epistolary” with Foreshadow YA in 2019. 

What can you tell us about your latest book, When the Angels Left the Old Country? What was the inspiration for this story?

When the Angels Left The Old Country is my debut novel, an Ellis Island era fairytale about an angel and demon who study Talmud in a little village in Poland, until a girl from the village goes missing on the way to America and they have to go after her to find out what happened. It turns out that America is a complicated place full of magic and murders, and the streets are not paved with gold. 

When I started writing Angels, I’d just finished a draft of a YA contemporary that was focused on grief and loneliness, so, not a very cheerful project. I wanted to do something fun to decompress, and my comfort zones are fairytales and the history of immigration (my master’s thesis in history focused on Jewish immigrants to the USA in the 1920s). I really pulled together a lot of inspirations, basically everything I enjoy the most: historical queerness, immigration, supernatural creatures, bickering. 

As a queer and Jewish person, what does it mean to you writing a book like this?

The best thing about having this book out in the world is seeing people respond like “this is me, this is my culture, my life.” Especially to have people from traditional Jewish contexts respond like that to a queer story is very powerful. I hope that the book can help broaden for people the idea of what’s possible with a very deeply Jewish context and Jewish life, and help people see that history is complicated and many-layered. 

Queer people may not be well-recorded in history, but we do have enough sources to know that we’ve always been around. I like to think of queer history as a sort of mycelial network, where you have the mushrooms popping up above ground and those are the stories that managed to get written down, that’s what we see, but there’s a whole vast underground network of stories we don’t see. You have to extrapolate from what you do see to the thriving ecosystem underneath. And I hope this book helps people imagine that ecosystem in our past. 

As a writer, what drew you to the art of storytelling, specifically speculative and historical fiction?

It was really something I grew up with. My parents are big audiobook listeners and when my siblings and I were small we listened to a lot of books just around the house or on road trips, including Lord of the Rings and the Earthsea series. My siblings and I were also obsessed with Redwall and I was the fastest reader so I’d sometimes read them out loud and do voices. My sister and I would do a lot of collaborative roleplay storytelling. I just stuck with it. 

For me, speculative and historical are serving similar purposes—you’re exploring possibilities. Either “what would the world look like, if”, or “how might people have felt, when”. I read a ton of history for fun and I’m always fascinated by the things we just don’t know, and can’t know, about what people were thinking at any given time. How people whose thoughts weren’t written down experienced events. The historical and the fantastical are both full of mysteries. 

How would you describe your writing process?

I tend to gather a lot of inspirations from reading, and eventually, they come together to create a story. Often I’ll have a scene in mind, or a character dynamic, that becomes the seed of the plot. My stories are really focused on characters so it’s usually some idea of how two characters relate to each other that sparks inspiration. For instance, my first published story, “Avi Cantor”, began with the idea “psychic kid accidentally predicts a classmate’s death”, which is a situation that implies already some conflict and a certain relationship between two characters. For Angels, it was “angel and demon Talmud study partners.” How are two supernatural creatures with opposing roles in the cosmos, but an intimate personal relationship, going to handle cooperating together on a single quest? And that question powers most of the plot. 

Growing up, were there any stories in which you felt touched by/ or reflected in, in terms of personal identity? If not or if so, how do you think this personally affected you as a writer? 

My earliest exposures to queerness in fiction were through fanfic on Livejournal. It wasn’t until after I graduated from college that there really started to be a push for diversity in traditionally published YA, and there was an explosion of queer YA just as I was getting back into fiction (my undergrad degree was pretty intense and I didn’t have time to read for fun). I think fanfiction can teach you a lot about open possibility, but it’s important to see fully-formed original stories that reflect yourself as well. I’m glad that I don’t feel like a total outlier on the shelves and I hope we can keep expanding the industry so that everyone has equitable access to stories that speak to them. 

As a writer, who or what would you say are some of your greatest creative influences and/or sources of inspiration in general? 

I mentioned that I take a lot of inspiration from history. Obviously from folklore as well. My shelves are full of folktale collections (Jewish and otherwise) and academic history books. I’m also really fond of children’s book illustration and I’m a big fan of some of the classics—Ivan Bilibin’s Slavic fairytale art, Edward Gorey and Maurice Sendak, Quentin Blake, Tove Jansson. A contemporary illustrator whose work I really like is Shaun Tan. 

I read pretty widely within YA, although I’m most drawn to fantasy and horror. Horror is fun because even if a horror story is bad, you can learn a lot from the failures. Maintaining suspense requires a really good grasp of structure and pacing and sometimes I just enjoy picking apart a story that doesn’t work and figuring out what I’d do differently. The most effectively suspenseful YA I’ve read recently was Ace of Spades, by Faridah Àbíké-Íyímídé. Even if you guess what’s happening there’s nothing you can do to extract the characters from the narrative, so you’re just internally screaming the entire time. 

What are some of your favorite elements of writing? What do you consider some of the most frustrating and/or difficult? 

There’s a feeling when you really get a handle on your plot that’s like when you’re getting to the end of a jigsaw puzzle and each piece you fit makes the next one fit faster. I love that feeling. Rewriting to add foreshadowing and strengthen the themes, that’s really fun. The hardest thing is to write action scenes. And for this book, the most frustrating part was making sure the Hebrew and Yiddish were consistently transliterated! For that, I have to shout out the copy editor, Anamika, who had to flag all my inconsistencies. I’m sure I’m going to do it again but there was a moment where I briefly regretted using so many Yiddish words. 

Aside from writing, what are some things you would want others to know about you?

I love sheep. If you meet some sheep you can send me photos of them, I will always want to see them! 

What’s a question you haven’t been asked yet but that you wish you were asked (as well as the answer to that question)?

There are a couple of sneaky classic Yiddish literature jokes in the book that I hope someone notices. If someone were to ask “when you said they got a ride in a bookseller’s cart, was that Mendele Mokher Sforim?” The answer would be yes. 

There’s also a line near the end where I describe Little Ash and Uriel as “the good angel and the wicked angel” and to turn things around and ask my readers a question: which of them is which? 

What advice might you have to give for aspiring writers?

Think about what elements of a story speak to you and play around with mixing and matching them. And don’t worry too much about what the meanest person on Twitter is going to think of your story. No one likes the meanest person on Twitter. 

Are there any other projects you are working on and at liberty to speak about?

I have another queer Jewish fantasy in progress, but no details on that yet because I don’t want to jinx anything! 

Finally, what LGBTQ+ and/or Jewish books/authors would you recommend to the readers of Geeks OUT? 

We’re in a great moment for Jewish fantasy right now. I’d recommend Rebecca Podos and Aden Polydoros for queer Jewish fantasies, and Gavriel Savit’s The Way Back for Jewish fantasy that’s not queer. A backlist title that I think not enough people read is Chris Moriarty’s Inquisitor’s Apprentice, which is a middle-grade Jewish fantasy. And I also want to shout out my Lambda cohort. Jd Scott has a short story collection, Moonflower, Nightshade, All the Hours of the Day, Lin Thompson has a middle-grade out called The Best Liars in Riverview and another book upcoming, Jas Hammonds has a YA contemporary We Deserve Monuments, and Jen St Jude’s apocalyptic love story If Tomorrow Doesn’t Come is out in May!

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Interview with Actor and Writer Aislinn Brophy

Aislinn Brophy (they/she) is an actor, writer, and arts administrator based in the Atlanta area. She was born and raised in South Florida but made her way up to the frigid northeast for college. Their hobbies include pawning off their baking on anybody nearby, doing funny voices, and dismantling the patriarchy. Aislinn has a degree in Theater, Dance & Media, and her experiences as a performer consistently wiggle their way into her writing. In all aspects of her work as an artist, she is passionate about exploring identity and social justice issues. Their debut YA novel, How To Succeed in Witchcraft, is available now with a second untitled novel to follow.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Thanks for having me! My name is Aislinn Brophy, and I’m an author and an actor. I’m originally from South Florida, but now you can find me living in Atlanta with my lovely partner and our two cats. When I’m not working, I love dancing, making playlists for my friends, and playing D&D. 

What can you tell us about your debut book, How To Succeed in Witchcraft? What was the inspiration for this story? 

How to Succeed in Witchcraft is a YA contemporary fantasy that follows Shay, an overachieving witch at a prestigious magical magnet school in South Florida, who has to decide between getting the scholarship for magical university that she desperately needs or exposing the predatory drama teacher who controls the scholarship. It’s got potion brewing, a queer love story between two academic rivals, and magical musical theater!

I think my biggest inspiration for this book was the many years I spent at very intense schools. At this point in my life, I’ve thankfully fled academia for good, but I used to be a student who really bought into the idea that what I had to do to be successful was run myself into the ground. When I was writing How to Succeed in Witchcraft, creating Shay’s character was one of the easiest parts. Overachievers and their various hang-ups are very familiar to me. 

Your book is said to be based on a practical magic system, interrogating the power dynamics of a world based on witchcraft, particularly within a system of dark academics. Could you talk about how you approached the world-building within the book?

The world-building was the part of the book that took the longest to come together. I revised the details of the history and magic quite a lot between the first and final drafts! As far as the history went, I wanted to create a world that had similar systems of oppression to ours, because that would be most useful to me in addressing the themes I wanted to touch on. I thought the best way to do that was to have a specific point in history that was recent (but not too recent) where magic was discovered. Then I wrote an alternate timeline for how history progressed from that point onwards. I identified some key historical events—wars, political movements, etc.—and then figured out how the presence of magic would have changed them. I think the big idea I had behind crafting the history was “what if magic just made capitalism worse?”  

With the magic system, I started out with the idea that it was going to be very practical. It was going to be a system where skill with manipulating magic was quantifiable, and you could compare a witch to her peers and definitively say who was stronger. I also wanted magical skill to be practice-based rather than innate. You become more powerful in this world mostly by doing magic a ton. All of these elements were meant to play into the dark academia parts of the story. If you can quantify how strong witches and wizards are, and how good you are at magic is based on the sheer amount of hours you spend working at it, then all of that would make a cutthroat academic program even more toxic. 

On social media, you’ve discussed how much it means to you that the main character of How To Succeed in Witchcraft is biracial and queer like you. Could you talk about what that representation and what representation in general means to you?

Of course, it’s incredibly important to see people that share identities with you represented in media. At this point, I hope that’s not a ground-breaking thing to be saying. I want everyone to be able to read books that speak to their experiences, as well as books that reflect on lives they’ll never lead and things they’ll never face. Personally, I don’t remember reading stories with characters that shared many identities with me when I was younger, and that shaped who I thought could possibly be the main character in books. A lot of my early writing had straight white protagonists, because I had got it in my head that those were the people who got to be the heroes in fantasy. Now that I’m creating stories that are more authentic to who I am as a writer, I realize just how much that mindset was getting in my way. 

What I love most about the current moment in publishing is that going into the bookstore and looking at the shelves now feels very different to me than it did ten years ago. Obviously, there’s still a lot of racism, homophobia, and other oppressive forces at play in the industry. But now I can look at the shelves and see many more hugely successful books by marginalized authors. That’s no small thing. 

I’m really proud to be adding How to Succeed in Witchcraft to this current publishing landscape. My goal is to build a body of work that shows a lot of different facets of being a queer biracial person. This book is just the start. 

How did you get into writing, and what drew you to young adult fiction, specifically speculative fiction? 

I’ve been completely and utterly obsessed with speculative fiction ever since I started reading it as a kid. The reason my vision is so terrible now is because I spent a lot of my time as a child reading fantasy books in near-darkness after my bedtime. So when I started writing novels as a teen, I knew I wanted to write something that would make other kids feel that totally earth-shattering excitement that I felt from reading a really good YA fantasy. 

I have to credit fanfiction for getting me seriously into writing though. Before I made the switch to creating original work, I learned a lot of practical craft skills by writing a massive amount of fanfiction. That was a very formative experience for me as a writer. Fanfiction let me be unapologetically enthusiastic about creating stories, and it gave me a non-judgmental space to be bad. And honestly, you have to be a bad writer for a while before you become a good one, so I’m glad I got to do that in a place where nobody was really evaluating the quality of my work. 

How would you describe your writing process? What are some of your favorite/most challenging parts for you?

My process is probably best described as controlled chaos. I learned early on in my writing journey that I get lost during drafting without some kind of road map, so now I make an outline of what is going to happen in the book before I get started. Usually that outline starts out detailed and becomes more and more vague as it goes along. By the end, my notes on the plot end up being things like “Character A and B talk about something????” or “resolve subplot here maybe.” I do my best to draft a book based on that, it inevitably doesn’t go the way I’ve planned, and then I revise the resulting draft into something actually good.  

I struggle a lot with drafting, so that’s probably the most challenging part for me. I write slowly, and it’s hard for me to focus for long periods of time to get words on the page. On the other hand, I love editing. Thinking about the world I’m creating is tremendously fun for me, and I find that I get to do the majority of that once I have my bad draft on the page. 

As a writer, who or what would you say are some of your greatest creative influences and/or sources of inspiration? 

The two authors that I would say are my greatest sources of inspiration are N. K. Jemisin and Tamora Pierce. I’m the biggest fan of N. K. Jemisin’s work. I just think everything she writes is brilliant. The nuance she brings to exploring power and oppression in her books is something I hope to achieve in my own work. And Tamora Pierce is a writer that really shaped how I viewed fantasy from an early age. I loved The Song of the Lioness series and the Beka Cooper books. All the female protagonists in her novels were powerful in a way that always stuck out to me. 

Aside from your work as a writer, what would you want readers to know about you?

I’m an actor! I mostly work in theater, which is why musical theater is such a big part of How to Succeed in Witchcraft. Most recently I had the pleasure of playing Rosalind in a show called Playing Mercury, which is a medieval-period comedy inspired by Shakespeare’s As You Like It. 

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)?

Here’s my question for myself: What’s your biggest dream as an author? 

I would like to write something one day that inspires people to write fanfiction about my characters. Honestly, I can’t imagine a bigger achievement for myself. If I created a story that people liked so much that they felt compelled to make their own art about my imaginary people, I could die happy.

What advice would you give to other aspiring writers?

Find what works for you, and do more of it. There’s no “one way” to be a writer. Actually, the only thing required to be a writer is to write sometimes. There’s a lot of advice floating around out there for writers. Read all the popular books in your genre. Write every day. Don’t write a prologue. Etcetera, etcetera. But if some of that common advice doesn’t seem like quite the right fit for you, that’s cool! Maybe it’s hard for you to read in your genre while you’re writing. Maybe you need to take lots of breaks to refill your creative well. Or maybe you want to write a novel that’s exclusively made up of prologues. These are all valid ways to write. What matters most is that you identify what you’re good at and what type of writing process works for you, and then do that stuff on purpose. 

Lean into your strengths! And if you write that prologue book, I want to read it.

What advice would you give for finishing a book?

Get something on the page. You can edit something, but you can’t edit nothing. This is advice I have to give myself regularly. 

Are there any projects you are working on or thinking about that you are able to discuss?

I’m currently drafting my second book. I can’t say much about it at this point, since it’s still in early stages, but it’s set in a different world than How to Succeed in Witchcraft. The premise I’ve started with is that the book follows a witch and a non-magical girl who become trapped in a cycle of breaking up and getting back together after a memory spell goes wrong. We’ll see where it goes from there!

Finally, what LGBTQIA+ books/authors would you recommend to the readers of Geeks OUT?

I’ll limit myself to the YA space since I always have way too many books that I want to recommend! Aiden Thomas’ The Sunbearer Trials, Jas Hammonds’ We Deserve Monuments, and Riss M. Neilson’s Deep in Providence are some of the newer/upcoming releases that I’ve been excited about. I also love Ashley Shuttleworth’s A Dark and Hollow Star and H. E. Edgmon’s The Witch King, which both kick off incredible, ambitious queer fantasy series. 

Header Photo Credit Nile Scott Studios

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Interview with Author Linsey Miller

Once upon a time, Linsey Miller studied biology in Arkansas. These days, she holds an MFA in fiction and can be found writing about science and magic anywhere there is coffee. She is the author of the Mask of Shadows duology, Belle Révolte, The Game, What We Devour, and Prince of Song & Sea. 

I had the opportunity to interview Linsey, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Hello! Thank you! I’m Linsey Miller, the author of a handful of books, most recently What We Devour and Prince of Song & Sea. I enjoy writing about grief and morality in magical worlds, and I love books about queer kids saving the day. Outside of authorhood, I read a lot, bake a bit, and write less often than I probably should.

How did you find yourself becoming a writer? What drew you to young adult and speculative fiction specifically?

I read and wrote too much as a child to the point where I was banned from reading books in class a few times. In middle school, though, I read a book about a forensic pathologist and decided that was my ideal job. I stopped reading fiction while in college and tried to be a good student and focus on my studies. However, my father died after my first year, and I realized that I wasn’t sure if medical school and pathology were exactly what I wanted to do.

After I graduated, I didn’t really know what to do. I lived with my now-husband and our best friend, and they convinced me to try writing a book. So I did, and it was terrible.

But then I wrote another one, and the rest is history.

Young adult fantasy appeals to me because it provides a way for kids who may not get to triumph and be celebrated in the real world to win against their villains. The young adult category wasn’t bare when I was a kid, but it wasn’t very large. I decided that I wanted to write the books that teen-me needed and would have loved.

Growing up, were there any books or authors that touched or inspired you as a writer?

I think I read the Circle of Magic series by Tamora Pierce and the Abhorsen series by Garth Nix five hundred times as a kid. I loved Crown Duel by Sherwood Smith, Gifts by Ursula K. Le Guin, Octavia E. Butler’s short stories,  His Dark Materials by Philip Pullman, and though I was older when they came out, all of N.K. Jemisin’s works.

Can you tell us about the inspiration behind your book What We Devour?

Of course! I call What We Devour my extremely ace book about eating the rich. I think the main concept for the world was the first thing that came to me. I was drove home late one night, looked up at the full moon, and thought, “What if that were an eye?”

Most of the inspiration for the plot came from two things—my desire to insert an ace girl into the “girl plans on killing/taking down the prince but he’s hot” fantasy romance trope and my childhood with a very pro-union father. I think magic provides an exceptional medium through which to explore morality and ethics, and the tropes I wanted to use had such interesting power dynamics that it felt right.

So all of that came together to inspire what I hope is a gripping book about aceness, workers’ rights, and how fantasy worlds which focus on revolts often don’t go far enough into dismantling systems of power.

Your next upcoming project is a book centered on Eric from The Little Mermaid? Can you tell us how you become involved in this project, as well as any personal connections you might have to that film and character?

The Little Mermaid came out the year I was born, so I jumped at the chance to work on it. While I didn’t see it in theaters, I liked it a lot as a kid because I thought Ursula was great. There is something extremely relatable in Ariel, Eric, and Ursula. Prince of Song & Sea provided a chance for me to explore that relatability and bolster Eric’s character, which was a wonderful challenge.

Also, I will take any excuse to sing “Poor Unfortunate Souls.”

How would you describe your writing process? What are some of the best/most difficult parts for you?

My writing process is structured but not set in stone. I will usually let a concept stew for a long time before committing it to paper. When I start working, I’ll rewrite the first few chapters until they’re what feels right for the tone and characters, and then I’ll write the climax and/or epilogue. I prefer to only seriously start working once the beginning and ending are figured out.

The most difficult part for me is definitely writing the initial draft. I get caught up too easily in making it “good” to the point where I’ll stop writing. My favorite part happens once that is done—rewriting. I love rewriting a book from start to finish. It feels very refreshing to create a new draft from the initial one and include all of the small details and foreshadowing. That’s when writing is the most fun for me.

Since Geeks OUT is a LGBTQ+ centered website, could you maybe tell us what queer representation means to you?

It’s a letter to the Linsey that could have been. I don’t think I saw the word ace outside of playing card references until I was in my twenties. Seeing the queer literature that’s available now across genres and age group is everything, from vengeance to hope, to me. 

Mask of Shadows, Belle Révolte, and What We Devour specifically are my attempts to write the books that would have saved me some confusion and tears growing up. There the books I didn’t know I needed as a kid. I hope they can be the book for a least one reader now.

Besides writing, what are some of your other interests?

I do a lot of baking, mostly cinnamon rolls and cakes.  Though it’s on hiatus now, I play D&D with a group of other authors on the Spell Check podcast. I also play a lot of video games, though I’m mostly working through the new Pokémon Snap right now.

What advice would you give to aspiring writers?

Writing is a curious occupation because we often do it alone without any feedback for long periods of time, and that isolation can be challenging. Find your people and stick with them.

There’s a degree of failure that writing requires constantly, not just at the beginning. Write what you love and what you need, and don’t twist your work into knots to try and shove it into what you think is marketable.

Also, please backup your work and activate the “unsend email” option.

What’s a question you haven’t been asked yet but wish you were (and the answer to that question)?

Oh, no. This is delightful, but I don’t know. I guess: Who are your favorite minor characters you’ve written?

I am equally fond of Isidora from Mask of Shadows and Franziska Carlow from What We Devour. They’re very different, but that’s mostly due to them responding to their trauma in different ways. At their cores, both are driven to help others to their own detriment.

Are there any projects you are working on or thinking about that you are able to discuss?

I have a few projects that I’m working on, but there aren’t any that I can talk about. I hope I have more things I can talk about soon!

Finally, what LGBTQ+ books/authors would you recommend to the readers of Geeks OUT?

All of them! Some authors I love are Jordan Ifueko, Adib Khorram, Laura Pohl, L.L. McKinney, Katherine Locke, A.R. Capetta, Julian Winters, Linden A. Lewis, Ryan Douglass, A.M. Strickland, Alechia Dow, Rosiee Thor, and Ryan La Sala.

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Interview with Author and Literary Agent Patrice Caldwell

Patrice Caldwell is a graduate of Wellesley College and the founder of People of Color in Publishing—a grassroots organization dedicated to supporting, empowering, and uplifting racially and ethnically marginalized members of the book publishing industry. Born and raised in Texas, Patrice was a children’s book editor before becoming a literary agent. She’s been named to Forbes’s “30 Under 30” media list, a Publishers Weekly Star Watch honoree, and featured on Bustle’s inaugural “Lit List” as one of ten women changing the book world. Patrice is the editor of two anthologies published by Viking Children’s Books, an imprint of Penguin Random House, A Phoenix First Must Burn: Sixteen Stories of Black Girl Magic, Resistance, and Hope and Eternally Yours: Fifteen Stories of Paranormal Love. Her debut novel, Where Shadows Reign—the first in a YA fantasy duology—will be published by Wednesday Books, an imprint of Macmillan.

I had the opportunity to interview Patrice, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Hi y’all, thanks for having me! I’m Patrice, and I’m the editor of the YA paranormal romance anthology, Eternally Yours, which is out 9/20/22, as well as the YA Black Girl Magic anthology, A Phoenix First Must Burn, (it was published last year, so it’s out now) and the forthcoming novel, Where Shadows Reign. I’m also a literary agent, and a former book editor, so as I often say, I really love books and I’ve seen the industry from many sides!

How would you describe what you do professionally and creatively?

I make books happen! I represent, as a literary agent, a list of bestselling and critically acclaimed and debut authors and illustrators. I love my clients, they’re so talented and dedicated and fun to work with. I was an editor before I was an agent, so as an editor I received books on submission from literary agents, but as a writer, I always really related to and wanted to champion writers even more, so in 2019 I became a literary agent and now I’m the one working with them to develop their work and I sell it to publishers and manage and strategize their careers. When I’m not doing that, I’m talking to myself while at the grocery store (with my headphones on so it seems like I’m on a call haha) to work out plot points, leaving myself voice memos and random notes day and night when inspiration strikes…basically, I’m dreaming of and creating my own stories. I love writing and working with writers, so honestly, I feel like I’m in my dream career every day getting to do both.

What drew you to storytelling, and how did you get into editing and agenting specifically? 

My parents. They were really big about me reading and having books with characters who looked like me from a young age. I had a whole library full of Black characters, by Black authors and illustrators growing up. They’re also HUGE science fiction and fantasy fans, my dad also love theory, my mom loves horror…I grew up listening to him discuss and debate Fanon and Malcolm X and Jean-Paul Sartre with friends and my mom insisting I watch the original Freddy and Jason films (absolutely terrifying), back when Freddy vs. Jason came out. My dad also was a martial artist, and with him, I studied Capoeira, an Afro-Brazilian martial art, and so much of that is a story. I was also a theater kid. My life was full of stories and storytelling growing up. It is no surprise that I ended up working in book publishing instead of as a lawyer like my mom hoped (it’s fine, now she brags to truly anyone that her daughter is an author). By the time I entered college, I knew I wanted to tell stories featuring characters who are more like me, and I wanted to help get more of those books by others into the world, too. I did internships with literary agencies, in marketing and publicity…anyplace that would have me, I wrote my first manuscripts, I networked so much, and then I didn’t get a job in publishing after I graduated. So, I worked in a different field for about a year, but I couldn’t get my love of books out of my head. Finally, I got an editorial assistant position and around the same time, I signed with my first literary agent who sold A Phoenix First Must Burn. Now, I’ve been working in this industry and writing under contract for the past few years.

How would you describe your upcoming anthology, Eternally Yours? What was the inspiration for this project?

I. LOVE. Paranormal Romance. HUGE fantasy and science fiction reader growing up, but especially gravitated to all things paranormal, urban fantasy, and gothic. Really anything with vampires, haha. My dad got me hooked on Blade, my mom on Underworld, and then I discovered Anne Rice (so happy we’re getting an Interview tv show soon! I am also a fan of the previous films in her universe, no matter how much Queen of the Damned deviates from the book) and Octavia Butler, got into Laurell K. Hamilton during Anita Blake’s best days (IYKYK), Richelle Mead’s Vampire Academy series (I’m nervous-excited for the new tv series!) and from there, worlds opened up. 

I mention this in my introduction for Eternally Yours, but what I felt was missing, what I really didn’t develop the words to explain until I got older, was that I wanted more queer characters and more characters of color…in other words, more people like the Black queer woman I am in these worlds. My publisher was in support of that and that’s why Eternally Yours exists…you have an incredibly diverse list of fifteen of today’s bestselling and critically acclaimed authors…I would describe it as THE book I wanted to read growing up (since, at this point, we’ll probably never get a sequel to Sunshine by Robin McKinley). My teen self would be so proud, and I’m so proud of these contributors, they really put in the work to make this anthology amazing.

How would you describe the process of creating an anthology? What goes into picking the contributors?

If you want to really dig into the topic of creating anthologies, I recommend reading this piece by Dahlia Adler (also, buy her books, including her anthology, That Way Madness Lies, it’s all Shakespeare retellings, and I have a story there called “Elsinore” that reimagines Hamlet with a little help from Dracula)

For me, it’s all about working with authors whose work I love and who I know can deliver. Once I figured out the genre (paranormal romance) I got to thinking about authors I’m fans of who want to write paranormal, whose novels either are paranormal or have those elements, and authors who you would never think would write anything paranormal, but I had a feeling they could pull it off. I thank being a former editor for this instinct, I understand writers really well and I pick up on all the things when I read their work. I am so happy with the entire contributor list, but speaking of inspirations, Melissa de la Cruz saying yes meant a ton. I was a HUGE Blue Bloods fan growing up (think Gossip Girl but with angels AND vampires) and, for Eternally Yours, she wrote a short story in the Blue Bloods world. I may have wept tears of joy.

Once everyone was signed on, they sent me pitches of their stories, I—along with the help of the editor at Penguin who acquired this book, Dana Leydig—approved them, they got to drafting and then we gave them notes and they revised again and again and again (thank y’all for putting in the work!!) until we were like, it’s ready to go! 

What advice would you give to other aspiring creatives/writers? 

Write your stories. As a writer starting out, I looked for others for approval and validation way too much. It led to quite a lot of cooks in the kitchen (my brain) and so my books were that disjointed, they were from me but not truly of me. I reached a point where I was like, okay it’s not working like this, with me listening to feedback from everyone, with me trying to be like all these other writers… what do I want to write, what stories do I need in the world… honestly that changed everything for me, it’s how I came up with the idea of all my published and under contract books. Fight for your stories. 

My dad once told me that I was very talented but had no discipline and he was right. I wasn’t making time for my art. I wasn’t making sacrifices for my art, and that’s not to say artists need to suffer, we don’t, it’s to say that I was doing so many other things, saying yes to so many other things, but I wasn’t saying yes to myself, to my writing, to the very thing that gives me life. I had to get real with myself and say, do you want this, okay focus on this. That sometimes means waking up at 6am and writing. It sometimes means writing before bed, or not going out with friends or hanging with family to get work done. It means setting boundaries and being clear with people about how important my work is to me. Like, I’m on deadline right now and, with few exceptions, I’m not going anywhere until it’s done. 

Try to find your balance, your flow, what works for YOU (not others). Take breaks when you need them. Don’t stress about writing every day, I don’t, and the work gets done—that’s what works for me.

Work on your craft instead of rushing to be published. When I became a better editor, a better reviser, my stories began to shine.

Are there any projects you are working on or thinking about that you are able to discuss?

Yes! My next project is Where Shadows Reign. It’s the first in a YA fantasy duology. It was originally scheduled to come out this year, but my super supportive publisher moved it back because trying to revise a novel, edit an anthology, be a literary agent, and focus during the start of a pandemic turned out to be a lot to do at the same time (I know, no surprise). We’re setting the pub date, but it’ll likely be late 2023 or 2024, and the book is even stronger due to the extra time. You can add it on Goodreads and follow me on Instagram and Twitter for updates!

The book takes place a year after an epic war between vampires, humans, and the gods that created them both. It follows three characters: a vampire princess who undertakes a journey to bring her best friend back from the underworld; a young seer who only sees death and, for reasons, accompanies the princess; and a fallen angel who is hellbent on awakening her beloved, their world’s first vampire and the most bloodthirsty one who lived, who is entombed in this underworld. 

It’s very gothic and queer and inspired by my love for The Queen of the Damned by Anne Rice and John Milton’s Paradise Lost.

Finally, what LGBTQ+ books/ authors would you recommend to the readers of Geeks OUT?

Okay, first, read Eternally Yours and A Phoenix First Must Burn as a large amount of the stories throughout both these anthologies are queer (Phoenix was actually called “delightfully queer” in a rave review), and then read their books!

Second, anything by Mark Oshiro, Sara Holland, Arvin Ahmadi, Dhonielle Clayton, and Adam Silvera. Love these people, couldn’t do what I do without them.

Third, my clients. Check out books by these authors: 

Mistakes Were Made by Meryl Wilsner (we may or may not call this book MILF book as its secret title…college senior has a hot hookup, oops it’s her friend’s mom, wait…now, they’re falling in now)

All Boys Aren’t Blue and We Are Not Broken by George M. Johnson

You Should See Me in a Crown and Rise to the Sun by Leah Johnson

These Feathered Flames and This Cursed Crown by Alexandra Overy

And for a few publishing next year, but available for preorder now, check out: 

Blood Debts by Terry J. Benton-Walker (NOLA set, magical families, estranged siblings, intergenerational curses)

Ravensong by Cayla Fay (war god sisters, Buffy vibes, romance, northeastern gothic)

Juniper Harvey and the Vanishing Kingdom by Nina Varela (first crush, a journey to a magical other world, perfect for fans of Rick Riordan)

Dear Medusa by Olivia A. Cole (if you loved Shout or The Poet X, you’ll love this!)

Finally, for a book I deeply love. I acquired this when I was an editor! 

Beyond the Ruby Veil and its sequel, Into the Midnight Void by Mara Fitzgerald. It’s a dark queer, hilarious, YA fantasy duology.

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Interview with author Tessa Gratton

Tessa Gratton is genderfluid and hangry. She is the author of The Queens of Innis Lear and Lady Hotspur, as well as several YA series and short stories which have been translated into twenty-two languages. Her most recent YA novels are Strange Grace and Night Shine, as well as the forthcoming Chaos and Flame. Though she has traveled all over the world, she currently lives alongside the Kansas prairie with her wife. You can find her on Twitter and Instagram.

I had the opportunity to interview Tessa, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Hi! I’m thrilled to be here. I’m Tessa Gratton, author of several SFF books in both young adult and adult categories. Most recently the adult fantasies The Queens of Innis Lear and Lady Hotspur, magical, queer retellings of Shakespeare’s King Lear and Henry IV part i.  My YA tends to be quiet, weird, and queer, like Strange Grace, a dark fairy tale about a town that sacrifices a boy to the devil every seven years and the three teens who decide to change the rules. My work has been translated into twenty-two territories, which makes my basement a real international library. I live on the edge of the Kansas prairie with my wife right now, but have lived on two other continents at different points of my life.

When did you know you were first interested in writing, and what drew you specifically to the Young Adult medium and speculative fiction?

I’ve been a writer for all of my life, though I didn’t realize I wanted to be an author until I was in college. Then in graduate school I was having a really rough time—it was 2004, we were deep in the Iraq war, and my dad was part of the 3/25 Marines battalion. I was struggling with my family because of my queerness and just starting to pull apart my understanding of gender and how I relate to it. I also didn’t get along with my graduate cohort or professors. School and politics and culture wars were wearing down on me, and I realized that if I stayed on my path and went into politics, probably feminist lobbying, I’d just lose myself. So I had to step back and look at what I wanted, and decide how I could do it without giving up my integrity. I wanted to challenge privilege and make the world better, and I realized that what made me that way besides how my parents raised me to question everything, were the books I read as a teenager.  The SFF books.

I realized I could write the stories I’d always loved reading and writing for fun, and write them for and about teens. That was a way to do the work I needed to do. I’ve diversified into adult, but my heart is and always will be in kidlit. Teens are out there choosing who they’re doing to be, struggling with authority and fighting every day. I like to write for those kids, to give them stories about choice and love and longing to make the world better. And monsters and kissing, of course.

How would you describe your latest book, Moon Dark Smile? What inspired the story?

Moon Dark Smile is a genderqueer YA fantasy about a lonely heir to the throne and the dangerous great demon she kidnaps for a road trip through spirit-infested rainforests and volcanos ruled by ancient sorcerers in order to find a way to free themselves from the magical injustice that has been the foundation of their empire for generations—and maybe discover who they truly want to be, to the world, to each other, and even to themselves. 

In the book before Moon Dark Smile, titled Night Shine, one of the main characters is Kirin Dark-Smile, the Prince Who is Also a Maiden. He ascends to the throne, and makes a lot of changes to the court and how his people think about him and gender. I wanted to write the story of his daughter, both because the great demon of the palace was a loose thread from Night Shine, but also because I’m interested in intergenerational activism. In how change changes. Kirin changes a lot, but mostly cultural and personal, not much that is structural. Those structure flaws are the ones his daughter Raliel, the MC of Moon Dark Smile, sees. The conflict of the book comes from consequences of the personal and political choices that Kirin and his friends make in Night Shine. It’s very possible to read Moon Dark Smile as a stand-alone, because Raliel and Moon’s story is their own, but taken as a duology the two books tell a more complete story.

Were there any stories (queer or otherwise) that you read or watched growing up that had touched you or felt relatable in any way? What stories draw you in today?

My favorite books when I was a young teen were Jurassic Park, The Vampire Lestat, Swordspoint, and the entirety of Robin McKinley’s works. I loved JP for how freaking cool it was, and I was a huge dinosaur nerd so the idea of it inspired me to really tear open my imagination. All of Anne Rice’s books felt queer to me, even when they were not overtly—especially the vampire books and the Mayrfair witches. There was something about the relationships and transformations that made me believe in queerness even before I realized that’s what I was getting from Lestat (and his awesome, oft-forgotten mother). Ellen Kushner’s Swordspoint is about a bisexual swordsman in a fantasy world and his wild queer lover—it’s the first book I read that was overtly queer, and weird, dangerous, and wonderful. And it had a happy ending! I’ve been lucky enough to work with Ellen as an adult and meeting her was incredible. Robin McKinley is a hero of mine, because of how she has always maintained her voice and vision in her novels—they are crafted delicately and center relationships and a hero who is coming into their own. They’re perfect fairy tales.

I can’t ignore the influence Vanyel Ashkeveron, the gay wizard in Mercedes Lackey’ Valdemar series, had on me. I was obsessed with him, and with the unapologetic way those books depicted gayness. It was part of the fantasy culture, and Vanyel was not only so gay, he was the most powerful wizard. It was possible to be both! That blew me away as a kid. I didn’t hold on to Vanyel as long as the others, I think because at the end of the day it was a tragedy. Beautiful, meaningful, but still awfully sad. I needed that when I was figuring out who I was, but once I got it in myself better, once I had tasted a little bit of queer joy, I wanted that more than I wanted the catharsis of tragedy.

These days I watch a lot more television than I used to, and it’s very balanced with my reading. I am drawn to stories about relationships and magic, and always have been. My favorite current shows are The Untamed, a Chinese drama based on a xianxia boy love web novel filled with rival families and betrayal and dark magic and very soft queers, and Star Trek: Discovery, which not only has some of the best writing and acting on TV today, but just keeps getting more and more and more gay! That’s fitting, because the first time I saw myself really on TV was in Jadzia Dax, from Deep Space Nine. She was absolutely canonically genderqueer in the late 1990s. The way the show used her alien species to be overtly queer blew my mind—it normalized genderqueerness in a way that, honestly, I still barely can find on TV. Unless it’s on ST: Disco.

Did you draw on any resources for inspiration while writing, i.e. books, movies, music, etc.? Where do you draw inspiration or creativity in general?

In general I draw inspiration from my daily life—from nature and exercise and my wife and family. I draw it from music that makes me feel a certain way, or from shows and books that make me ask questions and wonder how I would do it, and what I am desperate to add to that conversation. For Moon Dark Smile I listened to a lot of dreamy music, piano and strings, some dramatic soundtracks like Sunshine. I wanted the world to feel like Spirited Away or Princess Mononoke and I listened to those soundtracks and watched interviews with Hiyao Miyazaki to remind myself that I could still create when burned out or stressed (I wrote the whole book from proposal to finished draft during the pandemic). I read a thousand fanfics about two specific characters to be inspired by how a relationship can be inherently the same, inherently satisfying, even if the circumstances and entire world changes every time. To break myself out of the habits that were no longer serving me.

What advice would you give to other aspiring writers?

Follow your curiosity. Learn everything you can about whatever you want. Write, but write anything. Just keep doing it, and redoing it. Go on adventures when it’s relatively safe, whether it’s to a neighboring river or the other side of the world. Don’t be afraid to take the occasional risk, as long as you aren’t risking others. Talk to people who aren’t your neighbors or family or friends. Then listen to them. Read books in translation. Read books that have been popular for hundreds of years or just a few in other countries. Read whatever sparks joy. Practice being yourself, then practice still when who you are changes.

Can you tell us about any new projects or ideas you are nurturing and at liberty to discuss?

I am deeply excited to say that I wrote a Star War! It’s called Path of Deceit and it comes out in November. I can’t tell you anything else about it, except there are queer characters filling out that galaxy far, far away.

Next March I have another book I co-wrote with my friend Justina Ireland called Chaos and Flame. It’s an enemies-to-lovers romance fantasy book with dangerous prophecies, mad princes, velociraptors and kraken, lots of sword fights, assassination attempts, ancient magic and, of course, kissing.

Finally, what LGBTQ+ books/authors would you recommend to the readers of Geeks OUT?

Justina Ireland’s Dread Nation and the sequel, which are about what might have happened if the zombie apocalypse started during the Civil War.

Adib Khorram’s Kiss & Tell, about the gay member of a popular boy band.

Natalie C Parker’s Seafire trilogy, and her upcoming middle grade debut The Devouring Wolf, about some queer kids who also happen to be werewolves in Kansas.

A few incredible adult queer SFF books:

Shelly Parker-Chan’s She Who Became the Sun

Rebecca Roanhorse’s Black Sun

Martha Wells’s Raksura series

Of course Swordspoint by Ellen Kushner and the other books in that series, especially Tremontaine, which I also worked on for a few stories. Everybody is some flavor of queer, and it was glorious to work on, and I hope even better to read.

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Interview with Author Zoe Hana Mikuta

Zoe Hana Mikuta currently attends the University of Washington in Seattle, studying English with a creative writing focus. She grew up in Boulder, Colorado, where she developed a deep love of Muay Thai kickboxing and nurtured a slow and steady infatuation for fictional worlds. When she is not writing, Zoe can be found embroidering runes onto her jean pockets, studying tarot or herbology, or curled up with a cup of caramel coffee and a good, bloody but heartwarming book. She is the author of the Gearbreakers duology (Gearbreakers and Godslayers).

I had the opportunity to interview Zoe, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

Thank you for having me! My name is Zoe Hana Mikuta, and I’m a YA author. I’m 22 and finishing up my undergrad English degree at University of Washington. Gearbreakers and Godslayers make up my first series!

What could you tell us about your series, Gearbreakers? What inspired the story and the world you’ve created?

The Gearbreakers duology is about renegade kids taking down 200-foot mechas (worshiped as deities). It has found family, enemies to lovers, and a sapphic romantic subplot between the two main characters—I found both the Asian and LGBTQ representation within the sci-fi genre to be severely lacking growing up. I was definitely inspired by dystopian media, and the entire plot of Gearbreakers stemmed from the bare initial need to write giant mechas. I built all the characters and the world. 

How would you describe your writing process? What are some of your favorite/most challenging parts for you?

My writing process involves a lot of self-talk—it really is a practice in focus. Putting my phone in the other room or getting off the internet helps a lot. One of the most challenging parts of drafting for me is embracing the idea of the messy first draft, rather than editing as I go, which I think makes me harsh with myself. But when I get in a good flow, there’s nothing else like it. I’ll look up and three hours have passed.

As a writer, who or what would you say are some of your greatest creative influences and/or sources of inspiration? 

Shirley Jackson reigns queen in my head, of course. Alberto Mielgo, who directed Love, Death + Robot’s Jibaro and The Witness. Anyone and everyone who worked on Over the Garden Wall. 

As an author, when and where do you say you first found your interest in storytelling? And what specifically do you do with speculative fiction, especially mecha?

I think the earliest book I can remember reading that made me go “I want to do something like that” was Because Of Winn Dixie, which I read in the third grade. I was a big Percy Jackson and Spiderwick Chronicles kid, too, just a big reader in general. From very early on I knew that writing was the art I got the biggest kick out of. I think watching Pacific Rim in the theatre was a big turning point for me, too, into the sci-fi and mecha genre. Now I basically flip out whenever there’s giant robots in any of the media I consume. 

Aside from writing, what are some things you would want others to know about you?

I have a big interest in religion as a sociological feat (runs in the same vein as the study of literature, in that regard!)—I’m a History of Religion minor, and really big into philosophy even though I absolutely despise it at the same time. I aim to make Kierkegaard roll in his grave. I also dream of having a house with a little front garden. 

What advice would you give to other aspiring writers?

I mentioned this earlier for myself, but embrace a messy first draft. Make it terrible, and then make it better, but not all at once. 

Are there any projects you are working on or thinking about that you are able to discuss?

Rabbit & Sickle is my third book, my current work in progress. It’s a fantasy horror, Alice in Wonderland retelling meets Attack on Titan, super bloody, super sapphic (read: there’s feral Saints in Wonderland Forest!). 

Finally, what LGBTQIA+ books/authors would you recommend to the readers of Geeks OUT?

The Malice duology by Heather Walter, She Who Became the Sun by Shelley Parker-Chan, The Scapegracers by H.A. Clarke. 

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Interview with author Rachel Hartman

Rachel Hartman is the author of the acclaimed and New York Times bestselling YA fantasy novel Seraphina, which won the William C. Morris YA debut Award in 2013, and the New York Times bestselling sequel Shadow Scale and Tess of the Road. Rachel lives with her family in Vancouver, Canada. In her free time, she sings madrigals, walks her whippet in the rain, and is learning to fence. To learn more, please visit SeraphinaBooks.com.

I had the opportunity to interview Rachel which you can read below.

First of all, welcome to Geeks OUT. Could you tell us a little about yourself?

My name is Rachel Hartman, and I was born in Medieval Kentucky, nearly 50 years ago. I’ve lived in a variety of fascinating places, such as England, Japan, and Philadelphia, before finally settling in Vancouver, Canada. In the before-times (sigh) I loved to travel, sing with a madrigal choir (the QuasiModals), and fence with my 80-year-old swordmaster. Nowadays I walk my whippet in the rain, sing sean nόs songs all on my own, and teach creative writing at UBC.

When did you know you were first interested in writing, and what drew you specifically to young adult fiction and fantasy?

I had always been a voracious reader, but I first became interested in writing in sixth grade. That teacher, Mrs. Chamberlain, was the first to give me creative assignments, and I would write twenty pages if she assigned five, that’s how interested I was (by contrast: I could barely find time to finish my math). As for young adult fiction and fantasy, that’s what I loved most and was reading in those days, so that’s what I started writing. After a detour in university, when I decided it was time to “grow up” and read “real literature,” I got right back to fantasy and YA as soon as I graduated, and I’ve never looked back.

I write for young people, really, because that’s the age I was when books were still magic to me, when a single book still had the power to change my life, and to say thank-you to all the authors who’d helped me through difficult times at that age. I might attempt an adult novel at some point, but I would never not write fantasy, or some kind of speculative fiction. I use fiction as a laboratory for thought experiments, and as a way of mythologizing my experience. Setting something in the real world would feel very constricting and uncomfortable for me.

How would you describe your upcoming book, In the Serpent’s Wake? Where did the inspiration for this story come from?

In the Serpent’s Wake is the second book in a duology, and is most easily understood in context with the first. The first book, Tess of the Road, asked, “After grief and trauma, how do you find yourself and become the protagonist of your own life again?” The second book then asks, “Once you’ve become the protagonist of your own life, how can you learn to set yourself aside occasionally and help other people become the protagonists of theirs?”

Honestly, both my duologies seem to follow this same pattern: first you address your inner issues, then you take that new knowledge out into the wider world and see how (or whether) it applies.

In the Serpent’s Wake is a continuation of your previous work, Tess of the Road. How do you feel you may have changed or evolved as a writer since that book and since the publication of your debut novel, Seraphina?

I change with every book. Novels are so long (at least, mine are) that by the time I get to the end, I am a different person than I was at the beginning. I’ve learned so much, not least about myself. It’s challenging to go all the way back to Seraphina and remember how I was different then. Certainly there are tropes I used then that I wouldn’t use now. There was some fatphobia, alas. But, we screw up and we (hopefully) learn.

I will say, on a less abstract level, I’ve learned to handle a complicated storyline better. Shadow Scale, the sequel to Seraphina, was really too much story to be contained in one viewpoint character. I’m learning to let other characters carry some of the burden of narrative.

Since Geeks OUT is a queer centered website, could you tell us a bit about the LGBTQ+ characters featured in your latest book?

I have tried to give LGBTQ+ characters prominent positions in all my books. I am bi myself, and have abundant queer family and friends, so a fictional world would not feel complete to me without characters of varied orientations and presentations. I made up a six-gendered civilization in my second book, Shadow Scale, just to give a trans character a comfortable place to live, so this has been an ongoing interest of mine.

The first one you’ll meet in Serpent is Spira, since the first chapter is from their perspective. Spira is a dragon (in human form), who ends up questing after their proper pronouns (they does not end up being exactly correct, but I’m using it here because that’s where they start). Then there’s their human love interest, Hami, who I hesitate to label because I still don’t know everything about him. There’s Argol, a Porphyrian sailor, who uses a neutral pronoun in her native language but is content with she in Ninysh. The quigutl – a subspecies of dragon – change sex several times over their lifespans. And there are hints of Tess being bi (which she is), but the book was so long and she doesn’t have a romance subplot, really. You’d kind of have to know it was there to even see it, haha. Kind of like me, I suppose.

Growing up, were there any books or authors that touched you or inspired you as a writer or made you feel seen? Are there any like that now?

Robin McKinley’s The Hero and the Crown was an early inspiration, I would have to say, as well as Lloyd Alexander’s Prydain Cycle. I actually got to meet Lloyd Alexander a few years before he died, and say thank you, which is such a rare thing. As an adult, the books that have touched me most closely are Lois McMaster Bujold’s Chalion books, particularly The Curse of Chalion, and Terry Pratchett’s Discworld books.

When Terry Pratchett died, I was supposed to do a school presentation that day. I was terrified that the kids would ask “Who is your favourite author?” and I would burst into tears in front of the entire 8th grade. Well, they asked, and I did, in fact, cry. But I was able to say to them, “This is the power of books, kids – someone I never met has touched my life so profoundly that I’m crying because he’s gone.” And that moment of vulnerability worked some kind of strange alchemy, and it was like we were all friends after that. I was singing to them, by the end, which I never do.

How would you describe your writing routine or process? What are some of the enjoyable, hardest, and strangest parts about writing for you?

I’m not great about routine. The one constant is that I get up early to work. You might suppose this means I am a morning person, but not really. My Inner Editor – that critical voice that tells me I suck – sleeps in late, so I like to get some work in before she starts yammering at me. All my strangest, wildest ideas come to me then, and there’s no Voice to veto any of it. It’s great.

One of the strangest, most enjoyable, and simultaneously frustrating parts of writing, for me, is that I am a very intuitive writer. And by “intuitive” I mean my brain works by taking in lots of information, turning it over and over (picture a composter), and letting it all ferment into something astonishing. It takes time, and you can’t force it, and that can get frustrating in a world of deadlines and obligations. If I can be patient, however, my brain always comes through with some delightful surprise.

What are some of your favorite craft elements when it comes to writing?

I hate confessing this because it makes me sound like a weirdo, but I love syntax. Like, what order the words go in. I can sit with a single sentence and change the order of words for hours, until finally I end up with… almost the sentence I started with, but for a slight change that no one will register but me. This, to me, is a joyous occupation.

I’m also a big fan of a really good metaphor. They’re not easy to get just right, but when they’re spot-on, they almost feel more true than the unadorned truth.

Did you draw on any resources for inspiration while writing your debut book, i.e. books, movies, music, etc.? Where do you draw inspiration or creativity in general?

For my first book, I was inspired by Medieval and Renaissance music. Actually, who am I kidding, music inspires all my books – you can find egregious madrigal and prog rock references all over the place, mostly song titles, if you know what to look for. Shadow Scale was largely Pink Floyd, I recall. In the Serpent’s Wake contains a lot of YES titles.

I am also deeply inspired by nature. This has always been the case for me, but I usually forget to credit it because it just seems like part of my day. The pandemic has underscored for me that I have to go outside amongst living things every day. If you looked at the pictures on my phone, you’d think there was nothing in my life but flowers and mushrooms. Ironically, I can’t keep a houseplant alive. I figure my proper orientation to plants is to observe them quietly and let them do the growing all on their own, outdoors. They know what they’re doing.

Aside from writing, what are some things you would want others to know about you?

I’m a very introverted individual, and it’s a big challenge just opening up about the writing!

What advice would you give to other aspiring writers?

Writing is never wasted. “Anything worth doing, is worth doing badly,” according to comic creator Carla Speed McNeill. Art is an ongoing conversation that you are worthy to participate in. Publishing, on the other hand, is a business that is often soul-sucking and terrible. Be patient and persistent, and above all else, be kind and gentle with yourself.

What’s a question you haven’t been asked yet and wish you were asked (as well as the answer to that question)?

What’s one thing you wish you had known before you were published?

I wish I had understood that writing was my art therapy. Once you’re published, suddenly writing becomes all bound up with income and ego. It becomes the source of stress, and as such is not as therapeutic as it used to be (you can get back to it eventually, but it takes time and effort). I had to find something else that could be my art therapy. I settled on singing, but I know writers who draw, dance, do calligraphy, craft, all kinds of things. You need something that’s just for you, and not for the consumption and approbation of other people.

Can you tell us about any new projects or ideas you are nurturing and at liberty to discuss?

Well, I’ve just sent the draft of a middle grade book to my agent. I had been describing it as The Graveyard Book x The Decameron, but it ended up being nothing like either of those, so I’m going to need a new comparison. It’s about plague, ghosts, and moral injury, and I’m not even sure it’s really a middle grade book. I feel certain my agent will have an opinion on this.

Finally, what LGBTQ+ books/authors would you recommend to the readers of Geeks OUT?

Because it’s my special party trick (as a Canadian), I will recommend you some CANADIAN LGBTQ+ authors who I’ve enjoyed very much.

·  Xiran Jay Zhao – Iron Widow has been so popular and done so well that you may have read it already, but maybe you didn’t realize they are my fellow Vancouverite. No, we don’t know each other in real life, but I hope to correct that someday, if the pandemic ever ends *weep*.

·  E. K. Johnston – Aetherbound is her most recent space opera, but That Inevitable Victorian Thing is also a delightful place to start. Like Iron Widow (and like my own Shadow Scale), she gives us poly resolutions to love triangles. It’s a Canadian literary tradition, maybe.

·  Erin Bow – The Scorpion Rules is probably my favourite underrated post-climate-disaster AI-rules-the-world book. I’m always surprised more people haven’t read it.

·  C. L. Polk – Witchmark! The Midnight Bargain! Don’t make me choose! Polk is one of the best fantasy writers out there, bar none, and if you haven’t read their books yet, you are in for a treat.

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Interview with Author Darcie Little Badger

Darcie Little Badger is a Lipan Apache writer with a PhD in oceanography. Her critically acclaimed debut novel, Elatsoe, was featured in Time Magazine as one of the best 100 fantasy books of all time. Elatsoe also won the Locus award for Best First Novel and is a Nebula, Ignyte, and Lodestar finalist. Her second fantasy novel, A Snake Falls to Earth, received the Newbery Honor and is on the National Book Awards longlist. 

I had the opportunity to talk with Darcie, which you can read below.

First of all, welcome to Geeks OUT! Could you tell us a little about yourself?

It’s great to be here!

My name is Darcie, and I’m a Lipan Apache writer with a PhD in oceanography. My scholarly interests include toxin-producing plankton, transcriptomics, and the deep sea, especially its weird stuff. I once worked as a researcher and scientific editor, but I transitioned to full-time writing after my debut book, Elatsoe, was published. Since then, I’ve released A Snake Falls to Earth, another young adult (YA) fantasy.

What else? Oh, yeah, when I was an undergrad, Princeton rejected me from the creative writing program twice. After that, my debut was featured in Time Magazine as one of the best 100 fantasy books of all time, and my second book received the Newbery Honor.

For fun, I take long walks, read, watch horror movies, and play rhythm games like Beat Saber. When my spouse Taran is also free, we go on adventures together. 

As a writer, what do you think drew you to young adult fiction, especially speculative fiction?

I’ve always enjoyed reading spec fic; my mom introduced me to science fiction and fantasy (she was an original Trekkie), and growing up, I haunted the SFF shelves in bookstores and libraries. Guess I’m creating what I love!

As for choosing to write YA fiction: the books I read as a teenager made an incredible impact. They provided happiness and solace when I was a shy, bullied kid; they fed my imagination, encouraging me to dream; they shaped the person I was and would become. I hope that my books make a similar difference in the lives of young readers.

What can you tell us about your latest book, A Snake Falls from Earth? Where did the inspiration for this story come from? 

A Snake Falls to Earth is told through two perspectives. The first main character, Nina, is a human teenager living in a near-future version of Texas. Her great-great grandmother tells her a story in Lipan, and Nina is initially motivated by the desire to understand this story and its significance to her family.

The second main character, Oli, is a cottonmouth snake person who lives in a land of spirits, monsters, and magic. After he’s unceremoniously cast from home, Oli learns to survive on his own, making lots of friends (and a few enemies) in the process. Unfortunately, his new best friend becomes terribly sick, and the only cure is on Earth.

At that point, the two characters meet, their stories interweaving, and Nina and Oli help each other save their friends and family.

The structure, themes, and characters in this book are heavily inspired by the Lipan stories Mom told me. In particular, several of Oli’s early chapters are self-contained misadventures with larger-than-life characters—similar to my favorite traditional stories—that tie into the greater plot. 

In addition, my background as a geoscientist informed the environmental features of near-future Texas. In Nina’s world—that is, her homeland—hurricanes are becoming stronger, temperatures are rising, and the survival of vulnerable plant and animal species is a serious concern. Amidst these difficulties and others, Nina and her family fight to remain on their traditional land.

Where did the inspiration for your first book, Elatsoe, come from? Also note, as a aspec reader, I just really want to thank you for writing more aro-ace characters into the world!

Thank you! It’s my pleasure!

As a teenager, I wrote a short story about a haunted house. Its ghost causes mysterious drafts and screeches “Hello!” in a shrill, inhuman voice. A bunch of meddling kids sneak into the house on a dare and discover that the ghost belongs to a parrot. They free its spirit by opening an old metal cage in the attic. 

Since then, I’ve amused myself by thinking about all the cool supernatural powers different creatures—velociraptors, mosquitoes, sharks, etc—would have. This fascination led to Elatsoe’s original story seed: a person who can raise animal ghosts. That person became Ellie, the hero of Elatsoe. 

What are some of your favorite elements of writing? What do you consider some of the most frustrating and/or difficult?

Sometimes, writing is so fun, I don’t wanna do anything else. That’s my favorite part: the joy of creation. I let stories sweep me up and take me on adventures.

Unfortunately, the amount of time required to finish a novel is really frustrating. My typical daily word count is 500-700, which means first drafts take at least 6 months, accounting for weekends off. Thing is, the stories are itching to leap out of my head and onto the page. I get impatient—so much to write, so little time!—but that’s life.

What’s a question you haven’t been asked yet, but wish you were asked (as well as the answer to that question)? 

If you could master any instrument, what would it be?

The saxophone. 

Are there any other projects you are working on and at liberty to speak about?

Oh, gosh, I can share that I’m writing a third YA fantasy book. The contract’s signed, but it hasn’t been announced yet, so I’m unable to say more. Stay tuned!!

What advice might you have to give for aspiring writers?

Here are a couple words of advice to aspiring writers:

First, everyone has a different writing journey. What works for me may not work for you; in other words, there’s no one right way to be a writer. But I can make a few general suggestions. When writing, take breaks, if needed. Don’t compare yourself harshly with others. And most of all, write the stories that make you happy and/or are creatively fulfilling.

Above all, persevere.

Finally, what LGBTQ+ and/or indigenous books/authors would you recommend to the readers of Geeks OUT?

Check out Love After the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction. It’s edited by Joshua Whitehead and has a great TOC of Indigenous writers you should follow. 

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Interview with Author Claribel A. Ortega

New York Times Bestselling and award-winning author, Claribel A. Ortega is a former reporter who writes middle-grade and young adult fantasy inspired by her Dominican heritage. When she’s not busy turning her obsession with eighties pop culture, magic, and video games into books, she’s co-hosting her podcast Bad Author Book Club and helping authors navigate publishing with her consulting business GIFGRRL. Claribel is a Marvel contributor and has been featured on Buzzfeed, Bustle, Good Morning America and Deadline.

Claribel’s debut middle grade novel Ghost Squad is out now from Scholastic and is being made into a feature film. Her forthcoming books include Witchlings (Scholastic) and the graphic novel Frizzy (First Second.) You can find her on Twitter, Instagram and Tiktok @Claribel_Ortega.

I had the opportunity to interview Claribel which you can read below.

First of all, welcome to Geeks OUT. Could you tell us a little about yourself?

Hello! And thanks for having me. My name is Claribel, I am a former reporter and book marketer who writes middle grade and young adult fiction. I grew up in the South Bronx and am Dominican American. When I’m not writing, I’m playing video games. Usually on my Nintendo Switch though I am a big Sims fan and my go-to karaoke song is either Black Velvet by Alannah Myles or Mean by Taylor Swift. 

When did you know you were first interested in writing, and what drew you specifically to writing for younger audiences and speculative fiction? 

I have loved writing from a very young age. I probably began writing short stories in second or third grade. I mostly wrote poetry and song lyrics though, and started writing in longer form in college. I never made a conscious decision to write for kids, the stories I wanted to tell just so happened to have young protagonists, and that’s probably because the things I watched and read in middle school were really formative for me. I’m always returning to the lessons and themes I discovered in things like Goosebumps or Disney Channel original movies like Halloweentown and Twitches. 

How would you describe your latest book, Witchlings? What inspired the story? And on that note, where do you find inspiration in general?

It’s about a twelve year old witch who is sorted as a Spare, which means she doesn’t belong in any coven, along with her bully and the new girl in town with a terrible secret. When they can’t seal their coven and are about to lose their magic for good, Seven invokes the impossible task–a magical trial that will allow them to keep their magic if they can defeat the dreaded Nightbeast. If they fail they’ll be turned into toads. Witchlings is what I’ve been calling Shrekian fantasy (thanks to editor Angeline Rodriguez who I first heard that description from) in other words, prophecies and mythical monsters but with cellphones and the internet. Or the witchernet as it’s called in Witchlings. It’s also a fun, magical adventure wrapped in a mystery that tackles heavy topics like friendship breakups, abuse and classism. 

The story was inspired by a few different things. One was the River Towns, which are a group of towns along the Hudson River in New York. Ravenskill, the town where the book takes place specifically, is based on Peekskill New York. It was inspired by my love of fantasy and underdog stories and by the trans and nonbinary community that is often left out and treated much like Spares are. 

Were there any stories (queer or otherwise) that you read or watched growing up that had touched you or felt relatable in any way? 

I didn’t have the kind of representation kids today have, so I unfortunately don’t have examples of queer stories that impacted my growing up.  The House on Mango street was definitely one of my childhood favorites though, and one of the books that inspired me to be a writer. 

How would you describe your writing routine or process? What are some of the enjoyable, hardest, and strangest parts about writing for you? 

It’s basically chaos. I try to outline, but the story always changes a ton no matter how much I try to plan ahead. My characters are rebellious as well.  I transitioned to becoming a full time writer just as the pandemic started, so I didn’t really have a chance to set my writing routine in a way that I was happy with until recently. I’m usually at the desk by ten, and trying to write, and I’ll be there until at least six, even if no writing has actually occurred. It’s been hard having to write at home for the better part of the past two years. I used to love writing in coffee shops and bookstores, and that really helped my creativity and productivity but writing at home felt a bit stifling for me. In terms of what’s enjoyable, I love when a story finally comes together. There is a cycle of “this is amazing, this is actually awful, no wait it’s amazing!” that I go through every time I write a book, and getting to the “it’s amazing” phase is really satisfying. And honestly, it’s strange to make things up for a living. Not gonna lie. I make up stories and get paid for it, it sounds fake. And it’s weird, but I love it so much! 

In addition to prose, you’re also a comics writer (as seen with your upcoming book, Frizzy.) Could you walk us through how you learned to write for a graphic novel medium and what writing the script was like for Frizzy?

I am a huge graphic novel fan, so my first stop in learning to write them was pulling from my experience as a reader which is much like my prose. My incredible editor at First Second sent me a box of graphic novels as well, and a few scripts for me to study and learn from. Everything after that was a hands-on learning process but I adored it. I am a very visual writer normally, so writing graphic novels really appealed to me and I felt comfortable doing it. 

Aside from writing, what are some things you would want others to know about you?

I think people already know way too much about me because I talk too much on the internet, but I guess I wish they knew I am a harmless troll and a lot of the things I post about online are actually running jokes. Like the fact that I write my books in Wingdings 3. I’ve been telling people that for years but it’s not true at all lol. 

What advice would you give to other aspiring writers? 

Read a lot, don’t try to be perfect, and write what makes your heart feel like it’s about to explode. 

What’s a question you haven’t been asked yet and wish you were asked (as well as the answer to that question)? 

How are you? Just kidding, I wish people asked me more about my young adult writing! I’m currently working on a dual POV sapphic murder myster fantasy I’m really excited about that’s based on Dominican folklore and I hope to go on submission with it this year. 

Can you tell us about any new projects or ideas you are nurturing and at liberty to discuss? 

I can’t really talk about my other projects at the moment but I just handed in Witchlings book 2 and it’s not only bigger, but more dramatic, and a lot of fun. 

Finally, what LGBTQ+ books/authors would you recommend to the readers of Geeks OUT?

Definitely Ryan La Sala, Leah Johnson, Phil Stamper and Kalynn Bayron! 

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Interview With Author Amelia Loken

Amelia Loken writes Young Adult Fantasy and Contemporary fiction, exploring the courage of people who forge bridges from the shards of old obstacles. Professionally, she’s worked in the Deaf community as an ASL/English interpreter and currently in the field of assistive technology. Not only has she studied sign language, but also swordplay, embroidery, music, theology, disability rights, and the history of pirates; bits of this flotsam turn up in her manuscripts without invitation. Her debut YA Fantasy novel, UNRAVEL, is an Amazon bestseller and tells of Marguerite, a deaf princess who must oust her uncle from his ill-gotten throne relying on her embroidery magic, a homemade invisibility cloak, and the one boy she never should have trusted.

Amelia lives in Arkansas on the edge of a wood with her husband and five sons. Though she technically has no pets, she will feed any animal (or kid) who comes around whining for food.

I had the opportunity to interview Amelia, which you can read below.

Tell us a bit about yourself. 

I am a writer who seeks for hope and happy endings in the middle of the storms. Many of my stories center around disability and the d/Deaf community. I worked as a licensed sign language interpreter for several years until I started losing my own hearing. I consider myself an ally and advocate for disability rights even as I fight my own internalized ableism. I’m a grad student, earning a Masters in Public Administration and use ASL interpreters in classrooms settings to support my communication needs. 

When life gets hard, my self-care is either reading or creating. Often, I’ll do both. I’ll listen to an audio book with the volume cranked up while embroidering. Stabbing something a hundred times is self-soothing, but eventually the needlework becomes rather beautiful and that’s always so satisfying.

How would you describe your debut book. Unravel, and its origins? What kind of things can readers expect? 

Unravel is the story of Marguerite, a deaf princess who has been hiding her embroidery magic from her tyrannical uncle who is waging a war against witchcraft. Everyone believes magic is gendered. Gifted women can use it to make jewelry and charms, enhance meals or make medicines, or stitch it into clothing. For a period of time after they use magic, their aura is visible to men who are voyants – and can condemn them to death. Marguerite can do both. In chapter one, she meets Tys, an itinerant acrobat who is gifted in both too, as they attempt to rescue a child from the witch trials. As Marguerite’s uncle’s power grows, she must flee her kingdom – for safety and to master her craft. The Fates cross her path with Tys’ several times, tangling their lives and their heartstrings. When her uncle makes his ultimate bid for power and Marguerite must challenge him, all she has is the truth, her homemade invisibility cloak, and Tys, the one person she never should have trusted. 

When did you know you were first interested in writing, and what drew you specifically to young adult fiction and speculative fiction?  

My mom was a children’s librarian, so I practically grew up in libraries. I’ve always loved stories, but never thought of myself as a writer, until it became a tool for me as I battled depression.

I love all sorts of books with magic, alternate history, or interesting futures, but you’ll usually find me reading those books created for young people. I do read some adult fiction, but mostly in the romance genre. I generally steer clear of anything “hardboiled” or bleak. I’m a girl who loves a happily ever after. I’ve dealt with emotional abuse when I was a child and with depression as an adult, so if I’m going to go through a harrowing experience between the pages of a book, it better reward me with something good at the end. I need it for my own mental and emotional health.

How would you describe your writing process? What are some of your favorite/most difficult parts of the process? 

I start with the spark of an idea. Do a little exploratory writing. Try to figure out where it’s going. Get some vibes going with a Pinterest board and a playlist. Sketch out a plot. Then I write. Lots of words. All the description! The world-building, clothes, the expressions, all the shrugs, background info. It’s all in there. THEN, I have to figure out what’s the most important parts for the story and move the rest of it into the computer version of an attic. I still have it, but don’t look at it again. I go back through with more precise trimming of the text. Again and again until it’s the right shape and story. Unravel was – at one point – 170,000 words. That’s twice as long as your average YA novel. I whittled it down to about 105,000 words by the time it was published. So cutting back on so much of what feels important can be really hard. It’s the most difficult part for me, but when it’s done, I see that my story is still there – like a rich, complex broth that simmered down to its essence through that process.

The most enjoyable part of the process for me is drafting the story. There’s still so many possibilities. It’s just the story and me. I’m currently in that place with another manuscript right now and it is pure joy! 

At any point during your life have you found media (i.e. books, film/television, etc) in which you could see yourself reflected or relating to in terms of personal representation? 

I grew up in a family with three siblings, a dependable, loving mom, and an unstable, charismatic father. My dad was intellectually impressive, but struggled with mental health issues, affecting his employment, so we moved often. My siblings and I were each other’s friends no matter where we lived. We became a unit, despite our personality differences. I find this reflected in a lot of ensemble casts and found-family stories. I am a big fan of Avatar: The Lost Airbender. My family watches the full series at least once a year. I love Shannon Hale’s Books of Bayern series beginning with The Goose Girl. I’m anxiously awaiting more books in Susan Dennard’s Truth Witch series. I want to join Kaz, Inej, and Jesper in whatever heist they are planning next on the screen or in Leigh Bardugo’s books. If I’d read the Circle of Magic series by Tamora Pierce when I was a teen, I would have ached to join Briar, Sandry, Daja and Tris at the Winding Circle temple. 

Juliette Marillier’s Wildwood Dancing, a retelling of the twelve dancing princesses set in Romania and Crown Duel by Sherwood Smith both have looming, suffocating danger and slow-burn, yearning romance. These recreate the vibe of my teen years and is what I tried to recreate in Unravel.

As someone who is part of the d/Deaf/HOH community, disability seems to be strong element in your work – How did you set about representation in your book, particularly representing a three-dimensional language like ASL onto the page?

I wanted to be sure that sign language was understood as a language and lip-reading as a tool. Often both are minimized as fun party tricks. ASL wasn’t recognized as a language (outside of the Deaf community) until 1965 and there is a history in the United States and elsewhere of sign language users being isolated and even punished for using it. It’s a traumatic part of Deaf culture and Deaf history. I wanted to give readers a taste of what many d/Deaf individuals experience through Marguerite’s story. 

She learned “hand language” as a young child, but when her religiously zealous uncle thought her use of it a sign of deviltry, he crushed her dominant hand. When we meet her, she hasn’t signed for twelve years and doesn’t remember using “hand language.” When it is reintroduced, she has a new way of communication that brings freedom. Marguerite’s magic-imbued silver hair combs – which act similarly to bone-conduction hearing aids – are not a “cure” for her deafness, but they are helpful. Between the combs and lip-reading, she is able to understand most of what is said to/around her. However, there are times when she can’t hear everything. I use ellipses to indicate the gap of information. (i.e. “Whilst the trial proceeds…stitch the essence…speed, not precision.”) From context, Marguerite and the reader can puzzle out what’s being said, but when the speaker is too far away or turns their back, whatever is being spoken is totally missing. This reflects my experience and that of others.

Now as for the three-dimensional language, I don’t have specific hand shapes or movements mentioned often. For the average hearing reader, the signs mean nothing. I tried to stay in close first-person point-of-view, so when Marguerite sees signs she understands, she’s not going to think of hand-shape and movement, but of what it means. She sees a sentence: “I can visit you,” rather than the position of fingers and palms. When I do mention signing movements, it’s in moments when Marguerite is struggling to understand what’s being communicated with those particular hand shapes and movements. But most of the time, there will be sentences with he signed rather than he said as dialog tags. My intention is for the message to become more noticeable than the means of communication – until that communication is interrupted or obstructed. 

A unique facet of your world building involves craft-based magic. Could you speak about this, and how you might have developed it? 

I come from a long line of creative people. My mother and grandmothers were very skilled in baking, cooking, and general homemaking, but my grandmother tried to do a task each day that she wouldn’t have to do again. Dinner must be cooked again tomorrow. Clean laundry will be dirty next week. Canning jars of food will be eaten by next year. So, the women in my family made quilts, curtains, embroidered tea towels, Christmas ornaments, pretty hair ties, home-made jewelry, fashionable (and not so fashionable) clothing. It was economical and a great creative outlet. This thrifty creativity was very much a part of my upbringing though not as common in some of my friends’ homes. I wanted to explore and celebrate the “women’s arts” in this magic system.

You might also notice that many of the books/shows I mentioned above are element-based magic systems. The idea that ‘I can master this, and you/they can master something else and together we coordinate some kind of plan using all our skills,’ is a cooperative perspective centered in my core beliefs. I linked embroidery magic to the element of air in Unravel, and hint at what elements other skills are connected to.

What advice would you give for authors for portraying disability (whether that of their own or of others) within their own work? 

Do the work. 

I think it’s very important to be own voices when possible, but if not, then you, the author, must do the work to understand what it means to be in this body, facing these obstacles, experiencing this discrimination or fighting against this bias. I am hard-of-hearing, but wasn’t always. I started learning ASL in my twenties and became a serious student for the past thirteen years. I earned a bachelor’s degree in ASL/English Interpreting. I have worked as an interpreter for d/Deaf clients and have d/Deaf friends. Yet, I still had Deaf friends look over my manuscript. There were points they brought up and I corrected. Still, there may be other things I overlooked. But I know that I put in the due diligence necessary to create as authentic as possible characters and situations that would feel real to a d/Deaf readers. 

What’s something about deafness/disability you might want someone to take away from this interview?

We are all human. We each are vulnerable, and we are each valuable. There’s no reason to avoid persons with disabilities. Fifteen percent of the world’s population is disabled in some way, but most of us will experience some kind of disability during our life. It might be short-term while recovering from surgery or an injury. It might be longer if disease or age brings limited mobility, sight, hearing, or cognitive function. Reading, especially with first-person point of view from a disabled character, can be the closest thing to experiencing the emotions and perspective of living in a disabled body right now. I invite readers to embrace that experience. Use it to grow your compassion and fight your internalized ableism. Use that compassion to push for equity and accessibility for all.

Are there any projects you are currently working on and at liberty to speak about?

I have a contemporary YA project that centers around a hard-of-hearing, theatre geek who is in denial about her dad’s mental illness until he hits a crisis. When she joins a fencing team, and meets two handsome ASL users (one Deaf, one selective mute) she learns to trust herself, her teammates, and the truth about her gaslighting dad.

The other is a newer project, but I’m having so much fun! It’s a dual POV mash-up of D&D and Steampunk. Zeota is a typical Non-Player Character – an indentured craftsman with low-vision who makes equipment for all the explorers. Since she uses a Brailler to take notes and a white cane around town, no one expects her to go on adventures. When the only survivor of a missing exploring crew stumbles back to town and tells of a “dragon” who attacked them, she’s hard to convince. But when her delivery of his especially commissioned armor goes awry, she finds herself stuck in the Wilds on a journey she’s always dreamed of, partnered with her one-time crush who’s been hiding his hearing loss from everyone. Unfortunately, it’s a race against a rogue crew who believe the news of a dragon in the Wilds and plan to bring it back to civilization, dead or alive.

What general advice would you give to aspiring writers?

The first is to develop your craft. This can be done in a variety of ways. Writing-craft books are definitely a go-to for me. I also love that there’s so many podcasts out there with writers and writing advice. I’ve sampled some free online writing resource classes, too. There’s also a lot of great learning opportunities through writing organizations. Find one that fits you and your chosen genre and dive in! I’ve been a member of SCBWI since 2012, and though there have been some issues with leadership that have come to light, I have gained so much from this volunteer-driven organization. The conferences and meet-ups have offered good tutelage in writing craft and how to get started in publishing. Often there are editors, literary agents, and more established writers on faculty who share bits of truth that applies to whatever I’m currently struggling with. That said, I don’t believe there is ever ONE piece of advice that fits all, so I’d advise taking it all with a grain of salt and to sample widely.

I also believe that developing a “writer’s room” for yourself is really important. I’m using the term “writer’s room” to include any critique group, critique partners, or other writing pals you may have. Critique partners and groups can be found through writing organizations, like SCBWI, which is how I found my first group, as well as online, through book clubs, or even your local coffee shop.  I’ve been a member of several critique groups sometimes multiple groups/partners at once. Each one had a different feel and were of varying sizes from nine to three. Notice if your “writer’s room” looks just like you and try to make/keep it diverse: writers who have skills you admire, those who may be newer at the game but could use some pointers, writers with different backgrounds and life experiences. Developing more relationships and wider circles (even if just acquaintances) can help you if/when you find yourself in a weird (read: toxic) situation. When things get awkward and you question yourself – 

Is it me? Is it really that bad? Maybe their harsh criticism really is the truth? 

Creating your “writer’s room” means you’re never dependent on just one person or group for writerly advice. Even if you’re “just acquaintances,” most writers are happy to offer you a gut check if your crit group is heading toward AITA drama.

Finally, are there any books, particularly books showing disability/deaf rep you would recommend to the readers of Geeks OUT?

A great start is the graphic novel, El Deafo, by CeCe Bell. It’s an autobiographical story that is frustrating as well as heart-warming.

If you’re into creepy, older YA, you should definitely pre-order Kelly Andrew’s debut novel, The Whispering Dark, coming out this fall. Kelly is Deaf, as is her protagonist in this dark academia, enemies-to-lovers novel with an Orpheus/Euridice vibe. 

Sara Novic’s debut novel, Girl At War, which revolves around the Yugoslav Wars of the 1990s, broke my heart a few years ago. I discovered she is Deaf and follow her on Twitter for pithy, anti-ableist nuggets. I’m looking forward to her deaf-centric novel True Biz which comes out this Spring.

I’m super excited about All for One, which is a gender-bent retelling of the Three Musketeers by Lillie Lainhoff. The author and the main character, Tania, have the chronic illness POTS. Characters and individuals with chronic illness or disability can fight injustice and defeat bad guys. They might need to wait until they have enough spoons, but then watch out!

I’ve also enjoyed the Bergman Brothers adult romance series by Chloe Liese. The first book, Only When It’s Us, has a frenemies-to-lovers vibe with a deaf leading man. The other books have all the classic tropes I enjoy in romance and seamlessly include main characters who have chronic illness, anxiety, and neurodivergence. The next book coming out is a m/m romance with the next brother in the family line-up.

A great non-fiction book is Read This to Get Smarter: About Race, Class, Gender, Disability, and More by Blair Imani, a queer, black activist, author, and historian.

Other great books: Feeling Like Home by Haleigh Wenger explores Crohn’s disease in a teen who gets thrills from vandalism. Padma Venkatraman’ novel, A Time to Dance centers around a dancer who’s had a below-the-knee amputation and is trying to recapture her joy of the art while using a prosthetic. Oh, and I have to include Unbroken, an anthology starring disabled teens, written by disabled authors, and edited by Marieke Nijkamp.

There are also many great individuals and resources online that have helped me examine my own internalized biases and live like a better human: 

Spencer West – double amputee, wheelchair user and motivational speaker: www.spencer2thewest.com

Deaf rapper Warren Snipe aka ‘Wawa’ www.diphopwawa.com

Blair Imani – Author, activist, and historian. Creator of #smarterinseconds www.blairimani.com

Respect Ability: Exploring intersectionality of LGTBQ+ people with disabilities www.respectability.com

Blind LGTB Pride International: www.lgtbpride.org

Rainbow Alliance of the Deaf: www.deafrad.org